CONTACT - NEW ALBUM OUT NOW
subfocus.lnk.to/contact 

ROW bookings: tom.jones@unitedtalent.com
North America: mrodriguez@teamwass.com

"One of the hottest electronic labels in the world" - Hype Machine

Anjunadeep Explorations Label: @explorations-label

Listen to Leaving Laurel 'our lives entwined': https://anjunadeep.co/ourlivesentwined.pbt
Listen to Romain Garcia ‘EURÊKA!’: https://anjunadeep.co/eureka.PBT
Follow ‘Anjunadeep 2025’ playlist: https://anjunadeep.co/deep2025.pbt
Follow ‘Anjunadeep Essentials’ playlist: https://anjunadeep.co/essentialsplaylist.pbt
Spotify: https://anjunadeep.co/spotify.pbt
YouTube: https://anjunadeep.co/youtube.pbt

DARKMTTR Records | Bookings: ESP Agency
T: +44 20 8740 0533 
http://esp-agency.co.uk/artist/spy

Moving to London from São Paulo eleven years ago, S.P.Y was quick to establish himself within the UK drum+bass scene. After six months of working with only basic equipment, S.P.Y’s natural talent for production saw his first ever release signed to Metalheadz in 2005, with a release on Hospital’s Medschool imprint soon following in 2006.  S.P.Y began collaborating with artists such as Marcus Intalex, Total Science, Kasra and DJ Marky. In 2009 S.P.Y released his first solo EP on Marcus Intalex’s label Soul:R and had releases on many other labels including Digital Soundboy and Innerground. 

The following years were immensely successful for S.P.Y, with Friction including five S.P.Y tracks on his MoS compilation and Andy C featuring four tracks on ‘Nightlife’. Proving his production quality and consistency in 2010 / 2011, S.P.Y delivered standout releases on Ram, Metalheadz, Critical, Shogun and Spearhead – Most notably the anthemic ‘By Your Side’. S.P.Y also took on high-profile remixes for the likes of Deadmau5, Claude von Stroke, LTJ Bukem, Chase & Status, Delilah and Zinc ft. Miss Dynamite, with S.P.Y’s own personal re-lick of Zero 7’s ‘In The Waiting Line’ becoming a signature in his live sets.

Signing to Hospital in 2012, his debut LP, ‘What The Future Holds’ was released to critical acclaim. The LP not only received significant support from fellow artists and topped online sales charts, but was also awarded the coveted ‘Best Album’ at the annual 2012 Drum & Bass Arena awards. S.P.Y backed up this release with a relentless tour schedule of Australia, the United States, Canada, Russia, Asia, New Zealand and Europe. 

S.P.Y’s skills behind the decks rival his studio talents and he delights fans with an educated blend of old school classics and fresh new beats. Always one to stay true to his roots, S.P.Y has a unique ability to bring his trademark underground sound to a worldwide audience. Alternating between beautiful, orchestral, musical sets and dark, rolling mixes, S.P.Y captures the emotions of the crowd. Whether he is playing at a high-profile festival or an intimate club show, S.P.Y always delivers.

In 2013 S.P.Y was again busy touring the world, playing at major festivals such as Tomorrowland, Global Gathering and Electric Daisy Carnival. He delivered successful remixes of James Zabiela’s ‘Perseverance’, Chris Malinchak’s ‘So Good To Me’ and Five Knives’s ‘All Fall Down’ on Red Bull Records. In addition to these achievements, S.P.Y was also selected to write, in collaboration with London Elektricity and Diane Charlemagne, the theme song for the 2014 Street Child World Cup. The track ‘I Am Somebody’ has helped to generate awareness and bring a new interest to Street Child World Cup, advocating for street children’s rights worldwide.

Moving into 2014 and S.P.Y is taking us ‘Back to Basics’ with his second LP. Released in two parts over the coming months, ‘Back to Basics’ draws inspiration from the deeper, darker sounds of drum+bass, and features collaborations with Total Science, Rene La Vice, and vocalists Diane Charlemagne, Grimm and DRS MC.

