l'art pour l'art - Profundium
March 2025
Duration: 3:00
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For voices, harp, organ, virtual instruments and percussion

l'art pour l'art - Profundium

Listen or just listen either way you will be listening to the message.

War broke our lives to BEFORE and AFTER its start... Russian aggression has no boundaries, it's Universal. Our house happened to be on the war front line so our family had to leave behind our home and escape just to save our lives. We had spent 8 days in hell being under Russian missiles and bombs...
 In my "previous" life I used to create music and still have got some unreleased works.
 All the tracks are played, recorded and mixed on Yamaha Clavinova CVP505 without using any software.
Now I have no piano, no more chance to record music. The only sense of life is to survive. If you're Russian please don't follow me. We have nothing in common anymore. We'll never forgive you this disgusting bloody war against Ukrainian children. Each of you is GUILTY. 
  Any support from musical friends would be much appreciated on www.patreon.com/syntaleta and now you can PayPal me to to_scorpiette@yahoo.com
https://www.paypal.com/donate/?hosted_button_id=GZWM6KXA6WNDG

Please follow Syntaleta on Spotify https://open.spotify.com/artist/5NGoMdnTju2t25gnnnFPoD, YT and YT Music where you can listen for free to the 3 albums in a good quality. 
"A Distant Star" 2016
https://www.youtube.com/playlist?list=OLAK5uy_nVPUPCq3T4atZr6lBZZGT3STqbih5nk_o
"In Solitude" 2017
https://www.youtube.com/playlist?list=OLAK5uy_lacFkqQrvuZBYbwsGhXZ_8LPrx9k3nbfA
"Flying in the Dream" 2020
https://www.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg&app=desktop
A huge thank you to Patreon supporters!

Collaborators 
https://soundcloud.com/myrhyum
https://soundcloud.com/learningtoplay
https://soundcloud.com/solacestreet
https://soundcloud.com/windscaleblues
https://soundcloud.com/llanpsych
https://soundcloud.com/garddwrporffor
https://soundcloud.com/lovvarion
https://soundcloud.com/enigmacurry
https://soundcloud.com/filosophyre
https://soundcloud.com/slyarte
https://soundcloud.com/christopherus-1
https://soundcloud.com/william_nicholas
https://soundcloud.com/user-786053539

https://soundcloud.com/jwiedenfeld
https://soundcloud.com/steve-whitfield-of-austin
https://soundcloud.com/specialvocals
https://soundcloud.com/indiiwildmoon
https://soundcloud.com/user-911083679
https://soundcloud.com/scilentsymphony
https://soundcloud.com/nic_nic_nic

not on FB
Paintings by Kristina Mills Photo edit by self and Mariam Z

Main account:
 https://soundcloud.com/syntaleta
Follow me on www.patreon.com/syntaleta to have my support and show yours!
Free listening to my albums:
https://www.youtube.com/playlist?list=OLAK5uy_nVPUPCq3T4atZr6lBZZGT3STqbih5nk_o

https://www.youtube.com/playlist?list=OLAK5uy_lacFkqQrvuZBYbwsGhXZ_8LPrx9k3nbfA

https://www.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg

https://open.spotify.com/artist/5NGoMdnTju2t25gnnnFPoD

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

 My musical background is varied. I started studies in music theory and violin at the age of 8. At the age of eleven, I started with  guitar. I 'm a self-taught guitarist. One year later I started in  a school to study harmony and modern piano for six years. In 2006 I moved to Madrid to study visual production and sound.

I'm part of several bands which plays different styles: Rock, pop, heavy ...

My favourite music style  is classical music and rock. I do not think that both worlds need to be exclusionary.

My musical instrument is the piano. I spend my time playing it with complete devotion.

Some samples that can be heard on SoundCloud serve to show the variety that I can cover. I give special priority to  symphonic samples.

Main account https://soundcloud.com/syntaleta/tracks. Please follow me on www.patreon.com/syntaleta to have my support and show yours!

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Mysterious, Magical, Music is Wonderful!  Thanks for visiting!  Please feel free to share my music.  Enjoy!

Bruce Klepper is a Colorado based composer with thousands of listeners worldwide. Klepper studied music composition in the 1970's and received a degree in music composition and theory.  After writing music for many years and starting a tech company based in Colorado, Klepper retired in 2014 from business so he could devote myself to his true passion, composing music. Klepper's music premiered in Carnegie Hall, September 2022.  Klepper writes music in a number of different styles, including contemporary classical music, jazz, soundscapes using field recordings, ambient music, and ballet music.  Klepper has been composing music for Danse Etoile Ballet (www.danseetoile.org) since 2016. Klepper has been collaborating with Parlando School of Musical Arts (www.parlando.org) faculty Britta De Groot and Sergei Govorov for over a year now, composing and arranging new music for the dynamic piano and saxophone duo to premier around the United States. Klepper's music can be heard on all major streaming platforms, including Spotify, Apple Music, YouTube, and SoundCloud. 

NOTE: there is no compression added to the tracks in order to preserve the full range of dynamics. You may want to listen with headphones or increase the volume on some tracks for the best listening experience.

Every time I am sincerely surprised that the music came together again, that it worked. I don’t often write music , to enjoy nature of this wonderful process.
All tracks AI free!
Big thanks to SOUNDCLOUD for the wonderful opportunity to be heard and to my invisible friends, musicians and composers, whom I hear well thanks to SC
As an architect, I am interested in the question - if architecture is frozen music, then music is melted architecture? In this case I'm the freezer unplugged.🤗
The iceberg from the freezer is still dripping, but over time it can leak heavily...
My musical education is modest - 4th grade piano in childhood at the cultural center named Mikhail Kalinin in Kharkov + SC now

l'art pour l'art - Profundium

Bruce Klepper | Composer