★ 𝐕𝐄𝐍𝐃𝐄𝐌𝐌𝐈𝐀 Cycle (Vol II) in progress

𝑙𝑒̀ 𝐹𝑟𝑎𝑔𝑚𝑒𝑛𝑡 𝑓𝑎𝑡𝑎𝑙 𝑦 𝑒𝑓𝑓𝑟𝑜𝑖𝑡𝑒 𝑑𝑜𝑟𝑚𝑖𝑟𝑒
Technomorpheddis Hauntology
𝑻𝒉𝒊𝒔 𝒄𝒂𝒏 𝒃𝒆 𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓𝒆𝒅 𝒂𝒔 𝒂 𝒌𝒊𝒏𝒅 𝒐𝒇 𝒂𝒖𝒈𝒎𝒆𝒏𝒕𝒆𝒅 𝒅𝒊𝒂𝒓𝒚, 𝒄𝒐𝒅𝒆𝒙, 𝒐𝒓 𝒄𝒂𝒓𝒏𝒆𝒕-𝒅𝒆-𝒃𝒐𝒓𝒅

for more info, Dedicated page ----> http://www.cguiraud.com/vendemmiacyclevol2

* Instant,s/transfert,s/transition,s permanent,𝑒,s;
incessant,𝑒; segments transitoires de divers degrés de copeaux;
hors-temps en mouvements organique,𝑠; récolte,𝑠
filandreuse,𝑠,𝑚𝑒𝑛𝑡,𝑎𝑢𝑥 potamologique,𝑠;
𝐅𝐢𝐠.: 𝐟𝐢𝐱𝐞𝐫 𝐝𝐞𝐬 𝐯𝐞𝐫𝐭𝐢𝐠𝐞𝐬, 𝐟𝐢𝐠𝐞𝐫 𝐝𝐞𝐬 𝐭𝐫𝐚𝐧𝐬𝐢𝐭𝐢𝐨𝐧𝐬.
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Written & performed for/by various instrumental ensembles and electronic processes.

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★ 𝐕𝐄𝐍𝐃𝐄𝐌𝐌𝐈𝐀 Cycle (Vol II) in progress

I had the pleasure of making this track for the Naviar Haiku challenge for the haiku below.

This was recorded in preparation for the https://soundcloud.com/naviar-records curated Naviar Haiku Fest at Cafe Oto, London, on 7 December.
More details here: https://www.cafeoto.co.uk/events/naviar-haiku-fest/

Music inspired by this haiku:

The spring sea:
all day long
undulating, undulating.

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Haiku by Yosa Buson www.poetryfoundation.org/poets/yosa-buson

More about the Naviar Haiku: https://www.naviarrecords.com/about/naviar-haiku/

The Spring Sea [Naviarhaiku456]

From the September 1, 2023 Bandcamp release The Beauty of Inconvenience with Aoki Satoru (prepared bass), Markus Reineke (flute/electronics), Martin Hoogeboom (electronics/objects).
Listen/download: https://martinhoogeboom.bandcamp.com/album/the-beauty-of-inconvenience

Mixed by Martin Hoogeboom.
Mastered by Rupert Clervaux (http://www.rupertclervaux.com/).

Aoki Satoru: https://soundcloud.com/tototod
Markus Reineke: https://soundcloud.com/mr183

The Beauty of Inconvenience

The Beauty of Inconvenience (Satoru/Reineke/Hoogeboom)

MyFun(k)c

Artefact

Machin

Opening track on the 'left hand drive ep'. Out now.

bricolageglasgow.bandcamp.com/album/left…rive-bc083

Before The World Awakes

Llun [rwks Edit]

small dogs dream big

based upon a field recording, I developed a musical sketch about the brief moment of a passing by plane. A small dog was a little upset and – possibly – immerged into his own world for a second, conducted by this intense experience.

the assignment: record a piece of music in which a passing siren blossoms into something else entirely.