If any D+B artist can truly claim to be the “producers producer” then Carlos S.P.Y surely has a good case. If the comments on this album by his luminaries are anything to go by: "One of my fave producers" says DJ Hype, "Carlos back to his filthy best!" say Total Science, "There's only one S.P.Y” says Doc Scott.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Management: mattie@involvedmanagement.com
UK / EU bookings: jason@earth-agency.com 
US bookings:  brent@good-direction.agency + caroline@good-direction.agency

Quality will find its way.
Booking: jane@this-saturday.com

ME & her (Techno Alias: YENI) is a hugely driven person. Once she fell in love with music she decided she wanted to make her own, so she spent time back then in Techno clubs watching and learning from the DJs. Even though she was only 15 years old, she learnt how to get sounds of analog synths and Fruity Loops, took what she made and handed it out on CDs to people who went to Leipzig’s 10/40 techno club. She started to build a profile and now, years later, the East Germany born artist is a regular on the global circuit who has played across Europe, South Africa, India and the United States under her alter ego "ME & her".  

After years as ME & her, which took her to key parties round the world, she has focussed also on releasing Techno under her alias YENI. She is a strong willed character who does things her own way. Music brings out visceral reactions in her, and she always tries to convey the same strong feelings with her productions and DJ sets.  

“I am not the kind of fish that swims with the shoal,” she states. “I am the one who tries out exactly the opposite; the things that are not currently hyped.” As such, this classically trained pianist, vocalist and former soprano choir singer has a sophisticated sound that is keen to experiment and head in unknown new directions. It has lead to releases on well regarded labels like Suara, Armada Music, Hottrax, Toolrum, Redrum, Get Physical, Defected, Stil vor Talent and has found its way into the bags of tastemakers like Adam Beyer, Agoria and Charlotte De Witte. She is also an in demand vocalist who worked with other producers such as Drumcomplex or Kaiser Souzai.

Also with her own label "Cybors In Love" she has made it happen to have great artists releasing with her such as Wigbert, Rob Hes, Andres Campo from Elrow or Roland M. Dill from Cocoon.
 
DEEPHOUSE AMSTERDAM:  "The techno world has no end of exciting prospects, but even among these, the Swiss-based German DJ/producer truly stands out from the pack (...) you have developed a reputation as one to be watched in the future”
http://deephouseamsterdam.com/london/dhl-interview-yeni/  
DANCING ASTRONAUT: "Pretty sick techno! Some of the best we've heard on here"
EARMILK: "YENI puts the pedal to the metal with her new HANG ON EP"
https://earmilk.com/2017/11/10/yeni-puts-the-pedal-to-the-metal-on-her-new-ep-hang-on/
DRUMCOMPLEX: “I have had the pleasure of working with a lot of highly talented ladies like Klaudia Gawlas, Misstress Barbara, and DJ Yeni”
http://www.6am-group.com/drumcomplex-discusses-recently-released-complex-ep-on-off-recordings
CHANGE UNDERGROUND: "YENI is an artist Techno needs right now"
https://change-underground.com/yeni-techno-needs/ 
BIG SHOT MAGAZINE: "After a few more releases and a successful showcase at ADE, YENI is closing out 2017 with a bang by releasing her Hang On EP"
http://newsflash.bigshotmag.com/mp3s/stream/53610/ 
EUPHONICS: "YENI's guide to running a label in 2017" 
https://www.euphonics.org/nandf/2017/11/15/yeni  
CHANGE UNDERGROUND: Ask The Label Manager: "YENI - We are all Cyborgs now"
https://change-underground.com/yeni-we-are-all-cyborgs/
MY MUSIC MOMENTS: "I am doing nearly everything beside the administrations myself. So I am the A&R, the graphic designer, the marketing strategist, the event planner and remix pitcher as well as the bookkeeper for my label"
http://mymusicmoments.com/yeni-hang-on-ep/

Lydia Bänziger is following