Fight! Love, Freedom and Harmony. I will go to Rojava. Skyt/skyf! Hand in hand.

Gozen Atila

Do You(studio version)

This mixtape features (mostly) Sundanese psychedelic pop music recorded during the 1970s when the Suharto military dictatorship ruled Indonesia. These recordings were chosen due to their signature sound in which haunting and darkly psychedelic notes mingle strangely with endearing girl pop vibes to create an unusual, intense and suspenseful atmosphere.

MUSIC OF THE PSYCHEDELIC MILITARY STATE

Outside

Petit Moustique is the 4th track of the upcoming 'Tropic Daze' cassette by Alpár (JJ007)
Out end of September.
http://www.jjfunhouse.com/catalogue/jj007

Music by  Bálint Zalkai
Published by Jj funhouse, 2015

Alpár - Petit Moustique (JJ007)

[Epic, Cinematic, Heroic, Boss Theme] 00:00 - 00:21
[Horror, Suspense, Thriller] 00:21 - 00:50
[Cinematic, Adventurous, Exploration] 00:50 - 01:03
[Investigative, Time-Sensitive, Puzzle Genre] 01:03 - 01:20
[Dark, Gothic, Playful] 01:20 - 01:43
[Ambient, Environmental, World Building, Emotional] 01:43 - 02:10
[Chiptune, 16-Bit, Level Design, Upbeat] 02:10 - 02:23
[Fantasy, Magical, Adventure] 02:23 - End

Discord: Mesden

Aaron Busch - 2025 Video Game Composer Demo Reel

maybe I had to burn up
to be reborn
to be reborn
to be
reborn
~~~~


download for free

04 pheonix baby 10-31

Early last year, Punctum finished recording their debut record, Remote Sensing, at the legendary EMS studio in Stockholm. After nearly a year and a half, the album is finally ready for public consumption. I have an oddly personal relationship to an album that is not yet released. I first got a taste of their work in a mix from Maria W Horn, which featured the heavy and hypnotic ‘Quick Botta’. This became a major go-to headphone listen. Strongly recommended for long journeys in the dark.

Technically speaking, a lot of the music on this record quite simple to describe. 303s, 606s and Buchlas dance around each other like an harmonic kaleidoscope. But listen to ‘Glory Bitch’ below. There’s a lot more going on here than simple synth meanderings, the likes of which every bedroom producer knows all too well. There is a meticulous care that has been taken in its entrance and exit. It’s like a set of opening credits, or an tuning orchestra, setting the stage for something huge, before snaking away into the distance. Fitting then, this should be the opening for one of the most exciting records in recent memory.

Remote Sensing

Premiere: Punctum - Glory Bitch [SUMME]

Title track from the new LP, 'Insignia', out in Japan-only on cassette for Ryo Murakami's Depth Of Decay label.

https://depthofdecay.bandcamp.com/album/insignia

Insignia

Serge 606

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

Folklore of Plants Vol.II - Venefic Garden

track from Miaux's 'Black Space, White Cloud' LP

Miaux : Lunar Surface

Slavic folk, ambient psychedelia, 20th century minimalism and vocal experiments - Polish band Księżyc floats somewhere between, happily resisting simple genre categorization. The surreal and haunting beauty of their music is amplified by the fairy tale inspired lyrics Remek Hanaj has created.

For this episode, Remek has curated an hour of Eastern European 
avant-folk. It displays some of the creative diversity of the region and its relationship with blending traditional and contemporary ideas.

1. Almost Dead Celebrities - Factory Girl
2. Maarja Nuut - Haned Kadunud / Geese Lost
3. Svitlana Nianio & Illkutan - Kites
4. Maniucha Bikont & Assaf Talmudi - Cipi гуси / Grey Geese
5. Lautari - I’m Going Home
6. Odpoczno - Polka
7. Širom – A Washed Out Boy Taking Fossils from a Frog Sack 
8. Bastarda – Achar  
9. Księżyc – Kapkowa
10. Remek Hanaj feat. Tade Sudnik & Paweł Nowicki – Carpet
11. Pole – Radom 
12. Berjozkele ] – A yingele, a meydele / A little Boy, a Little Girl
13. Iva Bittova – Zeleny vineček / Green Maidenhead

Image: Jan Stanisławski - Orchard (1890)

https://skylab-radio.com/shows/off-the-edge-e7

Off The Edge E7 - Remek Hanaj (Księżyc)

ANADOL "ÇürüyenYıllar"

Chopin, Morton Feldman, Satie, Schifrin ….

Off The Edge E7 - Remek Hanaj (Księżyc)

DBR

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