Wes Please has journeyed through the vast expanse of music, navigating galaxies of sound and energy to reach the heights he stands at today. His path has not been without gravity—challenges have pulled him in every direction, forcing him to evolve, adapt, and launch himself further into the unknown. Yet, like a star destined to shine, he has only grown brighter.

Each summer, Wes Please rockets across festival landscapes, bringing his energy to massive dancefloors and celebrations under the stars. From forests to electrifying club events he has shared the decks with artists he once only dreamed of standing beside. His presence has become a gravitational force in the BC Interior and West Coast electronic scene, grounding him while propelling him toward even greater horizons.

But no traveler soars alone. It is the unwavering support of his cosmic crew—his peers, fans, and kindred spirits—that fuels his ascent. As he continues to defy limits and push the boundaries of sound, one thing is certain: the journey is far from over. The universe is vast, and Wes Please is just getting started.

Tickets + Music + Links >>  www.SkiiTour.com 
Bookings: peter@earthtopeter.com
Our Label @Double-Black-Records
SkiiTour = @Tim-Livingstone + @Canosis
Bootleg Account  @SkiiT0ur

Astral Harvest is a celebration of music, art, knowledge, community and the human experience. 

Location: Driftpile Valley, AB. Canada. 
Dates: July 4 - 7, 2019.  

For tickets and info visit: www.astralharvest.com

NINJETTE
Motion Notion :: FozzyFest :: Vibrant Festival :: DNB Girls :: Wicked Woods

Hailing from Kimberley, BC, Ninjette has maintained a presence in the Western Canadian electronic music scene for over a decade. Over the years she has earned her place as a performer at Motion Notion, Shambhala, FozzyFest, Vibrant, Wicked Woods, and a wide array of other reputable Canadian events, taking her place alongside top tier performers at every festival along the way. Her swift selections are a juxtaposition of deep, dark bass and playful melodies. While Ninjette is a longtime representative of the DNB Girls and is well known for her love affair with drum and bass, she is also a stealthy maestro of high energy bass house sounds with a particular affection for nostalgic remixes. This ninjette is sure to throw down a little something for everyone!

http://www.soundcloud.com/ninjette
https://www.facebook.com/pages/Ninjette

Those who have experienced the soundscape journey of Bass Panda know the energy that he brings to the dance floor. Capable of packing whatever space he is invited to, this uplifting deejay charges the crowd with his impeccable song selection and inspiring artistic integrity. The mastery of his sound sense allows him to seamlessly blend live saxophone performance through multiple genres, personal edits and mashups, tempo changes, and classics to create an incredibly unique audience experience.

Bass Panda has established himself well in the community through a solid and supportive fan base who make a point of being at his shows, and has also become well-recognized online, with his mixes having reached well over 350,000 listens. In addition to performing at FozzyFest for 7 years, he has also had numerous sets at Wicked Woods, Vibes, Motion Notion, Astral Harvest, and FreezerBurn. Earlier highlights include opening for Far Too Loud, The Librarian, LongWalkShortDock, and Balkan Bump.

When in the wild, we do it panda style!

new acoustic album ‘Unerthed: Hole Erth Unplugged’ out 9/19. https://ToroyMoi.lnk.to/UHEU

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Bryce Dawbin is following