Rocking Gnossienne’25 (feat. Gary Hayward) breathes new life into the original instrumental released back in 2021.
This 2025 edition spins the familiar melodies into a fresh lyrical dimension — with words penned and passionately performed by the talented Australian artist Gary Hayward (@gary-hayward-volt-edge).
An atmospheric fusion where Satie meets guitars, and poetry finds its rhythm.

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Rocking Gnossienne'25 (feat. Gary Hayward)

Warm look from the past

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

Against the Wind

cold shoulder of snow written and composed and also produced by Christoper Patrick Brown - Chris Browne BrowneProject download a track on my Bandcamp music page? https://browneproject.bandcamp.com/track/cold-shoulder-of-snow

Buy on BandCamp

Cold Shoulder Of Snow

2025 05 29 Song 1123

RepostExchange Pop / Rock Charts highest position #17 (2025 06 19)
RepostExchange Re-Ex highest position #21 (2025 06 19)

Empty words

Bahama.

As the wind blows through the trees.
As the silence starts to break.
As the dawn is facing forward.
Passing time, prepared to wait.
While a crow is looking over.
As you're making your mistakes.
You hide your face.
Hide your face.

If tomorrow wasn't certain.
Would you still behave this way?
As there is no way of knowing.
Could you live on in disgrace?
As the current representative of the dead who lost their way.
You hide your face.
Better hide your face.

Can the sunshine ever touch upon.
The darkness at the heart.
Will the ancestors forgive you for your
mistakes at the start.
As the crows begin to circle.
All their eyes fixed in one place.
Better hide your face.
Hide your face.

Bahama.

When you're running down the white lines.
When you can not see the stars.
When you can not stop them watching.
When you can not fall apart.
Oh, should there be a knocking.
On the window in the morn.
You have been warned.
Better get things done.

Bahama.

And should you go a-walking in the trees.
Be careful not to show them any fear.
And it might be a crow at your window.
The Dead have nothing to teach us, so let it go.
Just let it go.


Bahama (Reprise)

Samuel Yuri - Wolves (Official Lyric Version)

“Nobody’s Groovy Anymore” is a sprawling seven-minute epic from Icelandic post-rock collective Laxá & Heima Kvartett, teetering on the edge of prog. The track builds from a foundation of shimmering guitars and insistent pizzicato strings, anchored by Bjarne Guðjohnsen’s thunderous dub-tinged basslines. There’s a restless energy in the shifting time signatures and layered instrumentation—Matthias Helguson’s drums drive the track forward while Mike Taylor’s keys offer both shimmer and shadow. The Heima Kvartett—Lisbeth Heima, Sif Árnadóttir, Natasha Guðmundsdóttir, and Ída Sigurðardóttir—pull the piece in and out of tension with sweeping strings and sudden stabs, making for a journey that feels both cinematic and deeply alive. The groove may be gone—but something stranger, wilder, and far more expansive has taken its place.

Nobody's Groovy Anymore by Laxá & Heima Kvartett

EILAD 

 

Rap Verse 1:  

I’m sitting pretty now but I used to be so vicious. 

Was the moment I met you, that second everything changed 

So many lessons in my life, in all these bridges I’d burned 

Perhaps it isn’t fair, to have to be my calm in the storm 

But we’re rebuilding my foundation, all the years, damage done 

All this poison in my blood, always steering me wrong 

All these choices, these decisions, all the things that we do 

Now, every breath a confirmation that I’ll be there for you. 

 

Verse 1:  

Oh, I love you, my angel, I do 

Oh, my starling, the murmuration of you 

And I don’t want to wake up but for your light, my every morning, all I need 

This time is never enough, so be careful with the moments, let us have this memory 

 

Rap Verse 2:  

If I’ve learned anything, it’s that this is the time 

But it passes so fast, too old for nursery rhymes 

Thinkin' back to scraped knees, I was a mountain to climb 

Both the good and the bad, what kind of man was I? 

And you moved me, so when the sun sets low, let it be, it’s ok, you know we all have to go Keep the love that we shared, may it continue to grow. 

I carried you, you carried me so much further though 

 

Verse 2 

Oh, my child, my one, my blood 

My hand runs the lines marked on the wall, how fast the time has gone 

I smile at the box of things, and search my heart to feel that way again 

And as I fade away, may the simple things we had be enough when all that’s left 

 

Outtro 

And we all sing… 

Oh my love, every day is like a dream 

With you in my life, every day is like a dream  

Oh, my baby, how you blessed my soul, every day is like a dream. 

With you in my life, every day is like a dream  

eilad

"Nought Point Five" is a funky, feel-good track about the kind of bond that doesn’t need a label - part step, part chaos, all heart.

Inspired by the weird magic of 0.5 zoom selfies, this one’s for the inside jokes, late-night memes, and unspoken loyalty that make a family out of more than just blood.

🎧 Play it loud. Laugh at the selfies. Feel the love.

Words and Music: Marcus Tettmar

Copyright 2025 Marcus Tettmar 

Nought Point Five

https://browneproject.com - official domain.
Individual with no fears or limits in music. Singer-songwriter of original Indie, Folk and Rock music. Chris started out as a Busker on the streets in 2008 and is currently on Hat Man Can LTD Records
Life is music - Chris Browne BrowneProject  - @hmcltdrecords