beautiful recording envy tempered by cool piece respect!

Deconstruction of Couperin's "La Favorite," from Pièces de Clavecin, premier livre.

21-XII.5 ("La Favorite")

J. S. Bach, Prelude in D Minor, BWV 925 (from the Little Preludes and Fugues)

Twelve Little Preludes

J. S. Bach - Prelude in D Minor, BWV 925

free improvisation/guitar/sine tones/glitches

Beckett's Quad Variations No. 3
Ehsan Saboohi

Beckett's Quad Variations

25 Nov 2022

Beckett's Quad Variations No. 3

Radio Philharmonic Orchestra conducted by Lucas V

July ’90

July ’90 (for orchestra)

Even though it's a song with a lot of lyrics and ideas, I was so pleased with the instrumental arrangement and recording that I wanted to share it without the vocals.

percussion: Emedin Rivera
bass, piano, sampled vibes, sampled accordion, sampled bassoon: Brian Woodbury
oboe, English horn: Soli Jones
violins: Sara Parkins

Everybody's Gonna Be the Same - instrumental mix

Instrumental mix of "Intelligent Life" from the album "Rhapsody & Filigree."

bass, electric guitar, baritone electric guitar, nylon guitars, piano, arranging - Brian Woodbury
drums, percussion, sampled typewriter, sampled footstomps and claps, co-arranging - Jonathan Feinberg
trumpets - Chris Tedesco
violins - Sara Parkins
mixing - Dan Cubert

Intelligent Life instrumental mix - Brian Woodbury

Instrumental mix of "All the People" from the album Balladry & Soliloquy by Brian Woodbury. 
Song written and arranged by Brian Woodbury & Michael Webster
Brian Woodbury: guitars, bass, piano, synth, sampled violins, sampled trumpet, sampled trombones
Michael Webster: piano, synth, sampled violins, sampled trumpet, sampled trombones, sampled celeste 
Jonathan Feinberg: drums
Dan Cubert: mix

All The People (instrumental mix) - Brian Woodbury

3rd Hall of Twilight 7

performed and recorded by Bellingham Chamber Music Society

Kimberly Breilein, flute; Pat Nelson, bassoon; Laura Speck Camacho, violin; Thom Mayes, double bass; Milica Jelača Jovanović, electric piano; Melanie Sehman, conductor.

Four Pieces for mixed quintet (2015)
I streets
II fresco
III chaconne
IV graffiti/murmur/drift

As time passes I find myself more and more interested in unpredictable forms. Ideally I want my pieces to be journeys to get lost in, with strange surprises and a kind of magical logic tying things together into a satisfying whole. Composing ‘Four Pieces’ was a balancing dance around a few solid themes, a few basic motives, and a few abstract ideas. ‘streets’ plays with shifting textures and tonal centers. ‘fresco’ is an exploration of sonority and timbre. ‘chaconne’ is a simple variations conceived on the electric piano. The last movement is a triptych of contrasting panels: a feisty chase; a mechanical meditation; and a roadside reverie.	-BH

Four Pieces - I. streets

bruce hamilton

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ThomasScheurich

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