Welcome to my latest track - it's a heavily layered song, with something ridiculous like 8 guitar tracks in total.

Your talent shines through every beat and lyric.

bradley-cronk beat selection elite🔥, you need real fans, we got you check the page

Samples voices : « The Drum » (Kristin Carpenter).

BABY WON’T YOU LET ME

Vogelsanger II

Wunderland

Fading into Silence explores the slow dissolution of memory through a cinematic trip-hop ambiance. Driven by hazy textures, whispered vocals, and post-rock harmonies, the song evokes silence as the ultimate truth—a sweet goodbye suspended in time.
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Fading into Silence explore la lente dissolution de la mémoire à travers une ambiance trip-hop cinématographique. Portée par des textures vaporeuses, des voix murmurées et des harmonies post-rock, la chanson évoque le silence comme la vérité ultime – un doux adieu suspendu dans le temps.
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Fading into Silence erforscht die langsame Auflösung der Erinnerung anhand einer filmischen Trip-Hop-Atmosphäre. Angetrieben von verschwommenen Texturen, geflüstertem Gesang und Post-Rock-Harmonien beschwört der Song die Stille als die ultimative Wahrheit herauf – einen süßen Abschied, der in der Zeit anhält.

Fading into Silence

A song about being tangled up with a beautiful, chaotic force of nature named Elena. She's a song that starts too quick, a game of dice you know you'll lose but have to play, and a mystery that you can't help but try to solve, even if it breaks you.

Elena

#electro #experimental #madonna #ballad #downtempo

NO SUBSTITUTE FOR LOVE

A song about life's cycle from dust to dirt...
The pace of the lyrics is meant to feel like a counter-point to the the slow BPM of the track. 
Recorded directly into an old iPad using Garageband. 

From Dust to Dirt

Good morning Houma

Chopin’s Waltz in A-flat major, Op. 42, is no ordinary dance—it’s a waltz supreme, a dance-poem where elegance collides with daring invention. On the surface, it dazzles with Parisian brilliance: swirling gowns, aristocratic pairs, a ballroom sparkling with wit and coquetry. But under the magnifying glass, it reveals Chopin’s genius for bending time itself. The left hand beats the familiar three of the waltz, while the right hand insists on two—duple against triple, particle against wave—creating an auditory illusion as if couples were gliding past each other in different dimensions.

Like a jeweler turning a diamond in shifting light, each return to this piece reveals new colors. Its interwoven themes play like refracted beams in a prism: amusement, drama, intimacy, and that unforgettable sostenuto melody blooming at the heart of the work, a melody Schumann said deserved to be danced only by countesses. Even Chopin’s humor flickers through—the sudden break in the reprise feels less like a mistake than sly stagecraft, as if a dancer had tripped, only for the music to whirl back into an ecstatic frenzy.

From a quantum lens, Op. 42 is superposition in sound: both gallop and glide, both order and abandon. Chopin carried fragments of it for years—echoes of youthful sketches, of tone-portraits of his beloved Maria, of earlier Valses Brillantes—before collapsing them into this final, mature form. The result is music that feels inevitable yet forever unstable, a ballroom spun inside a collider. It is Chopin the improviser and Chopin the architect fused into one: creating a waltz that is not just danced in time, but dances with time itself.

Frédéric Chopin Waltz in A-flat major, Op.42

Classic story of romantic break up and heart break. Woman laments loss of her love so she does what many people do: sits in her apartment drinkin' and smokin' and feelin' alone. Nice lyrics and instrumentation in my view. What do you think? 

Smokin' Drinkin' Feelin' Alone

Smoking Drinking Feeling Alone

“Tome of Stars” is a 100 sonnet journey, equal parts art, therapy journal, and exorcism, both a celebration and an elegy, a single narrative arc tracing the birth and death of a relationship. All poetry by Stargazer. The verse and accompanying synthetic art and music are public domain, CC0, with no restrictions on use. Nothing is monetized. See below for links on how to access the print, PDF, audio, ePub, video, and music files. 
Website: https://www.tomeofstars.net/

The third section of “Tome of Stars” is “Sporogenesis”, a haphazard chronicle of the years 2011–2020. It marks a shift from the cataclysm of “Senescence" into a period of withdrawal and emotional hibernation, its eleven sonnets seeking to reflect the padam of the collection’s bharatanatyam-inspired structure.

“A Grand Unification Theory” is a metaphysical lament for enduring love and unreconciled loss, filtered through both personal anguish and the abstract frameworks of modern physics. The poem is a direct sequel to “Rusali Radha, Rusala Madhava”, and presumes that Radha and Krishna, the archetypal divine lovers, do not reunite. Their estrangement becomes the poet’s symbolic template for a fractured universe, reflecting both emotional devastation and cosmological disorder. Drawing from the notion of broken symmetries in particle physics, where originally unified forces of nature split apart in the early universe, the speaker parallels his own sundering from his beloved with a larger cosmic shattering. The result is a despairing meditation on disconnection, the failure of life’s beauty to console, and a plea for harmony’s return.

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Lyrics

When Radha parted paths with Krishna’s heart,
The cosmos cracked—its symmetry undone.
As we, failed gods, now drift an age apart,
My world dims dark beneath this blighted sun.

While cosmic law lies shattered in this crime,
Should sunsets paint the evening sky with flame?
Dare beeches orchids hold in dance sublime,
When our divorce derides our coupled name?

Can beauty touch my eyes, no soulmate near?  
What color shines when every shade bleeds gray? 
I die a truth that’s watered by our tears,
An endless discord, pregnant with decay.

Outcast, I wander, nature’s dawn denied,  
Till harmony returns you to my side.

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Internet Archive
Book of sonnets:
https://archive.org/details/tome-of-stars/

Music:
Item 1, Anthesis: https://archive.org/details/Anthesis/
Item 2, Senescence: https://archive.org/details/senescence_tomeofstars
Item 3, Sporogenesis: https://archive.org/details/Sporogenesis_TomeOfStars/
Item 4, Anemochory: https://archive.org/details/Anemochory_TomeOfStars
Item 5, Quixotosis: https://archive.org/details/Quixotosis_TomeOfStars
Item 6, Scripture: https://archive.org/details/Scripture_TomeOfStars

Bandcamp:

Item 1, Anthesis: https://stargazer-elentirmo.bandcamp.com/album/anthesis-item-1-of-tome-of-stars
Item 2, Senescence: https://stargazer-elentirmo.bandcamp.com/album/senescence-item-2-of-tome-of-stars
Item 3, Sporogenesis: https://stargazer-elentirmo.bandcamp.com/album/sporogenesis-item-3-of-tome-of-stars
Item 4, Anemochory: https://stargazer-elentirmo.bandcamp.com/album/anemochory-item-4-of-tome-of-stars
Item 5, Quixotosis: https://stargazer-elentirmo.bandcamp.com/album/quixotosis-item-5-of-tome-of-stars
Item 6, Scripture: https://stargazer-elentirmo.bandcamp.com/album/scripture-item-6-of-tome-of-stars

A Grand Unification Theory

I'm a self-taught guitarist, singer and songwriter from Dorset
The songs on here have been recorded on an iPad using garage band.
You will notice a distinct lack of recording/ producing skills, please forgive those.
I hope you find something on here you want to listen to multiple times.

You can contact me here: themusicofbradleycronk@gmail.com

From Dust to Dirt

Bradley Cronk

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