Dawn Chorus on Easter Sunday - Ammerland, Bavaria

Dawn Chorus on Easter Sunday

Aufnahme vom 13.4.2004 live im Freien Radio Stuttgart und 25.9.2003 im Elektronischen Studio der Musikhochschule Stuttgart
Das Ensemble Unterton (Stuttgart)waren: Anja Füsti: Perkussion, Vibrafon, Sounds; Oli Prechtl: Elektronik (https://soundcloud.com/oliverprechtl), momentmusik: Piano, Inside Piano, Samples und Effekte
Foto: Volker Kühn (2002)
Mix / Master: momentmusik (2018)

momentmusik presents Unterton

Playing Instruments (Free Download)

1 - 19 C-Shape

I've Never Been Able To Wedge My Smiles And My Panic Attacks

cuts of "der kleine freitag" - session (March '20)
every thursday roundabout 8pm
at pfund & dollar / stockmeyerstr 43, hamburg

you`re welcome to join us (when all this social distancing is done!)

participants for these cuts:

- kskefk -
- loco motiva -



recorded with TASCAM DR-40

TASCAM_09XX

TASCAM_0960

paaapii

2 Eggs, 100gr flour, a load of sugar and some chopped cherries. Bake for infinity and serve with a canny dolphin.

IAN Needs An Array

Another experiment with electric guitar loops. The main difference between today's and yesterday's (https://soundcloud.com/disquiet/passing-waves) is that yesterday's was recorded serial, so anything coming from the first loop also appeared in the second loop. That gave it a certain density, but, well, it also gave it a certain density. This was recorded in parallel, meaning whichever looper was recording at a given moment was only recording what was being played by the guitar, not what happened to be coming out of the other looper. This means the density took quite a while longer to achieve, but also that the individual segments are much more distinct, even after density has accrued. Also, the loops are quite a bit longer. Recorded from stereo speakers into a phone (yesterday was from a mono amp), though I'm not sure if the separation is particularly apparent. Major noise reduction in Adobe Audition, and a tiny amount of reverb.

Parallel Normal

Find more info about this junto assignment here: https://disquiet.com/2020/12/17/disquiet-junto-project-0468-mirror-rorrim/

Sammie Ray Vaughan is probably the most unknown blues guitar player out there, really doesn't like to boast and show off, never plays a solo, keeps to himself. A model of modesty really. So little is known about him except for the occasional leaked recording...

So when he approached  me to perform a duet, I was a bit hesitant, you know, I'm like an ambient wanker and used to long form, erm, formless stuff. In this outfit I'm called The Exponential Trouble, and it's what I do, I add shit up until it messes the whole thing. 

Not sure we're ever gonna play together again, he's so elusive, Nevertheless, it was a fun session and here's a testament to it.

Credits: 
Sammie Ray Vaughan: Acoustic Guitar, Electric Bass. Sponsored with a worn out af set of D'Addarios.
The Exponential Trouble: Distorted guitar, Synthesizer, Ambience and overall slowdown and lowering the bar on the whole thing.

Sammie Ray Vaughan & The Exponential Trouble - Lazy Sunday Blues (It's A Minor Thing)[disquiet0468]

O:V:
https://soundcloud.com/minaroot/perched-remembering

Mina Root - Perched Remembering (Senglar Rmx)

Lost And Found - Piano

"Less is more"

Electronic music compositions mixed with
field recording, tape loops & found sound.
Also a member of zensor.
Thanks for listening and your support.
For more content go to : 
https://c-shape.bandcamp.com
#Ambient, #Art, #Electronic, #Music