+++
More on the 650th weekly Disquiet Junto project, Doppler, Interrupted — The Assignment: Record a piece of music in which a passing siren blossoms into something else entirely — at https://disquiet.com/0650/

note of a world (disquiet650)

MENACE 
for Ensemble & electronics
• PREMIERE • 
Performed and premiered by Ensemble21, 
at La Tricoterie Brussels, for Festival Mosaïques 2024 (first edition), 
16 june 2024.

MENACE is about ecology, where the Ars subtilior blends with electronic materials made of field recordings and oscillator articulations. 
Spectral writing, therefore, serves as a “binder” to various sonic and textural phenomena. 
This piece acts as an organic mass almost imitating the event that causes various varieties of flora to grow and flower. In a certain wild gesture, organic movements and hallucinations emerge to the surface, mirages, blurs, and sharpness burst forth. Like a world, henceforth, that could almost never come back.

Ensemble21 is : 
Anne Davids . Bass flute 
Benjamin Maneyrol . Bass clarinet 
Aymeric De Villoutreys . Violin
Anne-Gabrielle Lia-Aragnouet . Cello
Quentin Meurisse . Piano + e-keyboard 
Christophe Guiraud . Electronics

Marc Collet . Direction 
Kaja Farsky & Benjamin Maneyrol . Organisation/production 

Composed by Christophe Guiraud. 
Recorded, mixed, and mastered by C.Guiraud for ©UNEARTH Laboratory.
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Same recording on YT (HD available) > https://www.youtube.com/watch?v=mBuAlMA5KAU 

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MENACE - Full PREMIERE - (Ensemble21/Festival Mosaïques, june 2024) Ensemble & electronics

Ballose

stref scre

Venturing into the blur_01

CONSEGUENZA (studio teaser) for String trio & electronics
Commissioned by UNEARTH
Duration - 30 '
Will be premiered in 2025.

Writing for strings has always been incredibly gripping, transcendent, for my body/heart, something “beyond” reveals itself, tears apart the real state of things, of matter, but amplifies the expressive state of this utopia (write for strings), transparent and on the verge of disappearing. Such a clear and impregnable message. To seek a kind of offering towards an unknown territory, and thus bring it back to reality. The sound power of these instruments will always surpass time.

"... and hearts still beating." 

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More info and details › https://www.cguiraud.com/conseguenza 
Video teaser (HD available) › https://www.youtube.com/watch?v=135p7FxtBjg
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CONSEGUENZA for String trio & electronics - studio teaser - 2025 (with Van Dam, Guaita, Lenski)

A composer and sound artist, Christophe Guiraud is dedicated to the realms of contemporary music and sound art. His primary goal is to delve into the crossroads of electronic, generative, and written music.

Ars Subtilior and Noise music serve as the dual muses for Christophe Guiraud, akin to two rivers seamlessly woven into a composition of profound strength. The French composer acts as a bridge, connecting the pinnacle of scholarly music with the avant-garde aspects of noise. 

Born in Toulouse in the mid-seventies, he later establishes himself in Brussels, transforming it into the nexus of his continuous creative journey. Presently, he is actively engaged and has collaborated for several years with a multitude of European ensembles and musicians, including Ensemble 21, Ictus Ensemble, PHØNIX16 collective, Tom Pauwels, Arçon de Nièze, Benjamin Glorieux, Nemø ensemble, among others.

His latest compositions delicately blend instrumental timbre and sound hybridization, shrouding this alchemy in a certain secrecy. Here, more than anywhere else, Christophe Guiraud's recent works initiate a dialogue across eras, traversing from the polyphony of Ars Nova to Spectralism, all the while incorporating his noise heritage. Firmly unbound by historical constraints, the concluding pieces presented here unfold in a quivering stasis. The ensemble of these pieces brings coherence across a diverse array of musicians hailing from various places, traditions, and ensembles—everything intricately interwoven towards a particularly striking culmination.

A large part of his composition material can be found here >>> 
https://unearthlaboratory.bandcamp.com/ 

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home : www.cguiraud.com

{ Please consider listening on headphones or large bandwidth speakers } 
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MENACE - Full PREMIERE - (Ensemble21/Festival Mosaïques, june 2024) Ensemble & electronics

Christophe GUIRAUD

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