MOVPIC009: Juterus - Reality 
Out July 14th. 

Follow Moving Pictures: @movpic

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About:

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Prague based sound foundry Moving Pictures is introducing its latest vinyl release from Japanese singer and electronic music producer Junko Yoshida, also known as “Juterus”. Hailing all the way from the “Land of the Rising Sun”, Junko showcases her unique style of utilising and manipulating her voice alongside self-produced grooves. Two original tracks are accompanied with 2 remix cuts by label's founders, Roman Rai and Täino, transcending original productions into more abstract dimensions. 

What is 𝙈𝙤𝙫𝙞𝙣𝙜 𝙋𝙞𝙘𝙩𝙪𝙧𝙚𝙨?

We are independent record label born and raised in Prague, Czech Republic.
Since 2018 pushing various shades of psychedelically and emotionally charged electronic music - on vinyl & digital.

Tracklist:

I. Juterus - Reality
II. Juterus - Reality (Täino Remix)
III. Juterus - Plastic Popcorn
IV. Juterus - Plastic Popcorn (Roman Rai Remix)

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Tracks written & produced by Junko Yoshida
Mixed by Roman Rai 
Mastered by Lukas Turza
Design & art direction by Yunis Safarov

Discover more at: https://movpic.cz/

Inspired by red spheres 
© 2023 Moving Pictures

Reality

ᴘʀᴇᴏʀᴅᴇʀ / ʙᴜʏ

#MOVPIC009: Juterus - Reality [Snippets]

Track was recorded on 12/29/23
Track mixed and mastered on 12/30/23

A mix of 80s synth pop with an edge to it.

Ego Death

Neoclassical Music Album Desolate Memoris (C Minor)

Home

Sub to my youtube if you're diggin my music please 😉🫡

Youtube @ itisconcept

I pop a...

Brillman x Tape Lab back at it again, this time with some small changes, just a few minor edits, nothing big, just a — microTWEAK. Building on an initial and explosive creative clash. Tape Lab & Brillman have delivered another melodic, composed and unexpected 2nd collaboration piece. 

Transferred at the speed of light (115bpm) across the Atlantic Ocean. Initial melodies were recorded via the Yamaha RM1X with space/reverb added from the Korg Kaos DJ Pad. Basslines were recorded on the Moog Sub37. Brillman remixed with additional drums/synths/sounds including the brilliant microFREAK. But, ultimately, the star of the show is Brillman’s expertly composed and eclectic sonic palette and, definitely, skills as a mixer and master-er.

Fearlessly, new sounds echo in and out, ricocheting off of other beats and bloops, a confetti of sounds raining down (text by Tape Lab).

Brillman & Tape Lab - microTWEAK (Traktor Mix)

This is 'Ah Likert' performed with the collaboration of the young musician Luca Portesi. 

The piece is included in the EAPS collective latest work Entropy which can be listened here:
https://eaps.mixlr.com/recordings/2463869

Ah Likert!
 
Afraid of disappearing, going unnoticed.
The priorities of this century pinned to top
24h stories and the attention span of a click.
 
Polarising not to succumb to boredoms
to half-truths and untruths.
Do we agree?
 
We strongly disagree, disagree, neither agree
nor disagree, agree, strongly agree.
Are we satisfied?
 
We are very dissatisfied, dissatisfied,
neither satisfied nor dissatisfied,
satisfied, very satisfied.
 
What are the chances of us all moving into space?
It’s extremely likely, likely, neutral,
unlikely, extremely unlikely.

Statistics and algorithms calculating
and rerouting our experiences.
Grief’s gradient, a function of time passing.

Time passing is a fake assertion.
Time does not pass.
Thus grief’s gradient slips away.

Grief’s gradient claws at one’s breast
and dangles, it lulls itself.
Numerous scenarios available.

Any hints from chatGPT?
Don’t know, no opinion.
 
---------
 
Paura di sparire, passare inosservati.
Le priorità di questo secolo in evidenza
storie da 24h e l’arco di attenzione di un click.
 
Polarizzarsi per non soccombere ai tedi
alle mezze verità e non verità.
Siamo d’accordo?
 
Siamo totalmente in disaccordo, in disaccordo,
né in accordo né in disaccordo, in accordo,
totalmente in accordo.
 
Siamo soddisfatti?
Siamo molto insoddisfatti, insoddisfatti, né soddisfatti
né insoddisfatti, soddisfatti, molto soddisfatti.
 
Che probabilità abbiamo di trasferirci nello spazio?
È estremamente probabile, probabile,
neutro, improbabile, estremamente improbabile.
 
Statistiche e algoritmi che calcolano
e re-indirizzano le nostre esperienze. 
Il gradiente del dolore, funzione del tempo che passa.

Il tempo che passa è un’asserzione non vera.
Il tempo non passa.
Ergo il gradiente del dolore sfugge.

Il gradiente del dolore artiglia il petto
e penzola, si culla.
Disponibili scenari plurimi.

Suggerimenti da chatGPT?
Non sa, non risponde.

Ah Likert!

Created and performed live on Elektron Analog Rytm Mk2, Analog Four Mk2 & Analog Heat+FX

#elektron #techno #bassline

9am (ATB Homage)

Piatitude une série de jeux de piano lancés à l'introduction par moi-même au piano, puis SUNO prend le relais pour proposer une suite de mélodie au piano ou une sonorité au choix. Ce qui est original le logiciel SUNO, de l'intelligence artificielle s'adapte aux tonalités, du rythme, nuances, d'après votre introduction ou échantillon que vous avez produite. SUNO s'occupe du reste et vous propose d'autres possibilités musicales à votre goût.
Un tout nouveau partenariat entre un musicien et l'intelligence artificielle. A suivre et c'est pas terminé !
Chanson produite avec SUNO ia
           https://www.suno.ai/
            Pour l'image
            https://fr.vecteezy.com/art-vectoriel/2963137-piano-avec-musique-notes-fond

Piatitude003v1 Balade

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre, Alva Noto…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
E-MU Virtuoso
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm
Data Duo
Blip Blox