Dunno, just like it

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Field Recordings

yerp

contemporary

Remixed using stems provided by the artist at&#13;
<a href="https://www.facebook.com/sonicterror/posts/10151908242447173" rel="nofollow" target="_blank">Post</a> by <a href="https://www.facebook.com/sonicterror" rel="nofollow" target="_blank">end.user</a>.

end.user - Fear (echoes remix)

Saturn, Jupiter

Not finished properly - should serve as a reminder to finish properly.

If I had the patience to finish with you I truly would believe me.

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Image is detail of an original photo by Sean McGrath https://www.flickr.com/photos/mcgraths/, license at https://creativecommons.org/licenses/by/2.0/

150221 201507

For over fifteen years, ZU's modus operandi of straddling and abusing musical genres has resulted in over fifteen unique album releases across labels such as Ipecac, Atavistic and Headz (Japan). Their experimental amalgam of metal, math, no-wave, noise and electronics, led acclaimed composer John Zorn to describe their sound as "a powerful and expressive music that totally blows away what most bands do these days".

08 Conflict Acceleration

Background, context, and poem text: http://www.brainpickings.org/2015/03/18/amanda-palmer-wislawa-szymborska-possibilities-poem-reading/

Photograph by Allan Amato. 

MORE / POEM TEXT

Amanda Palmer reads "Possibilities" by Wisława Szymborska

Music For An Incidental Audience
Arles sur Tech, Pyrenees Orientales France, January 2010
Using recordings we made of a XVII century organ at the local Saint Mary Abbey, and field recordings of the river Tech, we composed a series of two to four minute sound pieces. These were transmitted every half hour through the loudspeaker announcement system located in the streets of the town centre of Arles sur Tech for a duration of ten days. We thereby transmitted the sound of the historic organ for the first time into a public space outside of the abbey and also outside of conventional listening environments where a strictly focused listening experience is intended. This allowed the audience (passersby) the freedom to choose to focus their listening on the music as either foreground or background. It was my intention that the music played back quietly through the loudspeakers would be as easily ignorable as interesting, and that the borders between the natural sounds of the environment and the music become blurred.

Orgue

End.user - The 9th Day - Faction Digital Recordings FDR

End.user - The 9th Day (Original Mix)

Gate 4

Balkansky and End.User - Cloudy

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. See more details here: http://bombmagazine.org/article/8198124/field-recording

Aki Onda: Field Recording #7

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/1293315

Aakash  Mittal's Album

Aakash Mittal: Field Recording #9, "Ghosts"

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: https://bombmagazine.org/articles/field-recording-3/

Lea Bertucci: Field Recording #8

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Click here for more details: http://bombmagazine.org/article/610168/field-recording

Alan Courtis: Field Recording #12, "Osaka Pachinko"

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/1835613

John Fell Ryan: Field Recording #10

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/9212619

Bill Orcutt: Field Recording #11, "Crossroads (2009)" & "Auckland Hotel Room (2010)"

Sharif Sehnaoui : electric guitar
Michael Zerang : drums
From the Michael Zerang duos album "Cedarhead" www.almaslakh.org

Sharif Sehnaoui & Michael Zerang

Interview with Lynn Standafer / Music from End.User

Songs:
1) Resist
2) Retribution (Featuring Sol Thomas)
3) Retaliation

https://www.facebook.com/sonicterror/
https://end-user.bandcamp.com/

Cold Waves VI:
coldwaves.net/
metrochicago.com/cold-waves-vi/

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Cold Waves Soundcheck

612 - End.User

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/276296

Byron Westbrook: Field Recording #13, “Silo and 224 Centre Synth”

Silent Killer returns following the success of last year's "EVERYONE BLEEDS", and this time he's brought co-producer Breaker along and a star studded list of collaborators on "AMONGST VILLAINS". Everyone who is currently making waves in the world of hard drum n bass makes a contribution, yet the album is surprisingly diverse, melodic, and memorable. From Counterstrike to Cooh to DJ Hidden to Pendulum's KJ Sawka, "AMONGST VILLAINS" delivers on all of your frenetic, high-energy dancefloor drum n bass needs. But where Silent Killer and Breaker make the leap is with their serious foray into the worlds of Dubstep, Downtempo, and Breakcore, with Scorn and Submerged putting in threatening appearances. Variety and the stunningly breathtaking quality of the synths, from Heaven-evoking pads to gnarled out reeses, take "AMONGST VILLAINS" to the electronic music's uppermost level.

I. I Will Die For You
II. Arm Lock
III. Divine (w. Enduser &amp; Syze)
IV. Foundry (w. Receptor)
V. The Gates (w. KJ Sawka)
VI. Puncture (w. Scorn)
VII. Galaxian (w. Cooh)
VIII. The Visitor (w. Counterstrike)
IX. Phantom Dust (w. DJ Hidden)
X. Amongst Villains (Rock Head)
XI. Supremacy Bleeds (Counterstrike Duo mix)
XII. Campaign (w. Submerged, Thanos &amp; Daryl)

Divine (Feat. End.user & Syze)

Artists in conversation since 1981. Every quarter in print, every day online.

Lea Bertucci: Field Recording #8

BOMB Magazine