Name: Mirame Cuando Te Hablo by Carlos Alberto Bergmann in Related tracks: Universe Fuzzing
Duration: 2 min 44 s
Description: The voices in my brain are talking to me and I guess it must be the devil! or some cursed beings that want to drive me crazy every day!

Related tracks: Universe Fuzzing

Illusion machine. (Winkandwoo & Midisound)
=======================


Music created in July 2024
Editing, lyrics, vocals and covert art by Winkandwoo.

The original idea came from the chorus of the music. I thought of an accordion to create it, but unfortunately I couldn't find a good sound for the iPad for this instrument, so I scrapped the idea and replaced it with a soft synthesizer with some depth.

My partner in adventures, on this occasion, did the rest with an impeccable job full of creativity and elegance.

Thanks Clive, again, for this gift.

Listen to more from Winkandwoo here.

https://soundcloud.com/winkandwoo

Lyrics.

What are they feeding your mind
How are they seeding your kind

Illusion machine
It's bigger than you and me
Illusion machine
The demon's behind your screen

Why do they need you so much
When do they get in touch

Illusion machine
It's bigger than you and me
Illusion machine
The demon's behind your screen


8 tracks of native MS2 instruments and Xewton forum.
1 Track Sunrizer synth.
1 track Arturia iMini
2 Tracks Flowtones
2 Tracks Korg Im.

Mix…….. yes……. My car 🚘
Hardware iPad
DAW Music Studio 2
Final mix by Winkandwoo 

Thank you.

Paco.

ILLUSION MACHINE (Winkandwoo & Midisound)

escapada

This is a bit of an experiment. Just me and my guitar recorded on my iPhone 16 pro.
Link to. video below.
https://youtu.be/4lXvHYD5VAA

All It Takes is A Smile (+ video)

73_ Waiting in Berlin-Tegel in Snow - released on 08 January 2025 only on Soundcloud

It's evening, I'm waiting for the train again and it's snowing in big, thick flakes. The snow flurries with their dancing flakes immediately conjure up music in my head. And this is how it turned out! #minimal #electronic #liverecording

(produced with BlocsWave & LaunchPad)

Waiting in Berlin-Tegel in Snow

Brand new track and first for 2025. Song called "Universe fuzzing"
Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

youtube link: https://youtu.be/16y888BdiZI?si=rikRzRdc4swOOSyx
----------------------------------------------------
lyrics:
Feel the heat while you're moving around
Feel the beat while you're turning around

there's no wheels for stoping, only thin air poppin


Feel the warmth of the grinding machine
feel the heat from the earth beneath

there's no time machine to revert it, only the future u gotta face it


See these raylights that are flashing, all these memories are crushin' 
all these voices are buzzin' the whole universe is fuzzin'


Read the signs for the future unfold, 
learn from the past and let your dreams on hold

there's no logical planning, only sane present that is running.
--------------------------------------------------------------
(p) & (c) 2025.

Universe Fuzzing

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
    The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end. 
  Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
  This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective with ~Mark F)

A little rap, hip hop, electronic mixed with some double bass for dat ass.

Why Not

The voices in my brain are talking to me and I guess it must be the devil! or some cursed beings that want to drive me crazy every day!

Mirame Cuando Te Hablo

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Surfers like Us ..... composition, all guitar parts and cover photo

Hello Everyone!
Spring is coming and we need to welcome it. I invite each of you to listen to my new song. I hope you enjoy the spring vibe! 😎

Thank you for listening and any support!
Artur

Spring is surfing

The Smoking Trout usually sticks to sprawling concept albums but this one-off piece kind of just came together. I came up with a beat and melody that I felt was weird enough to share with Jeff (STONERJAZZ @user-911083679). He added the the creative vocal track as well as a cloned reflection of my combined instrumental tracks that added some interesting texture. (Stephen @texmex-shaman) helped us knit everything together with the killer whimsical guitar part through the middle, connecting the two verses. 

Lyrics by STONERJAZZ

Always get a little sentimental
in the middle of the conversation
when i think about all the options offered
during the assimalation

when the level of concern
and the nature of the consternation
for the mundane and the useless
made it difficult to accept or advocate the privilege
and the worship of the lucky landing of the crooked Cowboys

Though sentimental in its nature
its making meditations incomplete
and decisions Faulty
just distractions while we fiddle in the middle of another Crisis
in the simulation
and the monkeys say "Good good Real good yum yum yum yum
now we're gonna get some Yeah"

Assimilation (The Smoking Trout: TRC, STONERJAZZ & TexMex Shaman)

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. 
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Here's an isolated track of just the hambone bit at the very end of the song (thanks for showing us this technique Stephen!):
https://on.soundcloud.com/QdPGGUnJsHfowXdV9

Country Ham (The Eclectic Collective)

Apokalypse Love

I feel the days falling away
I know that you feel the same
All the years now on display
In between some light and shade

Midnight starlight
Music on the square
We used to be there
Running in the shadows
Rapping with the poets beats
We used to walk these streets

The echo of those days remain
In the corners where we used to play
Time slips through like rain
But we still find our way

Midnight starlight
Music on the square
We used to be there
Running in the shadows
Rapping with the poets beats
We used to walk these streets

Whispers of a brighter dawn
In the places where we once belonged

Midnight starlight
Music on the square
We used to be there
Running in the shadows
Rapping with the poets beats
We used to walk these streets

Streets

- Picture -
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl
Quality Editor. Shyntwirl
Lightning Editor. Shyntwirl
Contrast Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Programmer. Shyntwirl
Composer. Shyntwirl
Developer. Shyntwirl
Add-ons. Shyntwirl
Equalizers. Shyntwirl
Console. Shyntwirl
Keyboard. Shyntwirl
Synthesizers. Shyntwirl
Waves Sounds. Shyntwirl
Voices. Shyntwirl
Reverb. Shyntwirl
Echoes. Shyntwirl
Bass. Shyntwirl
Fx. Shyntwirl
Background. Shyntwirl
Intro. Shyntwirl
Outro. Shyntwirl
Transitions. Shyntwirl

Ambient / Atmosphere / Nature / Ocean / Relaxation / Background / Waves / Synth / Groove / Reverb & Echo

PROD. Shyntwirl

Shyntwirl - Point Nemo

A cinematic electro-tango infused with passion and rhythm.
Velvet Pulse moves like breath and heartbeat — sensual, hypnotic, and alive.
Where touch becomes sound and every beat is a confession.

Velvet Pulse

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Mirame Cuando Te Hablo

Carlos Alberto Bergmann

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