a "Magical Mystery Tour" for sure! (Well perhaps not such a mystery as fine playing is always expected!)

top notch playing with a great Allman bros back and forth solo trading!!

Exceptional writing and playing. Love the nod to Allman Bros slide, but in a more sophisticated context. Great stuff as always!

oh yeah.. rock it man with that jazzy feel ..great track...have to listen again !

Related tracks: Sooner or Later

Its FRIDAY!!  Here is a little number thats unusually uplifting for me :-) Thank you for all of your wonderful plays shares and playlists too!!

 (c)   Vocalatti
         ASCAP

Draw The Lines

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation over a poem by German writer Christian Morgenstern (1871-1914).

Gruselette

Fasten your seat belts and head into space with this guitar driven track. Another collaboration between Graham J Williams and Heliopolis 5.
Words & Music: Graham Williams   -   Produced by Graham Williams & Heliopolis 5
Lead & Backing vocals: Graham Williams
Lead Guitars & Rhythm Guitars: Graham Williams
Brass, Bass, Drums & Keyboards: Heliopolis 5

Check out more of Heliopolis 5's excellent work by visiting his page: @user-555484870.

Sooner  or  later,  sooner  or  later,
Let the engines glow,  3  2  1  let's  go
Sooner  or  later,  we'll  head  for  the  stars,
We've  been  to  the  Moon,  got  a  date  set  for  Mars,
Space  exploration,  to  places  afar,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Space  exploration,  creates  fascination
Planets  beyond  our  Sun,  we  can't  be the only one
Out  there  beyond  the  stars  we  can  see,
Light  years  away,  lots  more  galaxies,
Head  for  the  future,  for  our  destiny,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Alien  creatures,  might  even  reach  us,
From  planets  beyond  our  Sun,  we  can't  be  the  only  one
The  stars  that  we  see  are  just  suns  in  the  skies,
On  some  distant  planets  not  seen  by  our  eyes,
We've  got  to go  out  there,  to  enlighten  our  lives
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Sooner  or  later,  sooner  or  later,      
The  journey  has  just  begun,
Travelling  beyond  our  Sun,      
The  journey  has  just  begun,            
Sooner  or  later, sooner  or  later, we'll  go

Sooner or Later

-> https://andersson-arte.com

Bandcamp [ https://mkandersson1982.bandcamp.com/album/mamamuski-remix-prerelease ]
Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]
-
I took an old demo I recorded and tinkered with it in some apps to see what I could come up with. I dare say this is a bit of silly fun, lol.
-
Mamamuski is an exuberant and incredibly catchy remix of one of my old bedroom recordings. This single will be available as a free Bandcamp exclusive up until its official release to major music platforms on November 30, 2025.

… Have you seen him?

Marty Andersson: Mamamuski (Remix) | Free Bandcamp Exclusive (Exp. Nov 30, 2025)

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

This my 80th song on SoundCloud！
There occurred many things around me for these several months including career change. The environment changed but I 'm still happy that I can keep on making music (^_^)
I hope you enjoy !!

Wandering Around With My Guitar

Love is nothing from above
it's only for a few
And you can't take it with you

Fear is nothing but a coward
That never had to walk alone
Under this rain shower

Love becomes tomorrow's sorrow
Nothing you can win
No time that you can borrow

Hope, what are we looking for?
Looking at the world around
Without an open door

Peace, the world will never see
No one can see eye to eye
Including you and me

Tomorrow's Sorrow

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

In the previous version (https://soundcloud.com/michele-ansani/gamma-o) there was excessive sound saturation. I kept only the vocal part (remixed) and redid the piano backing, aiming for a more minimalist result.

Gamma Ø: https://en.wikipedia.org/wiki/Gamma_Island_(Greenland)

I think a good English translation of the original lyrics isn’t easy, but I’ll give it a try.

Lyrics [ENG / ITA]

And so we go on
along these parallel routes,
we’ll go farther
without ever moving forward,
for how much longer 
will you walk with me?

And so we sink
into this whirl of sensations,
and over us, you’ll see, 
the water will close again,
for as long as
it will still be enough for us?

