it's a piece about farewell...
...hope you enjoy

Cover photo from the amazing SUNG SOO LEE: https://www.flickr.com/photos/tjoy7/

Gare du Nord

Music by Coriandre
Lyrics and arrangements by Julie Abbé

Mazurka L’Araignée

Graham Coxon - Cruel Mother

Annotations and transcribed highlights: http://www.brainpickings.org/2015/06/16/neil-gaiman-how-stories-last

Recorded at the Long Now Foundation (http://longnow.org/) on June 9, 2015. 

Follow @https://soundcloud.com/longnow and subscribe to the podcast of their excellent seminars on long-term thinking on iTunes: https://itunes.apple.com/us/podcast/seminars-about-long-term-thinking/id186908455?mt=2

MORE / TRANSCRIPT

Neil Gaiman on how stories last

Cover #22 from the series "Songs I Love" by Piers Faccini
Free download: http://www.unlock.fm/4g7

Given my love of her writing, I really should have already covered a Joni Mitchell song in the series by now. As a lyricist she's in a hallowed place all of her own and I can't think of anyone else who writes with such invention and grace. Little Green almost hurts to sing. It tells the story of the daughter Joni Mitchell gave up for adoption. One can only imagine the torment of a young mother having to give up her child and it's tempting too as the verses unfold to question her for doing so. Perhaps that's what makes it such a moving piece, taking us as listeners, deep into complex and ambiguous emotional waters where compassion, sorrow and forgiveness can mingle? I wonder how Joni's biological daughter feels about the song, would she have preferred it to have remain unwritten, unsung? It makes me think that writers are inevitably selfish beings as nothing is ever off limits for them. Shining a light on events that others might rather hide  is hard for the people that inspire the stories. But despite the sorrow Little Green calls up, I have no doubt the rest us are better off for hearing it.  The beautiful guitar part here was played by my friend the South African Guy Buttery. We met when I toured South Africa in 2008 with Nibs van der Spuy, I've collaborated on a few songs of Guy's over the years,  including one on his next album, I encourage you to discover his amazing music, he has a crowdfunding thing going on for his next album, I hear guitar buffs can even bid for one of his guitars! http://igg.me/at/guybuttery/x

----
Franchement, vu comme j’adore ses compositions, il y a longtemps que j’aurais pu inclure une chanson de Joni Mitchell  dans la série!  Comme parolière, elle évolue dans une sorte de sanctuaire qui n’appartient qu’à elle – je cherche en vain quelqu’un qui écrive avec autant de grâce et de sincérité.  ‘Little Green’  est une chanson très sensible, poignante. Elle raconte l’histoire de la fille que Joni Mitchell a dû abandonner et confier à l’adoption. On peut imaginer les tourments d’une jeune mère acculée à laisser son enfant ; mais au fil de l’histoire, on a aussi envie de l’interpeller sur son geste… C’est sans doute ce qui rend ce récit si touchant, et qui plonge ceux qui écoutent dans les hauts fonds des émotions complexes et profondes, là où peuvent se fondre la compassion, la tristesse, et le pardon… Je me demande ce que ressent la fille biologique de Joni à l’écoute de cette chanson : aurait-elle préféré qu’elle demeure non-écrite,  jamais chantée ? Je réalise que les auteurs sont en fait des êtres assez égoïstes, qui ne se posent aucune limite. Porter au jour des événements que d’autres préfèreraient cacher n’est pas sans conséquences douloureuses pour les personnes qui inspirent ces récits. Malgré la tristesse que ‘Little Green’ éveille, je suis convaincu qu’une autre part de nous est heureuse de l’écouter.  
Sur cette reprise, la superbe partition de guitare est jouée par mon ami Sud-Africain Guy Buttery.  Nous nous sommes rencontrés lors de ma tournée là-bas en 2008 avec Nibs van der Spuy. Je vous invite à découvrir son incroyable univers musical. J’ai contribué à quelques chansons de Guy ces dernières années, y compris pour son prochain album. Il y a une campagne de financement participatif en cours sur ce projet, et je crois même qu’il y a des enchères possibles pour une de ses guitares. Avis aux amateurs ! http://igg.me/at/guybuttery/x
__________

Order book/cd 'Songs I Love' vol.1: http://shop.beatingdrumrecords.com

Also available on:
http://iTunes: smarturl.it/songsilove1
http://Spotify: spoti.fi/1jbGOfl
http://Deezer: www.deezer.com/album/8050372
http://Google Play: bit.ly/songsiloveplay
__________

Piers Faccini : http://www.facebook.com/PiersFacciniMusic
Beating Drum : http://www.beatingdrumrecords.com

FREE DOWNLOAD

Piers Faccini - Little Green [Joni Mitchell Cover](Songs I Love #22)

Neil Gaiman reads his short story "The Man Who Forgot Ray Bradbury," written as a present for Bradbury's 91st birthday. Context and more here: https://www.brainpickings.org/2016/08/22/neil-gaiman-reads-the-man-who-forgot-ray-bradbury/

MORE

Neil Gaiman reads "The Man Who Forgot Ray Bradbury"

Lille - Lisa Hannigan & The Colorist Orchestra

Poem text and context: https://www.brainpickings.org/2018/04/23/ursula-k-le-guin-hymn-to-time-janna-levin/

POEM TEXT / CONTEXT

Astrophysicist Janna Levin reads "Hymn to Time" by Ursula K. Le Guin

Poem text and context: https://www.brainpickings.org/2019/04/16/zadie-smith-reads-frank-ohara/

Zadie Smith reads "Animals" by Frank O'Hara

The first album from the latest installment of the Penguin Cafe with Simon Jeffes' son, Arthur. Limited print-run.

