These tracks are all explorations I have made over the past 25 years involving repetition of sounds and motifs, as well as the role of attention and expectation in creating perceptual organization.

My current work is focused on the role of slow modulations in creating a calm but stimulating environment. This has led to experimentation with more "musical" instruments and sounds such as the electric bass and digital versions of old-school analog synths like Arturia's excellent version of the Moog Modular.

from the depths of the copper cavern, san francisco, comes bronze...  1st album "Copper" released on RVNG INTL from the big apple.  BBhttp://igetrvng.com/artists/bronze/   

album  number 2, "World Arena"  out now on Not Not Fun from the city of angels
get it here:  http://www.notnotfun.com/shop-3/

album number 3, "In Stone" out now on Burka For Everbody/Not Not Fun
get it here: https://bferecords.bandcamp.com/album/b-f-e-31-bronze-in-stone-lp

Live in San Francisco album out now on Castleface.  get it here:
https://www.castlefacerecords.com/products/bronze-live-in-san-francisco

Please don't send messages to our soundcloud mailbox, email us at:
zonevictim@hotmail.com

Please Also Consider FOLLOWING My Other Accounts and those of my Many Collaborators As Well.  Thank You
Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

brokenwave is following