Brillman x Tape Lab back at it again, this time with some small changes, just a few minor edits, nothing big, just a — microTWEAK. Building on an initial and explosive creative clash. Tape Lab & Brillman have delivered another melodic, composed and unexpected 2nd collaboration piece. 

Transferred at the speed of light (115bpm) across the Atlantic Ocean. Initial melodies were recorded via the Yamaha RM1X with space/reverb added from the Korg Kaos DJ Pad. Basslines were recorded on the Moog Sub37. Brillman remixed with additional drums/synths/sounds including the brilliant microFREAK. But, ultimately, the star of the show is Brillman’s expertly composed and eclectic sonic palette and, definitely, skills as a mixer and master-er.

Fearlessly, new sounds echo in and out, ricocheting off of other beats and bloops, a confetti of sounds raining down (text by Tape Lab).

Brillman & Tape Lab - microTWEAK (Traktor Mix)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Short records with a strong underlying theme.
I'm trying to explore different music genres, but all my songs contemplate electronics and analog sounds.
They are basically all instrumental tracks.

All songs are released under Creative Common License
https://creativecommons.org/licenses/by-nc-sa/4.0/deed.en
and free downloadable.

Follow me and/or have a listen. 
I will enjoy your comments and suggestions.
Second account: @l13t00f1n3

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

Benoît, qu'est-ce qui s'est passé?
J'espère que ce n'est pas grave.
Merci pour "Barricades".
Fais un signe quelconque!

°°°°°°°°°°°°°°°°°°°°°°°
Hälfte von @Pentaloops und Mitglied vom Kollektiv Filmstadt Underground.
Vgl. @roebot-muzik und @atze187.
Moitié de @Pentaloops et membre du collectif Filmstadt Underground.
Cf. @roebot-muzik et @atze187.
Half @Pentaloops and member of the collective Filmstadt Underground.
Cf. @roebot-muzik and @atze187.

Member, Tape Lab
www.tapelab.live/2yng2smpl