Dye My Hair

Angular, for acoustic piano solo (2021) 
[Demo] 
This piece reflects Industrial 4.0 and the Future/Current Machine World. It explores the texture of repetitive patterns, questioning and symbolizing the robotic movements.

Angular | Piano Video on Youtube: https://youtu.be/-Syb0xKbZEk

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New Arts Collaboration is a fiscally-sponsored affiliate of InterMusic SF, based in California. InterMusic SF’s mission is to support the professional and artistic growth of San Francisco Bay Area musicians. Your contribution will be passed on to NAC via InterMusic SF, to support artist honorarium, administration, technique and engineering cost, and project development. 

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mixing/cover art: Ting Luo
photo credit: Clover

Angular

Augular

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Live improvisation on Jan. 6, 2021 @ Ircam, Salle Stravinsky

Yi Zhou 周易, cello
Jon Yu, electronics

Improvisation with Yi Zhou 周易 (Jan. 6, 2021) for cello and electronics

San Francisco new music trio, Slow Wave, performing Paraphrase at Old First in San Francisco on January 8, 2022. Naomi Stine on piano, Kyle Beard on bass clarinet, and Justine Preston on viola.

To see video of the full performance:
https://youtu.be/W2xY5Cfl5xY?t=2709

Paraphrase was written for Slow Wave for their inaugural performance in 2019. It consists of three movements, each of which is approximately 5 minutes in length. The first movement, Consolation, presents themes by each instrument, solo at first, but gradually becoming intertwined in an ecstatic build-up. The second movement, Revenent, contains music that was channeled from the death of a loved one. The third and final movement, Chi Io, explores the childhood influences of the composer, including a paraphrased theme from a Bay Area crust-punk/sludgecore band called Noothgrush. The title is both a reference to the bands drummer, Chiyo Nukaga, as well as to the composer. The Italian words "chi" and "io" literally translate to the English words "who" and "I."

For more information
http://brettaustineastman.com/

Paraphrase III. Chi Io

Hoson zês, phainou, mêden holôs su lupou;
pros oligon esti to zên, to telos ho chronos apaitei.

[For as long as you live, be happy and do not be distressed in any way.  
Life exists for a short while, and Time demands its due.]

Ancient Greek text from the Epitaph of Seikilos, ca. 1st century C.E.
English translation by Randall McNeil


Seikilos

Flags On The Moon

Situation I / Incidents( 2016)
Written for Vertixe Sonara (Tenor Sax, Acc, Pn, Perc, Vc, Db) 
**
Premiere: November 19th. 2016
Luz-Non-Luz no Festival Vertixe Sonora
******
Some words about the piece:
Situations are series of pieces with a set of circumstances in which one finds oneself.
In Situation I / Incidents, I am carefully observing, perceiving and later on identifying different incidents and their qualities. and also how they reflect each situation around them with their Echoes and resonances.

In our daily life, we face incidents all the time. sometimes they are distinct piece of action or episode. They could also be an occurrence of seemingly minor importance, especially factions between which relations are strained and sensitive. Since every action has a reaction, there would be footprints of resonances and echoes after each incident.

Situation I /  Incidents (2016)

text by Nina Dante
performed by Fonema Consort

Bodyscape

Intertwined Distances (2018)
Solo Harpsichord and Electronics (quadrophonic)

commissioned by and written for Mahan Esfahani
Premiere: March 2018, Madrid, Fundación Juan March
http://www.march.es/musica/detalle.aspx?p5=100310
Recording: Live radio broadcast 

----------------------------------

Some words about the piece: 

Distance, Movement, Silence, Perception, Paradox, Continuity...

According to Merriam-Webster, distance is a separation in time, an extent of advance from a beginning; and in mathematics it refers to the degree or amount of separation between two points, lines, surfaces, or objects.

In this piece I am exploring the qualities of various dimensions of ‘distances’.
The piece opens perceptual spaces and plays with the listener’s perceptions. It is an observation of how the sound moves and travels within the concert hall, of the distances between the performer on stage and the audience, and of the relationships of both with the quadraphonic speakers. On another level, it explores the phenomena of distance in time (the centuries- old harpsichord being placed in a modern environment) and distance between people (geographically, emotionally, etc). Our daily life is made of these intertwined distances, which are constantly in movement and change.

On a personal level, the electronic component comes out of a close collaboration, between Mahan Esfahani and the composer.

The sounds are solely harpsichord sounds, specially recorded for this piece. In association with various filters and processes, the material developed further and gained other colours and qualities.
The piece is an observation of these constant movements of sound and various perceptions of distances – and of ultimately how all these unite and convolute by twining with each other.

Intertwined Distances (2018)

Premiered by AsianArt Ensemble on August 11th, 2019 at Villa Elisabeth, Berlin.

Wu Wei, sheng
Hong Yoo, daegeum
Matthias Leupold, violin
Chang-Yun Yoo, viola
Gabriella Strümpel, cello
Matthias Bauer, contrabass
Adam Weisman, percussion
Il-Ryun Chung, conductor

[pictured: Paulo Nozolino]

Paraphrase III. Chi Io

Brett Austin Eastman

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