Fresh version of «Mysterious» recorded/mixed/mastered today:) Haven’t been in the studio for weeks. Winter has finally arrived in Southern Norway and Xmas is over. Happy New Year to all my listeners & followers!!

24 bit wav so may not stream well. Headphones highly recommended:)

Mysterious IX

Full Service

Soft Departure is a piece born from the need to preserve the inner fire in an environment where relational and professional dynamics tend to wear it down. It explores the gesture of quiet withdrawal, not dramatic, not reactive, simply the choice to stop investing where energy no longer flows. Built around a warm, enveloping bass played on my Crave, the track acts as a guiding thread through a soundscape that can be unstable at times. It evokes the act of staying present without being pulled in. A form of inner persistence in a noisy world. This is a work of conscious disengagement, a way of saying: “I’m still here, but I’m no longer playing the game.”  Soft Departure is also a tribute to those who choose to leave without noise, to step away without war, and to keep alive what doesn’t need to shout.

🙏🏻

Soft Departure

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Sounds Reasonable, Doesn't It? Many Choose Not To Know

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lyrics written and narration provided by fictionalive

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music is the song Funky Rob Way by Rob, courtesy of Cavaliere Spruzzi's vinyl treasures (@user-528168900-123902670) and a sample from a song provided by mobygratis, licensed
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Up for a Funky Love Cruise with Cavaliere Spruzzi? check-in here
https://soundcloud.com/fictionalive/sets/fictionalive-proudly-1
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vocal arrangement, production, final mix and drop by fictionalive

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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dropped
tuesday, september 16, 2025
time 2:10 am central european
hot summer time zone,  yes, 
it's coming back at ya

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Sounds Reasonable, Doesn't It? Many Choose Not To Know

PLumP00H&TK - Residency

“This Halloween song is inspired by the hit album “Word Up” and the Ray Parker Jr hit single “Ghostbusters”. In the chorus I have gone with the word ‘candy’ as a tip of the hat to Cameo. My wife and our daughter sing on this, which is a joy. Happy Halloween.” 

what’s up, mummy? 

Waking up from the crypt
The midnight moon is up and lit
Beware the frights and ghouls ahead
It’s once a year the night of the living dead

A haunted house up on the hill 
Awoken zombies and mummy’s fill
Down to the streets for trick or treat
Then home again to enjoy the feast 

What’s up, mummy?
What’s going on with you? 
Are you trick or treating and eating the candy in your Halloween bag? 

What’s up, mummy? 

Another year, another scare
There’s bats around so beware
Screaming louder than ever before
There’s something knocking on the door

A creeping silence down the neighbourhood
The frights outside the door, it’s stood 
A night of tricks and stake burns
Watch out the trick or treatin’ mummy returns 

Trick, trick, trick or treat?
Happy, happy Halloween 

Ha ha ha ha 

© heart house and the new kindness. 2025

Written, performed*, recorded, produced and mixed by heart house and the new kindness. 
*with special guest vocals by Our Daughter and Queen Van Wife And Mamma. 
Mastered by DOLBY

what's up, mummy? w/ Our Daughter + Queen Van Wife And Mamma

Composition and Sampling collage by Synline.
Photo by yaicinsonat1.

Baleen

Mutant Space Donkey

Why the AI Race - You're Right // a That's Bizzare Take

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lyrics written and narration provided by fictionalive

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music felt, written, arranged, played, mix, produced, and provided by courtesy of That's Bizzare

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additional vocal arrangement, mix plus effects, fills, arrangements, and production by That's Bizzare - alla Grande! @that-bizzare

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original single drop by fictionalive
https://soundcloud.com/fictionalive/why-the-ai-race-youre-right

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tune in for the series and album here -
About AI and Us - Beyond Your Song // Why The AI Race: 7 tracks or more
soundcloud.com/fictionalive/sets/why-the-ai-race-about-ai-and

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artwork illustration by and courtesy of peter uertz, düsseldorf / germany

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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dropped
wednesday, october 1st, 2025
11:11 am central european time zone
the last quarter is open now -
prepare for winter

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Why the AI Race - You're Right // a That's Bizzare Take

I hope this song reaches your heart. 
Thank you so much for listening.

This is an original track.
I recorded the piano myself. Some elements like certain string parts, ambient sounds, and subtle adjustments were programmed using MIDI — although some of the string sounds were also played and recorded using an electric piano.
This track features vocals by Koharu Rikka (小春六花) using Synthesizer V.


The lyrics are as follows:
静かな月夜に包まれていた
眠れない夜を許した心

夜明けが来れば全てが消える　
最後に残した言葉は『ありがとう』

それが君の最後の言葉なら
僕はずっとこのまま忘れない
まだ心は温もりを感じていた
夢を続かせて　もう少しそばに

時が進む速さを知った
気がつけば朝を迎えて歩き出す

見つめ合った瞳は優しくて
もっと先の未来を信じてた
僕だけは何も見えずただ未来を思った
『愛してる』それさえも言えず

それが僕の最後の言葉なら
君はきっと優しく笑っただろう
そしてきっと僕らの心には
そんな恋の最後を告げてくれただろう



（English Translation ）
Wrapped in the quiet moonlit night,
My heart forgave the sleepless hours.

When dawn arrives, all will fade away—
The final words I left were “thank you.”

If those were your last words to me,
I’ll never forget them, not ever.
My heart still felt your gentle warmth,
Hoping the dream could last—just a little longer.

I learned how fast time can move;
Before I knew it, morning came, and I began to walk again.

Your eyes, when they met mine, were so kind—
We believed in a future far ahead.
Only I stood there, unable to see,
Thinking of the future, unable to say “I love you.”

If those were my final words to you,
You would have smiled so softly.
And perhaps, within our hearts,
That was how our love quietly came to an end.

Last Words

indrijku

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm