Sad Playlist

Copy of Rock, Metal, Punk

why do i have to feel this pain
when all you had to say 
was go away
you expect me to move on
and maybe i have, but
im certainly not okay 
oooo im not okay 
haunted by the thought of you
moving me aside 
like my feelings don’t matter
caught up in the things you do
oh what a ride it’s been 
yearning for what i’m after 
you taught me i deserve better 

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 
yeah (one last time) 

tell me all your lies
as if you don’t care 
that i’m dead or alive
who the fuck you kidding 
with all your problems
and your stupid disguise 
oooo stupid disguise
thinking about what i’d do
if it was just me and you 
left on the planet 
drinking away all my sorrows
left all alone
i guess i couldn’t handle it
but what’s on my mind
is one last time to cross the line

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 

oh you’re sad? 
well i don’t really give a fuck
GO!

you had the chance
to fall in love with this
but you rather be the one
to take the piss
all my life i’ve been 
the last one the get a kiss
now all you’re left with 
is the thought of what you 
fucking missed 

i don’t want to be another afterthought 
so i went out back and burnt the letter
i’m done with it all now
let’s change the weather
like you change lovers 
one last time
one last time

One Last Time

Come Home

Hello Juliet

The White Monster Effect. - Tren Twins Edition x Animal I Have Become

M4rkim - Mutile_ Pantera_ (Grimmjow)(M4A_128K).m4a

Inspired by  revolutionary scientific paper on embracing bias as a fundamental physical quantity

The Observer's Debt

star shopping (prod. kryptik)

pain w/ lil tracy x slug christ (prod. nedarb)

Come Over When You're Sober

save that shit (prod. smokeasac x iivi)

Come Over When You're Sober, Pt. 2

16 Lines

[VERSE I: Romeo da Black Rose]

Take me home
take me home
it's the one place I can rest in peace
turn off my phone
so many messages I wish I could just delete
questioning my existence
questioning my decisions
burning down all the bridges
dig a moat
now I'm finished
sorry don't want you to visit, no
one last pic and I'll be gone
make it count
put the flash on
never really felt like I belonged
so I'll be on my way
and I won't be long
I'll be dead by dawn
I'll be dead by dawn
I'll be dead by dawn

[VERSE II: Lil' Dark]

Scrolling through my texts
shit I left unread
never trying to deal with it
there's bliss up in my ignorance
10 dope dealers
ex want me to see her
can't trust her
don't believe her
reply turn into a needle
don't wanna do it again
got shit I'm not trying to relive
head fucked up and I'm sick
these old habits will kill me quick
quicker than I can blink
quicker than I can think
lift me up
don't want to sink
pour me up
I need a drink
what the fuck do I do when sabotage is all I know?
I done dug myself my own grave in this hole
Kill me slow, slow
curtains close low
fuck
I don't see what's the point of going on
no

...And to Those I Love, Thanks for Sticking Around

...AND TO THOSE I LOVE, THANKS FOR STICKING AROUND

Entropic Artist Biography

As an entropic artist, my creative journey explores the delicate balance between chaos and order, harnessing entropy as both medium and message. My work delves deeply into how systems—visual, conceptual, and sonic—transform as randomness and structure interact. 

Artistic Approach

- I draw inspiration from the concept of entropy, embracing chance and unpredictability as core components of my practice.
- Mirroring the scientific principle of entropy, my art investigates themes of transformation, impermanence, and the cyclical nature of creation and decay.
- This approach allows each project to become an evolving ecosystem, where the unexpected is not only welcomed but actively integrated into the aesthetic and conceptual outcome.

Exploration of Entropic Generative Music

My research and creative output are intrinsically linked to entropic generative music—a field that uses systemic methods to produce ever-changing and unique musical experiences.

Generative music refers to compositions created by systems that follow explicit rules to produce virtually endless variations, made popular by artists such as Brian Eno and Iannis Xenakis.

- Rather than composing note by note, I construct frameworks governed by mathematical rules. These frameworks define the potential behaviors, boundaries, and interactions of musical elements, letting the "music create itself" within those confines.
- Such music is neither fully improvised nor traditionally composed; it is an emergent property that evolves as part of a system shaped by constraints and laws, often mathematical, rather than direct artistic decisions[4].

Mathematical Rules and the Role of Entropy

Mathematical rules are at the heart of my sound-based art:

- I design rulesets inspired by principles such as entropy maximization and  constrained randomness.- Models like the Maximum Entropy Model capture statistical dependencies between musical notes, generating sequences that both mirror established musical styles and offer innovative departures—without copying any input directly.
- These models avoid overfitting by prioritizing pairwise interactions and allow user-defined constraints, steering the generative process within mathematical boundaries rather than artistic intuition or machine learning guesswork:
  - For example, the range of melodic intervals can be defined probabilistically, and entropy maximization ensures each sequence is as diverse as possible within these parameters.
  - The result is music that is mathematically entropic yet always controlled by clear structural rules.

Thematic and Conceptual Links

- My artistic process surrenders to the unknown, leveraging randomness (or entropy) not as a threat but as fertile ground for creativity.
- By building generative systems governed by mathematics, I ensure that every creation reflects both disorder and disciplined order—a dance of chaos and rules mirrored in the interplay between entropy and music.

My work stands at the crossroads of art, mathematics, and sound, continually exploring how mathematical rules and the inherent uncertainty of entropy can inspire not just new aesthetics, but new modes of experience and understanding.

The Observer's Debt

BTF Entropic Effect