Jamie Jones presents Hottrax, an underground-oriented label dedicated to showcasing the darker side of the dance floor.

For consideration for release on Hot Creations and Hottrax, please upload demos here for review: tstack.app/hotcreations

International House Music DJ collective for bookingsjt@constellatetalent.com

Max's rise to prominence reached new heights when he emerged as the victor of the prestigious Hannah Wants DJ Search in 2022. This incredible accolade solidified his talent and passion for crafting extraordinary sets that leave audiences craving more. Since then, Max has taken the scene by storm, captivating dancefloors and mesmerizing listeners with his captivating blend of grooves and beats.

Max Jones has graced some of the most revered stages in the world, leaving a trail of unforgettable performances in his wake. From the euphoric grounds of We Are Festival and the pulsating Lovejuice Prague to the vibrant atmosphere of Spring Break Amsterdam and the raw energy of Stereo Open Air Festival, Max's DJ sets are a testament to his ability to create a sonic experience like no other.

As a supporting act, Max has shared the stage with industry luminaries such as Hannah Wants, Ben Hemsley, Jamie Jones, Archie Hamilton, and David Morales, to name just a few. His impeccable taste and ability to seamlessly blend tracks have garnered him opportunities to perform alongside esteemed artists who recognize his unique talent and passion for the craft.

With a versatile style that effortlessly navigates between tech house and techno, Max Jones has become a sought-after name on prestigious tours and festivals. From the pulsating beats of the What Hannah Wants Tour to the underground vibes of Sorley's Streetbox UK Tour, Max has carved a niche for himself, captivating audiences with his infectious energy and masterful mixing skills.

Max's discography of supported acts reads like a who's who of the electronic music scene. From the soulful sounds of Sam Divine and MK to the raw and gritty beats of Solardo and Patrick Topping, Max has shared the stage with a diverse array of talent, each leaving their unique mark on his sonic journey. Acts like Blk, Low Steppa, The Shapeshifters, and Richy Ahmed have also been part of Max's electrifying performances, further solidifying his status as a tastemaker in the industry.

For all bookings and inquiries email:

Maxjones.mp3@gmail.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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