I remember Baron Landscape's Broken Hours on KBOO.  KBOO was awesome late nights in the 80's and early 90's.  Those were the times and your show was one of the best parts of my week.  At least I think it's you.  Ha!

Remix of "Manos: The Hands of Fate".
Written, directed, produced by and starring Harold P. Warren (1966). 

Samples from Russ Huddleston and Robert Smith Jr.'s soundtrack.

Manos: The Hands of Fate (Gumbel's Gloves Mix)

ripped from my vinyl copy of "TEKNO ACID BEAT" [TOPY-039, 1988]
*PTV used the moniker "SICKMOB"

turntable: AT-LP120-USB
[.FLAC file: 16 bit, 48 kHz]

TEKNO ACID BEAT

SANDOZ TABMAN

PSYCHIC TV // A2: "SANDOZ TABMAN" [.flac]

Produced by Steve Cooper and Steve Dixon, Cage Without a Pet features performances from many of the characters that passed through Finsbury Park Studios over the years.
I Dream of Genie was programmed by Tim Wright with his sister Lucinda playing the cello and singing backing vocals.

Steve Dixon - I dream of Jeanie

**Production Notes**

I always thought the sine to be a pretty tame waveform... until I treated it with some distortion. Same here: Most of the original material is mangled with some sort of amp-simulation. 

All the drums, pads and noises were extracted from the raw material in Ableton. The melody instrument is a re-synthesis made by Iris.

Producing, arranging and mixing took 2 hours. The title was taken from Band Name Maker. 

* * *

**Disquiet Junto Project 0114: Five Sines**

This week’s project is a celebration of the new album by Dave Seidel, who also goes by Mysterybear. Titled ~60 Hz, it just came out on the great Irritable Hedgehog record label. Seidel has extracted five parts of one track from his album and made them available for reworking by the Disquiet Junto. The album is based on combining sine waves, and in keeping with that approach we will in this project combine parts of his album. 

(...)

More on this 114th Disquiet Junto project — “Combine elements of Dave Seidel’s album ~60 Hz (Irritable Hedgehog)” — at:
http://disquiet.com/2014/03/06/disquiet0114-60hz/

More on the Disquiet Junto at:
http://disquiet.com/?p=16588

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

The source audio is from Dave Seidel’s ~60 Hz album, released on the Irritable Hedgehog record label. More on the album at:
http://recordings.irritablehedgehog.com/album/dave-seidel-60-hz

Grand Flight [disquiet0114-60hz]

RELEASED ON JUNE 2nd 2014 -- a remix of You Don't Love Me (No, No, No) by Devil Dandy, taken from 'Laid Bare: Love Songs' performed by Juice Vocal Ensemble. 

Following their critically acclaimed debut album 'Songspin' Juice Vocal Ensemble release their eagerly awaited second album on the Nonclassical label.

Laid Bare: Love Songs is a set of specially commissioned love songs from diverse composers from the worlds of classical, jazz, folk and avant-pop integrated and juxtaposed with a series of covers and adaptations of classic love songs including Rihanna’s 'Only Girl In The World', Erasure's 'A Little Respect' and 'You Don't Love Me (No No No)’ by Dawn Penn.

Commissioned composers include Gavin Bryars, Errollyn Wallen, Anna Meredith, Mica Levi (Micachu and the Shapes), Jim Moray (award-winning folk artist), Phillip Neil Martin and Dai Fujikura. For the covers and adaptations of the classic love songs Juice Vocal Ensemble collaborated with MaJiKer, producer and co-writer of the French avant-pop sensation Camille.

In addition to this mix, the album also includes remixes by acclaimed producers THiMK (British composer specialising in film, videogames, modern dance and theatre ), Broken Hours (based in Portland, Oregon and presenting the album with an beautiful ambient remix) and Clay Gold (author, librettist, sound artist, audio engineer and compulsive field recordist). 

PRE ORDER

I Know You Love Me Now (Devil Dandy Remix)

And so finally the summer has f**ked off, we woke to a good drizzle, and the finest season can get cracking. To mark this moment, Quietus co-editor Luke Turner has made a mix of some of his favourite listening during 2014 with tracks from the likes of The Bug, FKA Twigs, Cured Pink, Ugandan Methods vs Prurient, Furfriend, Blacknecks, Daniel Patrick Quinn, Vessel, Consumer Electronics (with Enya, a mix that made our former new music editor Rory Gibb weep on his last day in the office), Cooly G, Gazelle Twin and Grumbling Fur's reinterpretation of Shirley Collins' 'Lowlands'. There's also Kelela, Coil remixing Nine Inch Nails, British Murder Boys, Pansonic, Fad Gadget, Total Freedom, Blixa Bargeld and Teho Teardo.

