Third Eye, for u-he's immensely popular virtual analog hybrid Diva, is a collection of experimental atmospheres, ambient pads and percussive arps intended for evolving compositions and generative electronic underscore, including 100 patches...

26 Pads
22 Atmos
20 Arps
10 Percs
8 Basses
8 Keys
6 Leads

This library demonstrates a clever use of Diva's "modifiers" and voice handling controls, involving considerable research into semi-modular signal processing techniques that push the boundaries of modern sound design within the context of traditional subtractive synthesis.

Purchase Third Eye: https://gumroad.com/l/VLDmP

Diva Third Eye

Diva Third Eye: Outbound / Ingo Wegener

Third Eye, for u-he's immensely popular virtual analog hybrid Diva, is a collection of experimental atmospheres, ambient pads and percussive arps intended for evolving compositions and generative electronic underscore, including 100 patches...

26 Pads
22 Atmos
20 Arps
10 Percs
8 Basses
8 Keys
6 Leads

This library demonstrates a clever use of Diva's "modifiers" and voice handling controls, involving considerable research into semi-modular signal processing techniques that push the boundaries of modern sound design within the context of traditional subtractive synthesis.

Diva Third Eye: Conquering The Mountain / Bryan Lake

Some Demos I did for  Sound Author's Third Eye Sound Bank for u-he Diva. https://gumroad.com/l/VLDmP

All sounds are from the Third Eye bank, with Pulsar Audio Mu on Mix Buss duty for each demo, Fuse AudioVQP 258A used to cut some  40Hz Low Frequency on a few Drum patches, and Ozone 8 on the Mastering Buss.
Enjoy

©2019 Richard Sven Patterson

They Just Write Themselves

Third Eye, for u-he's immensely popular virtual analog hybrid Diva, is a collection of experimental atmospheres, ambient pads and percussive arps intended for evolving compositions and generative electronic underscore, including 100 patches...

26 Pads
22 Atmos
20 Arps
10 Percs
8 Basses
8 Keys
6 Leads

This library demonstrates a clever use of Diva's "modifiers" and voice handling controls, involving considerable research into semi-modular signal processing techniques that push the boundaries of modern sound design within the context of traditional subtractive synthesis.

Purchase Third Eye: gumroad.com/l/VLDmP

Diva Third Eye: Above The Metropolis / Irion Da Ronin

Diva Third Eye: Lost In Another World / Irion Da Ronin

I started playing around with synthesizers and digital audio workstations in the early 2000's when computers were finally able to process audio on a serious level. My first DAW was a program called "Orion", which is still around actually. I thought it was the coolest thing, until I discovered FL Studio, which at the time was called "Fruity Loops". It blew the lid off what I thought was possible and opened up a whole new set of possibilities for me. Ten years later, a plethora of new innovative programs have flooded the market. It's impossible to say which program is best, but nowadays I use Ableton Live as my go-to, but FL Studio is still a terrific program.

As an instrumentalist I am a guitarist, but as a musician I am a producer of ambient music. I have no desire to show off and impress you with blazing guitar solos or razzle-dazzle you with arpeggios flying at you at 260 beats-per-minute. I want to reach you. I want to say something without saying it. I want to present you with a blank canvas and let you decide what the picture looks like, and where you fit into it. But most of all, I want to make music that I enjoy listening to. Ambient music is typically characterized by its vastness. I want to get lost in that vastness. Come get lost with me.