Paraply

Oversky

innova 923
https://www.innova.mu/albums/jane-antonia-cornish/continuum

Jane Antonia Cornish: Continuum I

My Piano and Me is a heartfelt journey through sound and silence, a quiet conversation between emotions and keys. Each piece captures a moment of introspection, memory, or gentle longing, woven into melodies that breathe and linger. Soft, sentimental, and soothing, this solo piano album invites listeners to step into a world of calm reflection, where every note is a whisper of something deeply personal.

Almost Remembered

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Piano Textures 4 III from the album Piano Textures 4.
Date release Single: 22 November 2016.
Date release CD album: 2nd. December 2016.
Date release LP album: mid January 2017.
Orders: https://brunosanfilippo.bandcamp.com/album/piano-textures-4

Format: LP (Clear 180g) ~ CD (Digipack) ~ Digital (iTunes, Spotify, bandcamp)

www.bruno-sanfilippo.com
www.facebook.com/brunosanfilippo.music
twitter.com/BrunoSanfilippo
instagram.com/brunosanfilippo

Piano Textures 4

Spotify

Piano Textures 4 III  - free download

'Four' is a song by Ólafur Arnalds and Nils Frahm from the album 'Loon' originally released on Erased Tapes Records.

Reworked and performed by CEEYS (Brueder Selke).
Recorded and mixed by Francesco Donadello and Antonio Pulli at Vox-Ton Studio, Berlin. 
Mastered by Sebastian and Daniel Selke at Klingenthal Studio, Potsdam.

This rework is part of a collection of pieces by contemporary composers,
reworked and performed by CEEYS (Brueder Selke).

Ólafur Arnalds & Nils Frahm - Four (CEEYS Rework)

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@daigohanada
Written and recorded by Daigo Hanada
Mastered by Emil Thomsen at ET Mastering

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Daigo Hanada - Once Heard (Algorithmics/Piano Day 2017)

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

Taken from the album Paces (Reworks)
https://1631recordings.bandcamp.com/album/paces-reworks

Jakob Lindhagen - In The Machinery (Aisling Brouwer Rework)

Select your favorite platform: https://linktr.ee/BrunoSanfilippo

Bruno is an Argentine pianist, producer, and classically trained composer based in Barcelona who writes for strings, piano, and electronics. 
In 1998 he started as a producer for ad21, a personal label that has released the majority of his albums. Although he also collaborated on several projects with the labels 7K!, Moderna Records, Thesis, 1631 Recordings [Universal/Decca], El Muelle Records, and Dronarivm, among others. In 2024, Bruno, as a co-owner, embarked on a new chapter by opening ad21's doors to pianists from around the world.
His Piano Textures series, started in 2007, is one of Sanfilippo’s most representative set of recordings, but he has also gained wider recognition in modern music – one of his piano compositions formed the basis for rapper Drake’s seminal hit, ‘Started From The Bottom’.
In addition to recordings available on streaming platforms, Sanfilippo has a series of solo and collaborative albums that are available exclusively through Bandcamp, some of which were released by American labels in physical format between 2008 and 2012.
Sanfilippo regularly performs at various live and multimedia events, and at festivals all over the world. Bruno presents his latest creation, Only Five Petals, on December 5, 2024. This EP captures the essence of stillness and mystery as Sanfilippo explores the depth of his Kawai RX-3 grand piano. Under the name Onix, he focuses on blending contemporary electronic atmospheres with intimate traditional orchestration. 
.

«In the last decade Modern Classical has soared in popularity for both releases and artists coming through the genre. Credit can go to the likes of Nils Frahm, Ólafur Arnalds, Max Richter, Jóhann Jóhannsson and labels like Erased Tapes and 130701 in helping popularize the music. You can add Argentinian Bruno Sanfilippo to the list» Drifting, Almost Falling