Bricolage are proud to present a new split EP from the heart of Glasgow's underground as Fragile X and Esef offer up four bruising slabs of bass driven techno and breakbeat. Both producers have dug deep into their respective sonic arsenals and retrieved the heavy artillery for this one.

Gritty, loose rhythms and gurgling basslines buzz around the opening track from Fragile X before alien bleeps appear and carry the track to it's conclusion. Next up, Esef, brings that trademark percussive punch and weighty bass movements that set the scene for a melodic explosion.

For the remixes, Esef tackles "Damage Control" head on and starts off with a dark and ominous tone that incorporates the original bassline into something that little bit more sinister before flicking the switch and dragging us feet first into an uplifting techno anthem. To round things off, Fragile X travels into the static with a hiss, before being joined by compact breakbeats, chopped up hi hats, warped bass samples and furious acid lines.

"Static Control" has been in the pipeline since late summer 2019 and we've been patiently sitting on it waiting to unleash it into the world. We hope you can agree that it's been worth the wait.

Available now @ https://bricolageglasgow.bandcamp.com/album/static-control-bc055

soundcloud.com/fragilex
soundcloud.com/esef

Static Control (bc055)

Static Control EP

Fragile X - Damage Control (Esef "Damage Is Done" remix)

At my follow limit right now, or email them directly
RunningWolf1989@gmail.com
Record Company President/Owner, BMI registered songwriter, composer, producer of music, film, TV, videos, radio station owner, DJ, promoter check out the LinkedIn account for full details, also on runningwolf1989.bandcamp.com 
At my follower limit right now, but I can see DM of links still
If ya not following me on Twitter as well @RunningWolf89, how will ya know if I give ya a tweet shoutout? Yeah, I do that wit out telling people on here lol
Open to collaborations 
If you don’t understand my music, it’s ok, it’s not for everyone

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

'Bricolage' is an underground electronic label based in Glasgow. We specialize in distinctive sonic adventures from both local and global producers. Our aim is to give productive and imaginative artists a platform of complete creative freedom from which to express themselves.

We are currently not accepting demos at the moment due to a full release schedule being lined up into 2025 and beyond.

CURRENT RELEASE : Veelargo "Drealusion"
https://bricolageglasgow.bandcamp.com/album/drealusions-bc097

PREVIOUS RELEASE : Wilks "A Soul To Borrow"
https://bricolageglasgow.bandcamp.com/album/a-soul-to-borrow-bc096

estd. 2015

Bricolage was founded and is managed by @fragilex

* I do not use AI in my compositions.

Trey W, known by his moniker Church of the Undecided (COtu), is a multifaceted instrumentalist, musician, and producer with roots tracing back to grade school. His journey began as a percussionist, which laid a strong foundation for his diverse musical explorations.

Now focused on electronic music production (without the aid of AI), COtu thrives on the boundless possibilities of sound. Combining synthesizers, a drum kit, and unconventional instruments, he creates a distinctive sonic palette that seamlessly blends electronic elements with organic textures. The result is a rich, immersive musical experience that captivates and engages squirrels and centipedes.

I make music during my free time Just for fun with instruments as Akai APC Key 25, Push 2 (Ableton 9.7) ...

I love to use various kinds of samples to try differant styles as the Future Bass, Oldschool Beat, Trip Hop ...
With the Push 2 of Ableton it is a real treat ;)

The download is free .
Good listening ;)

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

A Decade of DAWs and almost 2 decades of regular instruments. Welcome to my page!