Vinyl LP available at http://diskoobscura.com

Gear List:

Roland TR-808, TR-707, TR-606, CR-78, CR-8000, SH-101, Juno 60, JX3P, SVC-350 vocoder, CSQ-600 sequencer, RV-100 reverb
Boss DR-55
Korg Mono/Poly, Polysix, Poly 61, 700s, 
KR-55B, SR-120
Sequential Circuits Pro One
Moog Prodigy
Arp Solina String Ensemble
Oberheim DX
Electro Harmonix DRM-15, Memory Man, Small Stone, Electric Mistress
Mu-Tron Phasor
Eventide Space (digital)
Sound Master STIX ST-305
Univox SR-55, SR-95
Ace Tone Rhythm Ace FR-1, FR-6
Multivox Rhythm Ace FR-7M
Maestro Rhythm King MK II, MK IV
Seeburg Gulbransen Select-A-Rhythm
Drumfire DF-500 drum synth
MTI Auto Orchestra
Farfisa Compact Duo
Alesis HR-16B 
Casiotone CT-410V

WMX - EAST LOS ANGELES

DARKMATTER SOUNDSYSTEM

VOID TACTICAL MEDIA

REMIXES AND BOOKING INQUIRIES - WMX667(AT)GMAIL.COM

HOLODECK is a tape and vinyl record label from Austin, TX founded in 2012, owned and operated by members of S U R V I V E, Troller, Thousand Foot Whale Claw & Future Museums.

LABEL CONTACT
holodeck.records@gmail.com

Lawrence Pearce is a Los Angeles based artist and electronic musician.

A Unity of Miseries:
HFF is an Electro-punk act from Los Angeles, USA, in the vein of bands like Portion Control and Cabaret Voltaire, as executed by electronic body mutants Greg Vand and Susan Subtract. Their unique hard beating electronics is heavily infused with body horror and seeks to revive us all from our spectacle-induced coma. Unlike the swarm of revival, retro, and oldschool bands out there hoping to capture your nostalgia or naivety, HFF is looking to pump your bodies and refresh your mind from the tired beat.

Everyone's wings get clipped in this life~
Is your backbone willing to break?

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



No demos

🗓️ Mannequin Records showcases
alex@neptunemusic.net / sari@neptunemusic.net

Distro > http://www.rushhour.nl

Bandcamp http://bit.ly/NcCZYL
Beatport http://btprt.dj/1eGHvo5
Juno http://bit.ly/1hZtSIH
Boomkat http://bit.ly/MBEvCM

BOAN is following