child of the indigo circle..
Award-winning music producer.

@StrangeFruitsMusic

Studies at the Herman Brood Academie.
Most of the time eating strange kinds of fruits

Steve Void’s Independent 
record label Strange Fruits! Send your demos to: https://strangefruits.net/

Contact:
stef@strangefruits.net

Booking | North & South America
Ferry Rais-Shaghaghi  
ferry@apa-agency.com

Steve Void, born in The Netherlands as Stef van Vugt, started making music at the age of 15. It didn’t take long after that before he started investing his time in dance music as a fan and as an artist.

In 2015, Steve scored his first hit with his adaptation of The Weeknd’s “Can’t Feel My Face”, which did over 9 million plays on Soundcloud in the first months alone. He didn’t stop there however, with all of his succeeding releases like his remixes of “Shades of Grey”, “Beat the Sunrise”, his original edit “Stronger” and “Burnin’ ” with Alex Adair, all reaching millions of plays each, totaling over 20 million plays on Soundcloud alone.

Late 2016, Steve’s first official release “Chemistry” hit all stores, immediately charting at both Soundcloud and Spotify, followed up in 2017 by hits like "Never Been Better", "West LA" and "We Won't Leave You". Steve also toured twice with Matoma, Cheat Codes, Steve James & Baynk, as well as playing clubs and festivals.

These days Steve Void has been shaking up the industry with his own label "Strange Fruits", releasing new songs every week, including his own latest single "Hide and Seek". In total Steve Void's & Strange Fruits have amassed over 90 million streams on Spotify already, and he's just getting started.

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

Welcome in the Lost Frequencies part of sound cloud.

MGMT/Booking  : Nick Royaards - Nick@Tomorrowland.com
Demo/Promo : promo@lostfrequencies.com

Felix De Laet aka. Lost Frequencies is now topping in almost every top 10 in european countries, with his new single "Reality", that is growing even stronger than "Are You With Me". Which confirms the fact that he will not be just a one-hit-wonder !

In The Lonely Hour (10th Anniversary Edition) out now 🤍
https://samsmith.world/itlh10

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Brigitte Thorold is following