And we stay like this
we’ll be fine together,
we’re already far away 
without ever having left

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

-----

E proseguiamo così
su queste rotte parallele
andremo più lontano
senza avanzare mai
per quanto ancora
mi accompagnerai?

ed affondiamo così
in questo vortice di sensazioni
e su di noi vedrai l'acqua si richiuderà
per quanto ancora ci basterà

e rimaniamo così
staremo bene insieme
noi siamo già lontani
senza essere partiti mai

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

------

Lyrics and music by Michele Ansani (1982). Recorded in 2018 and 2025
Posted on SoundCloud on 2025, July 3.

Gamma Ø *

After completing the song, I found a noticeable spread between the highest & lowest notes.  So I had a hard time with the vocals.  I could have altered the notes to fit the voice but in the end I decided to go with the original.  Please bear with my singing.

The lyrics is extracted from a lengthy poem I came across on the web.
In the end, perhaps the plot doesn't make much sense anyway.  So let's assume it's just for the sake of making a song.   See what you think.

Thanks much for stopping by.

[CREDITS]
Music / Vocals / Programming / Arrangement :  Michael C. Lynn
Lyrics  :  Neruda / Merwin
Electric Guitar Solo :  Dave Cleveland @Band_in_a_Box

[LYRICS]
The memory of you emerges from the night around me
The river mingles its stubborn lament with the sea

In you the wars and the flights accumulated
From you the wings of the song birds rose

Cold flower heads are raining over my heart
I made the wall of shadow draw back,
Beyond desire I walked on

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

The happy hour of assault and the kiss
and spell that blazed like a lighthouse
I raise my song to you

I don't know how you could contain me
in the earth of your soul, in the cross of your arms

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank

.... Solo break....

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank
Ah haaaa

In You (Everything Sank)

'In The Citadel Of The MInd' is an exploration really of the imagination...the creative mind, or in my case, "In The Citadel Of The MInd". Utilising mixed genres, as the mind has many portals and avenues to wander down and through.. 

Dont Smudge The Ink

In The Citadel Of The MInd

Une chanson contre la violence conjugale...
A song against domestic violence...

Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Songwriter : Guillaume DULER
🎸J I M🎙️: @user-759566380

Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr soundcloud.com/robspiritduo/tracks

Vocal/iIntro&Final text : DelhyA

J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...


La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui ronge

Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide (help!)
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison

Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs là qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui

Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées

La tendresse des coups (quelle tendresse?)

Je ne peux les laisser atteindre ce rivage muet… où les vagues d'une mer intérieure contenue se brisent en silence...
———————————————————————————————————
I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...

Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away

And he says he adores her...always a little harder... until death

lie to the sun when the moon sees all
nights are cruel crushed by taboos
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly

And he says he loves her... always a little harder... until death

the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one

who said he adores her...always a little harder... until death

kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions

The tenderness of blows

I can't let them reach that mute shore again where the waves of a continuous inner sea break in silence...

La tendresse des coups (with 🎸JIM🎙️and Régis GAUBERT)

This is a live recording of "Burning Fire Blues," a fond remembrance of many nights spent with our families and friends around a cozy campfire in the Bieszczady Mountains.
Words by Walter Bobek (vocals and harp), music by Walter Bobek and Gunther Benedict (guitar).



Burning Fire Blues (live)

Go Blue!

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Thank you for visiting my SC page!
I have been playing in rock bands for more than 50 years having had many exciting gigs.
Playing in the band in front of an audience is an incredible joy especially playing my own original songs.
About ten years ago, I was having problems with my hearing due to playing too many gigs, so I decided to give my ears a rest and focus on making demos at home.
DAW software has made remarkable advances, and now it's easy to overdub and finish a song if you can play  instruments. 
In addition to playing in a band, I discovered the joy of completing songs with overdub on my own.While I was taking a break from my band activities, original songs were piling up on my hard drive one after another.
I wondered if there was any way to get more people to listen to my songs? 
At that time, I happened to learn about a platform called SoundCloud. Musicians from all over the world participated and uploaded their songs there. I also set up my own page on SoundCloud and used it as a place to release my original songs.
Since I started this page, quite a few listeners have come and given me a lot of positive comments. Much more than I expected! I am very happy to contact many excellent musicians through SC. 
Just when I thought I had resumed my band activities, the coronavirus pandemic began. Many musicians lost their place to work and were at a loss.
The pandemic has finally ended, and now Japan's venues have regained their former vitality.
Now I enjoy having gigs and making one-man band songs simultaneously.

Wandering Around With My Guitar

Boon Suzuki

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