Inspired by  revolutionary scientific paper on embracing bias as a fundamental physical quantity

The Observer's Debt

[Verse]
I never meant to hurt you no
I never meant to make you feel so low
The sky turns gray when you're not near
I’m just being me but I see your tear

[Prechorus]
The words I said
They cut too deep
I didn’t know love could lose its heat

[Chorus]
I never meant to give you the pushed out blues
I never meant to make your heart refuse
Oh baby
I wish you'd see
Wish you'd choose
I never meant to give you the pushed out blues

[Verse 2]
You call me wild like a stormy sea
But all I wanted was to set you free
I know my edges are sharp and rough
But loving me shouldn’t feel this tough

[Chorus]
I never meant to give you the pushed out blues
I never meant to make your heart confuse
Oh darling
I’m standing here with no excuse
I never meant to give you the pushed out blues

[Bridge]
The clock ticks slow when I’m all alone
Echoes of us in a silent tone
I’m not perfect but I swear it’s true
Every note I sing belongs to you

Pushed Out Blues Part 2 Female Vocal

[Intro] [lead violin]
Oooo...
Indoctrination...
Mental insemination...
Impregnate the mind...
With your lore of lies...
Break the ties...
Your vicious mind...
Ohhh... no. no. no.

[Verse1]
You must be stopped...
Before it's gone too far...
Raise the bar...
It's too much to handle... too much to hold...
You steal youth from those who you control...
Losing thier young lives to the bull shit that you spew... 
How grand of you...
Program the people based on your needs...
Your desired design...

[Verse2]
No. no. no. no. 
We won't let them go... without a fight... you better bring all your might... 
We will prove you are not right...
We will relinquish you and your design...
To take control of everything devine...
You are the sinner six. six. six...
The number of the beast...
So it is this on which we shall feast...


Leave the youth out of your design...
I dare you to come after mine...
If you do you'll know the fight... with all of my might... ooo.. yaaa...
You purchased all the farm land...
You killed food with your own hand...
You act like it's not you but we know... ooo... the truth...


You are like Soros of the new...
We see right through you...
Why do you not show yourself the way that you used to...
After your wife left you with all the hush money you gave her and the ultimatum too...
Because she knows enough to bury you but you have the power to exterminate the truth...
Long in the tooth... 
Life is fleeing you... 
Your losing your cool... your touch... your ability to make it work for you...


Time is growing short... for the plans that you sort...
Your mind has distorted from your original plans so much that you have lost your touch...
Like everyone in your court... 
You all just distort the truth to work for you...
Embrace your wicked plan... your time here is growing short old man...
The curtains have been pulled back... 
You will soon lose your attack...
You better watch your back...
Your friends know where to find you...


So leave this weary world and let us live in peace again...
This world needs not old men like you...
You've made all your cash with the blood of stolen lives...
It's time you stand up like the samurai...
Put the knife right through your eye...
Seems a righteous way for you to go...
Leave this world before you take another innocent life... life... life. Ooooo...
Mmmm... mmmm...

Legions of Youth

fading echoes

Listen to the full Playlist https://on.soundcloud.com/UFGYdotkxuOTLC5oqk

Crying Soul In Flames

Arena Rock best describes this hard edged tracj reminecent of the late 70;s to early 80's rock artists.

Glide

My Children Activities Songs Do Not Make Sense

Sammy Hagar & The Best Of All Worlds Band - The Residency

There's Only One Way To Rock (Live)

[Verse]
The clocks melt down
They drip and sway
A canvas of time
Where night meets day
A rabbit laughs
A teacup screams
Reality folds
It’s torn at the seams

[Chorus]
The weird and the wonderful
Spinning in the air
The odd and the strange
Colour's everywhere
Eclectic electric
The stars rearrange
The delusional and deranged

[Verse 2]
A mirror shatters
Yet stays intact
Reflections whisper
A curious pact
The moon’s a dancer
The sun’s on fire
A world of chaos
Hearts conspire

[Prechorus]
Can you feel it
The pull of the tide
Where logic fades
And madness collides

[Chorus]
The weird and the wonderful
Spinning in the air
The odd and the strange
Colour's everywhere
Eclectic electric
The stars rearrange
The delusional and deranged

[Bridge]
A kaleidoscope blinks
It twists and turns
The ground’s alive
The cosmos burns
Is it a dream
Or is it the truth
A universe singing
Eternal youth

The Weird and the Wonderful

“The Wrong Enemy” is a song about the painful realization that the battles we fight on the outside often come from wounds on the inside.
It explores how easily we misinterpret tones, gestures, or words — not because others meant harm, but because something unresolved within us reacts first.

The narrator reflects on years of blaming the world around him: other people, their voices, their intentions.
But every time the noise faded, the same familiar ache returned — proof that the real source was internal.

The song reveals a powerful shift:
the enemy wasn’t the other person.
It was the leftover echo of old beliefs, early defenses, and emotional patterns built long before adulthood.
Patterns designed to protect —
but now standing in the way.

The chorus opens wide with emotional clarity, admitting that the true conflict isn’t between him and the outside world, but between him and his own inherited reflexes.

The bridge speaks quietly but sharply:
he has slammed doors where no walls existed, fought battles that never belonged to him, reacted to ghosts from the past rather than to the present moment.

By the final chorus, the insight becomes resolve:
the pattern can be broken,
the fight can be faced consciously,
and the blame no longer needs to be placed outward.

“The Wrong Enemy” is a moment of honesty —
a song about turning inward, owning the truth, and releasing the weight of misdirected battles.

The Wrong Enemy

Flying Dreams

Entropic Artist Biography

As an entropic artist, my creative journey explores the delicate balance between chaos and order, harnessing entropy as both medium and message. My work delves deeply into how systems—visual, conceptual, and sonic—transform as randomness and structure interact. 

Artistic Approach

- I draw inspiration from the concept of entropy, embracing chance and unpredictability as core components of my practice.
- Mirroring the scientific principle of entropy, my art investigates themes of transformation, impermanence, and the cyclical nature of creation and decay.
- This approach allows each project to become an evolving ecosystem, where the unexpected is not only welcomed but actively integrated into the aesthetic and conceptual outcome.

Exploration of Entropic Generative Music

My research and creative output are intrinsically linked to entropic generative music—a field that uses systemic methods to produce ever-changing and unique musical experiences.

Generative music refers to compositions created by systems that follow explicit rules to produce virtually endless variations, made popular by artists such as Brian Eno and Iannis Xenakis.

- Rather than composing note by note, I construct frameworks governed by mathematical rules. These frameworks define the potential behaviors, boundaries, and interactions of musical elements, letting the "music create itself" within those confines.
- Such music is neither fully improvised nor traditionally composed; it is an emergent property that evolves as part of a system shaped by constraints and laws, often mathematical, rather than direct artistic decisions[4].

Mathematical Rules and the Role of Entropy

Mathematical rules are at the heart of my sound-based art:

- I design rulesets inspired by principles such as entropy maximization and  constrained randomness.- Models like the Maximum Entropy Model capture statistical dependencies between musical notes, generating sequences that both mirror established musical styles and offer innovative departures—without copying any input directly.
- These models avoid overfitting by prioritizing pairwise interactions and allow user-defined constraints, steering the generative process within mathematical boundaries rather than artistic intuition or machine learning guesswork:
  - For example, the range of melodic intervals can be defined probabilistically, and entropy maximization ensures each sequence is as diverse as possible within these parameters.
  - The result is music that is mathematically entropic yet always controlled by clear structural rules.

Thematic and Conceptual Links

- My artistic process surrenders to the unknown, leveraging randomness (or entropy) not as a threat but as fertile ground for creativity.
- By building generative systems governed by mathematics, I ensure that every creation reflects both disorder and disciplined order—a dance of chaos and rules mirrored in the interplay between entropy and music.

My work stands at the crossroads of art, mathematics, and sound, continually exploring how mathematical rules and the inherent uncertainty of entropy can inspire not just new aesthetics, but new modes of experience and understanding.

The Observer's Debt

BTF Entropic Effect