“Penguin Cafe continues to occupy a unique place in music: nothing else has ever sounded quite like it. Eccentric, charming, accommodating, surprising, seductive, warm, reliable, modest and unforgettable: it's a true friend” ∼ Brian Eno, February 2010

The Penguin Cafe Orchestra were a uniquely innovative, exploratory set of musicians who enjoyed a cherished period from 1972 to 1997, and continue to hold a special place in many hearts. Their inception was as original, imaginative and idiosyncratic as the music they created…

During the summer of 1972 the English composer Simon Jeffes had a dream, experienced during a severe bout of food poisoning in the South of France
"I was laying in bed delirious, sort of hallucinating for about 24 hours. I had this one vision in my mind of a place that was like a modern hotel, with all these rooms made of concrete. There was an electronic eye which scanned everything. In one room you had a couple that were making love, but lovelessly. In another room there was somebody just looking at himself in the mirror, just obsessed with himself. In another room there was a musician with a bank of synthesizers, wearing headphones, and there was no sound.
This was a very terrible, bleak place. Everybody was taken up with self-interested activity which kept them looped in on themselves. It wasn't like they were prisoners, they were all active, but only within themselves. And that kept them from being a problem or a threat to the cold order represented by the eye.
Next day when I felt better, I went to the beach. As I sat there a poem came to me. It began ‘I am the proprietor of the Penguin Cafe. I will tell you things at random.’”
The music of the Penguin Cafe, Simon broadly regarded as "a very big yes to the survival of the heart in a time when the heart is under attack from the forces of coldness, darkness and repression." When forced to describe it more precisely, he called his music "imaginary folklore" and "modern semi-acoustic chamber music." He very much liked the comment of a Japanese girl who attended a Penguin concert in Japan and who said afterwards that the music sounded strange, because it was as if she'd heard it a long time ago.

To realize this somewhat fevered dream, Simon utilized many different instruments and orchestrations including elements of African, Venezuelan, Brazilian, Classical & Minimalist music, using a variety of instruments from strings, pianos, harmoniums, slide guitars, cuatros, kalimbas, experimental sound loops, mathematical notations and more.

The last official Penguin Cafe Orchestra release was Concert Program recorded 1995, a document of the touring set they were playing at the time...

Sadly in 1997 Jeffes passed away, marking the closure of that period of Penguin Cafe’s history. However, in 2007, to mark ten years since Simon's death, his son Arthur Jeffes, re-assembled the original musicians to perform a last run of concerts, spanning three nights at London’s Union Chapel, in tribute to both his father and the music that he created. The reception to these concerts was an affirmation that the music held a vibrant life of its own and subsequently Arthur felt that it was appropriate to embark on a more extensive revisiting….

Commissioning a fresh set of musicians ranging from luminaries from The Royal College of Music to notable performers and members from bands such as Suede, Gorillaz, Delakota and Razorlight, the newly envisioned incarnation of the Penguin Cafe undertook a series of performances under the name Music from the Penguin Cafe.

The first of these would be invitation from The Teenage Cancer Trust to perform at The Royal Albert Hall, to be filmed for a future charitable release.

Following this, over the next six months, Music from The Penguin Cafe appeared at various festivals, venues and Arts events over the summer of 2009, initiated by a debut at The Manchester Royal College of Music. This was to be followed by appearances at Port Eliot Literary Festival, Glastonbury, Bestival, The Big Chill, Womad, Edinburgh Arts Festival, the Snape Proms, and the arts festivals of Galway and Milan. Each performance was met with glowing receptions, and heart-warming reviews.

It was during this period that Arthur Jeffes had also began to incorporate his own new material, universally received as natural yet inspired extensions to his own father’s work, thus marking the beginning of a new episode in the Penguin Cafe's rich and turbulent history...

By the end of this run the band was newly invigorated, and the music now seasoned into a fresh, confident and redefined style. With this in mind, it was then decided to bolster the Royal Albert Hall filmed footage with a live studio recording of the set performed over the summer shows. These recordings book-ended this first chapter in the new band's history, mirroring the last record made by the original Penguin Cafe band.

On the 9th day, of the 9th month of 2009, at 9.00am, these 9 musicians walked in to Air Edel Studios and over the next 9 hours recorded 21 tracks live. So much for numerology….

The CD of tracks recorded that day have now been coupled with a DVD of the filmed recitals from The Royal Albert Hall, to be released as a single package under the title 'Music From The Penguin Cafe - Live at the Royal Albert Hall', with all proceeds from this release are going to The Teenage Cancer Trust.

Moreover as everyone involved in this project generously donated their time and talents for free, from performing, filming, editing, recording, mixing, artwork, mastering and manufacturing, when you pay £10 (plus vat, sadly) for the album, Teenage Cancer Trust receives £10.

ARTHUR JEFFES “We're immensely proud of the music on this record, the performances therein, and being able to donate it all to Teenage Cancer Trust. This whole process has proved to be the first steps on this new journey for the Penguin Cafe and 2010 will see both a new album and tour.”

Inspired by the both the process & reception of this endeavor and the events of the previous summer, it would seem that the doors to the Penguin Cafe have opened once more.

Neil Gaiman reads "The Man Who Forgot Ray Bradbury"

brainpicker