Kissing With Broken Mouths - A Quietus Mix

Reissued by @phantasysound on 12" vinyl backed with Connan Mockasin 'Forever Dolphin Love' (Erol Alkan's Extended Rework).

Phantasy is proud to announce the release of Reworks Volume 1, a comprehensive collection of remixes from prodigious DJ and producer Erol Alkan, due for release on the 3rd November, 2017.

Pre-order and find out more about the release, including Erol's take on a selection of reworks (on the Phantasy blog) here: lnk.to/erolalkan

www.instagram.com/erolalkan/
www.youtube.com/erolalkan
www.facebook.com/erolalkan
www.twitter.com/erolalkan

Buy the vinyl re-issue

Hot Chip - 'And I Was A Boy From School' (Erol Alkan’s Extended Rework)

It’s a little jam with the Cocoquantus and and Zoia, which sounded ghostly and distant enough to fit the assignment.
_______________________________________________________________

**Disquiet Junto Project 0421: Marquee Ghosts**

The Assignment: What sounds haunt a discarded movie theater in the middle of the night?

This week’s project is just one step:

Step 1: What sounds haunt a discarded movie theater in the middle of the night?

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0421” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0421” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0421-marquee-ghosts/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details: Deadline: This project’s deadline is Monday, January 27, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, January 23, 2020.

Length: The length is up to you. Shorter is often better.

(...)

For context, when posting the track online, please be sure to include this following information:

More on this 421st weekly Disquiet Junto project — Marquee Ghosts / The Assignment: What sounds haunt a discarded movie theater in the middle of the night? — at:

https://disquiet.com/0421/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0421-marquee-ghosts/

Souffle de vent [disquiet0421]

Produced by Luke Lefler for Broken Hours. Submitted under the kind auspices of Disquiet Junto. Disquiet Junto is a special and important project to which I am grateful to be able to contribute. Realized at Drummysgroin, February 24, 2013, this is my nineteenth piece in Disquiet Junto. 

The instructions were to record "an audio track in which you describe — in your own words and voice — who you are and what you explore in your music/sound."

I began writing a bio to read for this piece. Then I wanted to crib from a bio I had written already. Then I reviewed a different bio already out there. Then decided I wanted to just wing it and recorded some thoughts in a low voice on my Olympus LS-10. I loaded the file into Sound Forge and messed around with it, derived other bits from it, and then layered it in Acid Pro with some early recordings of mine, which I chose mainly because they are not available elsewhere but they are very much part of my audio DNA.

The resulting recording is not so much a bio as a sort of self-portrait, and it's a bit sad rather than self-affirming, and it's revealing in its own way but it's likely discouraging to potential collaborators and employers, all of which is fine with me right now. While it may not be evident here, I have a life of experience in conceiving of and making audio recordings, in addition to my equally full life of music and sound appreciation. To distill this into 90 seconds of "highlights" or essence is not where my ego is at lately. But, I wanted to participate in this assignment, and I thought it might be fun. Some of it was fun. Mostly it was humbling. But I persevere.

More on this 60th Disquiet Junto project at:

http://disquiet.com/2013/02/21/disquiet0060-audiobio

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More details on the SoundCloud "audiobiography" project at:

http://blog.soundcloud.com/2013/02/06/audiobiography/

Biopsy (Audiobioraphy: Luke Lefler) [disquiet0060-audiobio]

The latest episode of Newtype Rhythms features a rich, ruminating guest mix from London-via-Leeds talent https://soundcloud.com/jab_es. For more info on Jabes, check out Inverted Audio: https://inverted-audio.com/jabes-crafts-a-compendious-mix-for-newtype-rhythms/

https://soundcloud.com/sheepshead-music

FB Page

Newtype Rhythms # 132 - Special Guest: Jabes

Music must be an ice-axe to break the hours frozen inside our soul.

Biopsy (Audiobioraphy: Luke Lefler) [disquiet0060-audiobio]

Broken Hours

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