A track from my Fragments EP.

Available to listen on Spotify and all digital stores.

Also available to license exclusively at https://filmpac.com

All rights reserved © tristanbartonmusic 2021

Fragments

License

A track from my Fragments EP.

Composer - Tristan Barton
Cellist - Amber Walton-Amar

Available to listen on Spotify and all digital stores.

Also available to license exclusively at https://filmpac.com

All rights reserved © tristanbartonmusic 2021

Fragile Moment

A cue I wrote from the sci-fi short film Similo. Playing in selected film festivals. Check it out if you get a chance. More info at www.blackmilk.eu 

Soundtrack written by myself and Max Richter.

I Just See You - (from the film Similo)

Alba

Music for the website "Graines de Mémoire".

Graines de Mémoire

Painted World

Was supposed to have some female vocals (classical/operatic) but never got round to it

A Life Worth Leaving

Song from the Forest

Summer

Castle

A U T U M N | L E A V E S - Extended

Bruno Bavota is a young Italian composer and multi-instrumentalist with seemingly boundless potential, and an extraordinary gift for marrying the intellectual and emotional into earnest and profoundly effective songs. Though favorably compared in his early career to another Italian composer, the legendary Ludovico Einaudi, Bavota has found himself increasingly pursuing ways to distort and disturb traditional arrangements and melodies in pursuit of a more distinct resonance. Armed with a plethora of outboard effects pedals and processors, Bavota manually manipulates his songs in real time as he performs – often with his bare hands engaged in a seesaw battle of construction against obstruction. It infuses a genuine sense of tension and forward momentum that makes his work extraordinarily poignant. Recorded live in one afternoon at a friend’s studio in Bavota’s hometown of Naples, Italy, RE_CORDIS documents many of Bavota’s most recognizable and accomplished works as they stand at this moment in time – ever-evolving musical life-forms that change shape while maintaining their distinctive skeletons. It also introduces his newest work, “The night of,” a tense, escalating race of loops punctuated by a series of dramatic chord strikes. The recording is charmingly informal, leaving the sounds of Bavota’s physical movements – the shuffling of feet, the triggering of effects pedals, the creaking of stools – present in the mix to mingle with the music. As an exhibition of Bavota’s skills as a composer and performer, it’s impressive; as a glimpse of what’s to come, it’s an epiphany.

Alba

Bruno Bavota

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