Hungarian artist Mïus offers a third single 'Panorama' from his recent long-player, 'How To', including remixes from Robot Koch and vaghy. 

Featured: https://www.klubikon.com/2022/01/12/premiere-mius-panorama-robot-koch-remix/ 

'Panorama' EP will be available after the 14th of January https://ffm.to/miusPanorama 

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Panorama

Featured

PREMIERE: Mïus - Panorama (Robot Koch Remix)

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' out on Erased Tapes.

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

Recovery

Buy 12"/DL

Rival Consoles - Recovery

Vinyl: http://www.kompakt.fm/releases/easier_ep
Social: https://www.facebook.com/wevalmusic
Buy: iTunes http://bit.ly/11q4Ifj
Bookings: bruno@kompakt.fm


WEVAL - Thinking Of

Following on from the recent deluxe release of Vessels critically acclaimed 3rd album, DILATE REMIXED is a compilation of electronica reworks featuring Alex Banks, Ripperton, Barker & Baumecker, Gordon, Wesley Matsell, Pick A Piper, Erik Luebs, Rival Consoles, Olerton, Seamless, Antenna Happy, Rob Clouth, Sun Glitters, Paper Tiger and Snasen.

Vessels 'Elliptic' Alex Banks Remix

Othona

Angels

I had a lot of train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of movement and time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

You can find that project and a longer explanation of the video ideas here: https://vimeo.com/241546182

For the music I wanted to bring ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there.

You can hear the whole EP here: https://lnk.to/WorldPassingByEP

Whole EP Stream/Buy

Resynthesis [Mesh004]

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Amy Root - Luna [Reflektor Records]

Having the opportunity to remix one of Max’s tracks from his latest album was a real honour. The attention to detail and the warmth he brings to his productions are something that we’ve always aspired towards. We decided to work with Lovesong as we connected with the track’s reflective nature, the beautiful warmth and space the main prophet part brings to the track.  The hardest thing with the remix was to not overcomplicate or distract from this main synth. We really wanted to add live drums to keep it warm and organic, but then bring the electronic elements together for added depth and texture. We also worked on some simple warped piano and glock counter melodies to bridge the gap between the acoustic and electronic sounds.

Lovesong - Max Cooper (Brecon Remix)

From the album 'Beneath The Surface' out now on Max Cooper's Mesh Label

Download/Stream/Purchase Vinyl here: http://mesh.lnk.to/BeneathTheSurface

Beneath The Surface

Immerse

First single from the latest audio/visual project, Yearning for the Infinite, Perpetual Motion was written for that moment at the end of the night when all the experiments and madness is over and we just need a nice warm chord sequence to send us home in a good mood. 

The name comes from its role in my new visual show, where it plays that same closing role in the story of humans “yearning for the infinite”. Set to drone footage of people in their endless pursuit of life in Mexico City, combined with epic scientific visualisations of different infinite structures. It’s all part of a project commission from the Barbican, which has spawned this new album and live visual experiment.

For tickets to the show, head to my site https://shop.maxcooper.net/tickets

And big thanks to Renick Bell for the "yearning for the infinite" human!

Yearning for the Infinite

Perpetual Motion

Pre-order / stream

Late Night Tales: Ólafur Arnalds

Orgoned

"Grit" Live Video out now : https://www.youtube.com/watch?v=2dW1LldQAIU

"Cairn" EP is available to buy/stream now : http://smarturl.it/MESH012

BOOKINGS : marcus@lb-agency.net
MANAGEMENT : emeline@bellemeute.com

BIO : Will Brown’s solo project Brecon showcases a penchant for introspective melodies, angular percussion and reflective harmonies, which drive a range of tempos into vast acoustics, wandering through repurposed references to UK dance music.

Having caught the attention of Max Cooper, Brecon’s debut EP ‘Cairns’ was released through Max’s own imprint MESH last summer.  This was followed by a remix package including remixes from Om Unit, Nicolas Bougaïeff, Ténèbre and Max Cooper.  

Brecon’s music captured the interest of industry, securing a number of high profile remixes (Morcheeba, Rob Clouth and Max Cooper) and airplay (BBC 6music, NTS and Giles Peterson’s Worldwide FM).  

Represented by LittleBig Brecon’s live shows mix live drumming and synth work with beautifully engaging synchronised live visuals delivering a unique and energetic performance.    

"When I first listened to Brecon I was struck by something new - the strength of the rhythmic approach in the context of beautiful arp-driven synth music. There's a mastery of the drums, so sparse, but so effective, without resorting to the usual tropes we're so used to in this melodic context. It made me excited.”
- Max Cooper

Lovesong - Max Cooper (Brecon Remix)

breconbreconbrecon

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