OFF THE RECORD – THE NEW ALBUM FROM KARL BARTOS, EX-KRAFTWERK  – RELEASE DATE: MARCH 15TH 2013

Karl Bartos' new album is an audio-visual sensation! Lost for many years, some of his early music has been reconceived and re-contextualised in a thrilling modern setting. Here's the story: during Kraftwerk's heyday Karl Bartos wrote – off the record – a secret acoustic diary. Based on his musical jottings – rhythms, riffs, hooks, sounds, chords and melodies – this is what he has come up with today: twelve brand new, exciting, timeless songs.


KARL BARTOS – THE MELODY MAKER

Karl Bartos is well-known as one-quarter of the "classic" Kraftwerk line-up. Many of their most influential rhythms and memorable melodies were actually conceived in his home studio. They would later be used on an unstoppable succession of hits from the Düsseldorf band as they ascended to the lofty heights of popular music culture.

As a major contributor to The Man-Machine (1978) and Computer World (1981) Bartos has had a decisive influence on Kraftwerk's music. Rolling Stone author Mike Rubin says of this years: "there's something timeless and universal about their songwriting of this period."

The Kraftwerk team went on to achieve worldwide success and cult status: in 1982 The Model became a UK number 1. The track has become a classic in the history of music, along with The Robots, Metropolis, Neon Lights, Numbers, Pocket Calculator, Home Computer, Tour de France, Musique Non-Stop and The Telephone Call. Kraftwerk have been one of the most sampled artists of all time, and there have been countless cover versions of their songs. In 2005, perhaps the biggest rock band of the time Coldplay incorporated the melody from Computer Love into their hit Talk. Almost all of the group's best-known tracks date back to the "classic" line-up. In 2012 Kraftwerk performed a retrospective of this repertoire in the Museum of Modern Art, New York.

Karl Bartos left the band in 1990. Subsequently he became an independent producer and writer – for his project Electric Music, as a solo artist, and also together with fellow friends and musicians – Bernard Sumner (New Order), Johnny Marr (The Smiths) and Andy McCluskey (OMD).

In 2004 he co-founded the Master of Arts course "Sound Studies – Acoustic Communication" at the Berlin University of the Arts (UdK), where he was a visiting professor, teaching Auditory Media Design up until 2009.


OFF THE RECORD – THE ALBUM

For Off the Record, Karl Bartos has opened up his music archive for the very first time. He rediscovered and analysed hundreds of tapes, piles of sheet music, and years of digital media. Inspired by his acoustic diary and adding his experience as a composer and producer, he has created twelve brand new songs – written and performed with masterly skill.

It took him two years to accomplish this original Bartos album: iron crystal music, vocoder newspeak, robot sounds, digital glitch, techno pop, catchy melodies, electronic avant-garde, roaring silence, futurism, and, of course, those rhythms! Rhythms of brutal minimalistic impact as found on the much-sampled Numbers recorded three decades ago and described by Mike Banks of Underground Resistance as "the secret code of electronic funk."


ON TOUR – LIVE CINEMA

For Bartos, music alone has never been enough! Fascinated by the interplay of image and sound Bartos also works with the medium of film – the latest example of which will be seen on the Off the Record tour in 2013. Forget about technical nostalgia in 3-D; instead tune into LiveCinema: 90 minutes of music and film – rhythmical, modern, intelligent.


Website: http://bureau-b.de/karlbartos.php

Karl Bartos - Atomium (Snippet)

you found my soundcloud account!! now you get extra pizza power!!

Chained music &
the power
of drum sound

Music for speakers as honesty in art
Allowing music to do what it wants to do with us
A project is finished when the new becomes compelling
Ullip

Not, and this marks its artistic profile, not additively, "side by side". Ullip combines these functions in order to let a new something emerge from them. CDs whose tracks do not preserve and reproduce "played music" as is usually the case. But CDs where the music is created by editing, mixing and recording it "on the fly". The CD as an audience, so to speak. With the great advantage that - in contrast to live sessions - one can enjoy the cuts of the CDs over and over again.
Based on a rich musical experience and an almost "wild" past, Ullip - together with other musicians - has today found a style that activates and inspires a special genre:

'Chained music'.

Sounds and pieces, music and rhythms that are played in a self-inspiring way or created on technical devices. Born in the moment, just like jazz. Also, not only as in jazz, given as a theme, otherwise improvised. Above all, they are not reproductions in the sense of notated notes. All the elements that stand between the first beat and sound of a live gig, a studio recording and the final burning process on a CD are interlinked to create what the "piece" recorded on silver discs ultimately is.

I'm not on SC too much, look me up on the other sites :). You can contact Jeremy though his website if you have any questions; http://www.jeremyabbott.net/

Melbourne, Australia.
I like synths & stuff...

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.