Surrender your mind

Microtonal / Atonal

New & hot: Classical

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Microtonal

Microtonal Mathcore/Grind (25 equal divisions of the octave)

from the recording, "Opus Contra Naturam"
Dan Stearns - instruments/etc

Daniel Stearns - Silvered Alar Rise!

'Don't Be So Hard On Yourself', the new single from Jess Glynne. 

Stream on Spotify: http://spoti.fi/1gz7xCg
Available to download now: http://smarturl.it/DBSHOYiTunes 

♥ on HypeM: http://bit.ly/1f5ib3F

From Jess Glynnes debut album I Cry When I Laugh - Out Now
http://smarturl.it/ICryWILaughiTunesX

Find out when I Cry When I Laugh is released near you:
http://jessglynne.co.uk/intlreleasedates/

More info at http://jessglynne.co.uk.

Facebook: https://www.facebook.com/JessGlynne
Instagram: https://instagram.com/jessglynne/
Twitter: https://twitter.com/JessGlynne
Spotify: http://spoti.fi/1cI6gaz

I Cry When I Laugh

Don't Be so Hard on Yourself

An example of a 21st century transition from MONOCHROMATIC music systems (combinations and contrasts of black and white with static, absolute, linear pitch and intervallic relationships) to a POLYCHROMATIC paradigm (encompassing higher-resolution, 'aural color' pitch gradation systems with dynamic, relative, nonlinear and/or linear pitch color interrelationships).

Technological advances in musical hardware and software design have enabled vast development possibilities in the creation of new musical languages that cultivate our high levels of auditory discrimination (high-resolution hearing) and nonlinear characteristics of hearing (pitch/intervallic relativity, interactive harmonics, dynamic 'shape/texture' dimensionality);

...in contrast to current music systems which compromise our highly sensitive auditory perceptual abilities within simple, low-resolution, linear musical languages.

Aural resolution: 106 pitches per octave.

A microtonal 'bridge' composition attempting to convey an overlapping aesthetic intersection between a progressive extreme of conventional concepts/practices and a conservative extreme of radical innovation. A use of conventional melodic/harmonic structures, within an expanded, 'higher resolution', microtonal context.

Presenting an example of the transient outer reaches (and starting point) of the perception/conception of an immense musical universe; just beneath the surface of complacent convention...

An increasingly comprehensive context of understanding 'Art' as an integral process in conscious evolution.

Seeking via the strengths of auditory awareness, to present new experiences, challenges and innovations from which to expand awareness. New dimensions of understanding which have been perceptually inaccessible, except through aural experience.

A process facilitated by the presentation of 'aesthetic perceptual challenges' by which to catalyze our latent capacities to experience, understand, integrate and develop Gestalt awareness.

And an ongoing struggle with presenting intuitive ideas in discursive language; within which, any attempt toward increasing expressive clarity, paradoxically becomes more abstract and difficult to understand (obscured in complexity). An expressive process in such striking distinction to a wholistic intuitive sense of dynamic, complex structure, insights and ideas existing beyond linguistic words/symbols.

... leading us back to understanding Artistic creations as expressive exemplars (hints, intimations) of elements/essences of experience that are linguistically inexpressible.

More information: dolorescatherino.com

Video performance is available on YouTube. Polychromatic musical score and audio files are available for download on website. Open invitation extended to creative editing, remix and modification.

'Toward The Continuum' - 2nd Iteration

An intuitive, musical exploration of harmonic 'superspace'.

Continuing musical explorations in a journey toward the outer limits of polychromatic harmonic interactions, while maintaining a quasi-tonal orientation for conventional musical reference, as a point of departure.

This composition attempts to convey a sense that to the 3 spatial dimensions of length, width and depth, can be added a 4th dimension of auditory spacetime. That is, of duration and the evolving expression of multidimensional shapes and other qualia (immeasurable phenomena) accessible only through auditory perception.

Aural resolution: 106 pitches per octave (106ET)

more information: dolorescatherino.com

'Spatial Harmonics' - polychromatic composition by Dolores Catherino

Eija Kankaanranta, kantele tuned to a scale of 18-21-5-13-18-3-5-13 steps in 96edo 


Enharmonic Tune for Kantele

Samhain, (pronounced SOW-in, SAH-vin, or SAM-hayne) means "End of Summer", and is the third and final Harvest. The dark winter half of the year commences on this Sabbat. 

It is generally celebrated on October 31st, but some traditions prefer November 1st. It is one of the two "spirit-nights" each year, the other being Beltane. It is a magical interval when the mundane laws of time and space are temporarily suspended, and the Thin Veil between the worlds is lifted. Communicating with ancestors and departed loved ones is easy at this time, for they journey through this world on their way to the Summerlands. It is a time to study the Dark Mysteries and honor the Dark Mother and the Dark Father, symbolized by the Crone and her aged Consort. 

[Excerpt from:  http://wicca.com/celtic/akasha/samhainlore.htm]

A huge thanks to Una Harrison for the advice on microtone singing!  This is likely the first of many vocal experiments.  :)   HAPPY HALLOWEEN!

Zefora - The Thinning Veil

乳糜湯気

Twitter: https://twitter.com/FROMIVANB
Facebook: https://www.facebook.com/fromivanb
Instagram: https://www.instagram.com/fromivanb
artwork by https://twitter.com/DavidKStudios
-
Produced by Kevin Peterson 
https://www.twitter.com/kevinpbeats

Forgive Me for My Honesty

Don't Look Down

ITUNES LINK

Ivan B - Don't Look Down

Learn To Let Go (The Remixes)

Learn To Let Go (Feenixpawl Remix)

Download Album: https://shnabubula.bandcamp.com/album/piano-storybook-vol-4-serenade

DOWNLOAD

Speak Of The Moon

Teaser track for large-scale composition, Virtutes Occultae. 

https://taylorbrook.bandcamp.com/releases

Virtutues Occultae is an album in eighteen sections for six physically modeled virtual pianos, each with a unique tuning in an extended 11-limit just intonation.

In writing this music I used a mixture of traditional composition methods of structuring the music with various harmonies and progressions along with more free writing, collage techniques, and algorithmic composition.

The tuning of the virtual pianos extends Harry Partch’s conception of the over-tonality.

www.taylorbrookmusic.com

Virtutes Occultae

Virtutes Occultae - 1) Prelude

VIDEO

There's No Back Like A Harbak's

Horizon To Horizon

The Young Explorers Club

Dark, the second phase of my album, is out now sglewis.lnk.to/EPDark 🌌

Dark

Hurting (feat. AlunaGeorge)

cheap1 rave scrap May

art by @galentipton 
additional voices by @lavande



https://songwhip.com/song/space-candy/actuual-squiggle

Virtutes Occultae - 1) Prelude

brookt