@peimankh: Thanks peiman. The input is only feedback from the room/PA, processed with feedback reducer and Hadron, probably some Hadron-inflicted pitch doubling here...

Fascinating! Using ambience to produce ambience :)

Begun in 1995 this work changedand morhed to Dread; even the totle mprphed.

Many thanks to DrB

Dread

Great Waitress - Grain

Skin On Bones

ElectroAcoustic Guitar live at MultiNO 2018

I bought another set of wave files (about 4,000) called Vimana today for £1.25. They are all science fiction based sounds. As I was putting this together, I heard that the Insight Lander safely touched down on Mars, so there was my title.

Insight Has Landed

Reeds

Live performance with the feedback instrument, at Dokkhuset/Trondheim  in March 2012.  The feedback instrument is a slow feedbackreducer implemented in Csound, with some added colour added by processing the feedback stream in Hadron (also Csound). The input is just the sound in the room and from the PA picked up with shotgun microphones, no other sound sources are used.

Feed Dokkhuset 2012 03

Improvisation on regular rhythms using Serge Analog Synthesizer, Benjolin, Klangbauköln and csound processing.

Improvisation on a regular pulse

DISORDER / RESONANCE 6

Performance, composition, sound installations, and programming. I work as a professor of music technology at NTNU.
I am particularly interested in the interaction of composition and improvisation, and I use various custom software solutions for improvisatory interplay between me and the computer.
Another area of special focus for me is granular synthesis (what I'd like to term "particle synthesis" when merging all known forms of the granular technique). I use Csound and Python as my main tools, and I've designed some opcodes for the Csound language.
In the past I have worked with the groups Krøyt and Motorpsycho.

Feed Dokkhuset 2012 03

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