Knew Sound l

When it's Over

Recorded and Mixed by Chris Campion
Mastered by Roland Hlavka
October, 2014


Control

the spacebasspleasuremusic continues and every harlekinsound producer is featured with one tune again.

weird electronic birds fly above a shallow lake until the drop brings them back to the floor. polymorphren’s ‘narsty’ reminds of dub, but is more digital and more hip hop, like trap with a bit of reggae in a grimey dubstep groove. whatever…

released 23 October 2014 
artwork by phineas

www.soundcloud.com/polymorphren
www.soundcloud.com/harlekinsound
www.harlekinsound.net

- one love -


polymorphren "Narsty" [harlekinsound]

those who are thirsty for meditation will enjoy the pulse of the heartbeat slowing down and connecting with the breath cycles to clear the mind. ‘dry dub’ is just what it is, full but empty, known but unknown. a moment fading into eternity…


check out the wonderful ‘dry dub’ visual by yAssel: www.vimeo.com/harlekinsound/tcpdrydub

released 17 February 2015
artwork by phineas


www.soundcloud.com/phineas_tcp
www.soundcloud.com/harlekinsound
www.harlekinsound.net

- one love -






tcp "Dry Dub" [hks001] see description...

Pre-order BOAN's "MENTIRAS" (out 6/9/15)
• LP / CS » holodeckrecords.com/store
• DIGI » holodeckrecords.bandcamp.com/album/mentiras-hd030

The long awaited debut from Texas-based electronic duo BOAN has finally arrived, at last bringing their unique incarnation of minimalist synth-pop to an eager and international cult following. BOAN consists of José Cota (SSLEEPERHOLD) and Mariana Saldaña (ex - //TENSE//) who, outside of their lauded individual creative efforts, are widely known as two thirds of the now defunct electro-trio Medio Mutante. MM's critically acclaimed 2008 EP Inestable was released by Cititrax, an imprint of the illustrious Minimal Wave Records, and was the first modern album allowed into the label's celebrated cannon of classic reissues. On BOAN's highly anticipated debut LP Mentiras, Cota & Saldaña continue to deconstruct, sharpen, and enhance their idiosyncratic cold wave tradition by using all hardware electronics to sequence and arrange infectious live dance music. Cota's vivid analog compositions form a solid foundation for Saldaña's indelible and predominantly Spanish vocals to sink into, reflecting a unique confluence of Texas' vibrant electronic music scene with its rich and inextricable history of Hispanic culture.


Buy LP / CS

BOAN - MENTIRAS (HD030) 05. Mentiras

stuck like glue

Lønley In The Cøld

Bademah - Mani (wip clip)

John Maus 'No Title (Molly)' is available on a limited edition transparent orange Flexi Disc as part of Smugglers Way, Ribbon Music and Domino's first ever FlexiDisc Zine available exclusively on Record Store Day, April 21st.

Smugglers Way features unreleased songs by Dirty Projectors, Real Estate, Cass McCombs, Villagers and John Maus on FIVE individual, multi-colored Flexi Discs.

The 24pg zine is comprised of contributions by Domino & Ribbon artists including Alison Mosshart (The Kills), Laura Marling, Owen Pallett, Bjorn Copeland (Black Dice), Alex Bleeker (Real Estate), Andrea Estella (Twin Sister), Orange Juice, James Yorkston, Jon Hopkins, Ade Blackburn (Clinic), Jana Hunter (Lower Dens), Conor O'Brien (Villagers), King Creosote & Tom Fleming (Wild Beasts).

Smugglers Way is a limited, one of kind item, conceived and designed exclusively for Record Store Day. We couldn't be more proud of this and we hope you find Smugglers Way as exciting to read and listen to as it was for us to put together.

For more information visit: http://smugglersway.tumblr.com/

John Maus - No Title (Molly) (Smugglers Way FlexiZine)

'Bennington' is from John Maus' A Collection of Rarities and Previously Unreleased Material' out on CD, LP and digitally July 17th in North America and July 16th in the rest of the world. 

Find out more info on the release here: http://www.ribbonmusic.com/label/?p=313
Pre-order the Special Edition translucent pink vinyl limited to 500 copies here: http://bit.ly/mausraritieslp

TOUR DATES
07-12 New York, NY - Pier 84 * (River Rocks)
07-14 San Diego, CA - Casbah
07-21 Seattle, WA - Capitol Hill Block Party
08-09 Oslo, Norway  - Oya Festival
08-10 Gothenburg, Sweden - Way Out West Festival
08-14 London, UK - Scala
09-01 Los Angeles, CA - FYF Festival
09-03 San Francisco, CA - The Independent
09-06 Portland, OR - Doug Fir Lounge (MusicFest NW)

* w/ Dan Deacon

John Maus - Bennington (2007)

Midnight Cowboy

Solid Space - Tenth Planet (1982)

Duistre Kamers (KH025) Record/Vinyl + Digital Album Released on Knekelhuis Records 2019.

Duistre Kamers

Geen Genade

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

Synthesizers, loops and abstract beats.  These are a few of my favorite things?  I am a strange breed, other worldly, and a super freak.   Cold wave, minimal techno, electro abstract, avant- hard, hardcore techno, break core, IDM, EBM, Death Rock, punk Rock, New Wave,Dark Wave, Ambient, MiamiBootyBase, SpeedBase, Dub, RagaMuffin, Dubstep, Industrial, Noise, Experimental, world beat...did I forget anything?  Neophyte, for sure, and these are all my newly found treasures, that I have dug up from around the world.  One day I will produce some tracks again, until then, I will spend every minute listening to all the newly found gems!

Solid Space - Tenth Planet (1982)

SOPHIA

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