Love this all sorts of going on from mild soulful hypnosis to the ghosts of acid house

This is truly an amazing track! I selected it in this weeks music selection: https://soundcloud.com/kono_vidovic/364-mj-cole-jayda-g-alps-2-simona-drive-jacques-renault-the-vision-black-loops-ouer ❤️

A: King Bromeliad
AA: Montparnasse 

Out soon via Eglo Records

EGL037 King Bromeliad

Percussions - KHLHI (TEXT029A)

I just found out my remix of Tevo Howard's "Boing Pop" has been included - without my approval - on the Hed Kandi Beach House 2014 compilation. I usually feel honoured when my music is selected for these types of things but I mean Hed Kandi is this total horror-conglomerate that uses retarded imagery drawn straight from the sexual fantasies of horny twelve year old boys to pimp a very sad idea of house music to the masses, so this time I just feel depressed. What's worse is that the owner of Rebirth (the label who originally released my remix) edited the track - again without my approval - into something shorter and clumsier, completely fucking up the flow of the music. Please don't support this bullshit - if you like the tune, you can now download it (the real version) from my Soundcloud page, free of charge. Enjoy!

Tevo Howard - Boing Pop (Kornél Kovács Remix) - FREE DOWNLOAD

One More Pad - (Joe Polar Remix)

Because You Move Me

Buy vinyl/digi here: bit.ly/rs008Bandcamp
iTunes here: smarturl.it/MidnightInPeckham

Rhythm Section International proudly presents it’s 8th offering from local boys Chaos In The CBD. Born in New Zealand, but based in Peckham for the last few years (literally just around the corner from Henry Wu and Bradley Zero), these brothers have made a real mark on the scene here in London town and with their latest set of productions are set to take this message further afield. 

Having already released internationally on labels such as ClekClekBoom (Paris), Hot Haus (London) and Amadeus (Montreal), the duo’s approach to production has matured immeasurably in the last year, as is evident in the restrained potency and poetic subtlety on the 4 tracks across this accomplished EP, Midnight in Peckham. 

Taking it’s title from the locale the boys have come to know as home, the record channels a delicate late night energy - equally indebted to the hypnotic incantations of Ron Trent as it is to the hazy suburban atmospheres of Burial. These 4 classic cuts pay homage to deep house in it’s truest sense - at once sublime, melancholy and meditative. Chaos In The CBD have clearly taken their cue from the mid-west masters of the genre but have not been afraid to let their own influences and environs creep in, and in doing so have created something that is unmistakably London and in fact, timeless.

Chaos In The CBD - Luxury Motivation

Omar S - Heard' Chew Single

Video here - https://www.youtube.com/watch?v=HUV-B0VsdDI

Completing a triptych of fantastic LPs for 2016, Will Saul’s Aus Music is delighted to announce the debut full length fromYouandewan. The Berlin based Brit’s ten track ‘There Is No Right Time’ lands in October 2016 and shows a distinct development of his musical style.

Youandewan is Ewan Smith, a DJ and producer who has quietly but consistently gone about forging his own tender brand of deep house. He has been doing so since 2009 and most recently settled on this label with tracks that are shy but seductive, and full of both motive and emotive forces. This album stays true to that narrative, but sees Ewan finding his feet with his mostaccomplished and elegant work to date.

Much of the music was sketched out during a wintery Berlin three years ago. Having left London, hungover from a breakup,Smith found himself broke and secluded in an apartment for four months. All this lent the music he wrote a melancholic vibe;one that nods to the lonely nature of the job and to the darker side of constant partying and all that comes with it.

A swelling, expansive piece of melodic atmospherics starts things off, then the soft hues of analog chords bring a neon glow to

the weightless whirl of ‘Be Good To Me, Poly.’ Soaring synths marry with a raw drum and bass combo on “Waiting for L,’ then ’Time To Leave (Can’t Mix)’ resets to a piano laced beatdown vibe that is wilfully wallowing. ‘10405 (Alice)’ is a shimmering, crescendoing piece, and from there the second half of the album begins to take an upward and optimistic swing through the floating, graceful harmonies of ’Our Odyssey.’

‘Something Keeps Me Real Quiet’ is a concession to the ‘floor with its rusted electro slither, ‘Left On Lucy’ calls upon friend Huerta for a hi-tech soulful house cut Derrick May would be proud of, and 'Earnest Kelly' nods to the ‘80s with its stomping retrosynthesis. Finally, ‘4D Anxiety’ allows all the pent up emotion and energy to dissipate with a playful hip-hop jam effortlessly tapped out on an MPC.

‘There Is No Right Time’ is a listening album which proves that deep house done well needn’t be reserved for the club. It’s a vulnerable and musical work that stays with the listener long after the final chords have dissipated.


There Is No Right Time

Youandewan 'Waiting For L'

church volumes 003

a1/ nicholas - alma ft. paul cut
a2/ jesse futerman - a tribute to horace
b1/ seb wildblood - open up
b2/ philip budny - eclipses

CHURCHV003

out now

Seb Wildblood - Open Up

vinyl

wet plants (telephones remix)

* Read more: https://boltingbits.com/hiatt-db-6-oclock-rock-rhythm-section
* Watch on YouTube: https://youtu.be/mcHtlvLAeqg
* Pre-order: https://rhythmsection.lnk.to/Palimpsest

From the backwaters of New Orleans, founder of the Mystery Zone imprint and parties Hiatt dB bursts onto the international scene with glorious technicolour debut EP ‘Palimpsest’, marking our first recruit from the US of A. Having grown up in the Gulf Coast’s San Antonio, Hiatt made the move to New Orleans in 2015 with his heart set on exporting the sound of the Gulf South to the global discourse. Here, newly exposed influences from the Mediterranean to West Africa, Brazil through to the Caribbean motivated him to begin making dance music and performing as a percussionist and DJ.

True to the drum city, Hiatt doesn’t let up on the rhythmic assault. From joyful piano stabs and dizzying percussive crescendos in ‘Sun Spell’ to the intricate snare rudiment of ‘Palimpsest’; the sizzling, hypnotic ‘Big Easy’ stylings of ‘6 O’Clock Rock’ to basking in the euphoric, sparkling breaks of ‘Everyday Break’. It’s the warm afterglow you need as the journey of the record comes to it’s triumphant conclusion. We couldn’t be happier to have Hiatt dB joining the RS family.

Palimpsest

PREMIERE: Hiatt dB - 6 O'Clock Rock

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PREMIERE: Hiatt dB - 6 O'Clock Rock

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