ethel cain interlude

Delicious

infinity loop

Auftrag:
http://www.juno.co.uk/products/dunkeltier-bah026/588181-01/

Bahnsteig 23 return 2016 takeover mit Kris “Boy” Baha !

Baha Boy nehmen Ozzie Ozzie Ozzie (Oi Oi Oi) neu welle vi 909 wig perücke.  

Beat Move Tanz.   Powerstation Melbourne partei and label und  Powerform edit rock welt !

Crystal Ballroom lights keller.  Sameheads basement schweiss walls und ceiling.

Hymne mit Mornington Coroboree.   Höher Höher Höher.

Nowave finale whistle trommel horn nache ende.  

Can you tanz?

Panzer Peoples Down Under Vereinen !!! 


B1. Mornington Coroboree

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

02 - Xman - Red Axes / C.A.R.

Maxim Nazarov "Akizum" [AVC011]
Bandcamp: bit.ly/2v5I8bk
Apple Music: apple.co/2v5rTLn
Spotify: spoti.fi/2vWzcq7

01 Go, Honey, Go 
02 Bermuda
03 Quetzalcoatl (feat. GM2)
04 Akizum
05 Universe Is Mental (feat. Valentina Nemchenkova)
06 Go, Honey, Go (Alien Delon Remix)

Maxim Nazarov's "Akizum" is a collection of dance-floor friendly tracks influenced by the sounds of vintage disco and house. The EP features guest appearances from NYC's GM2 and Moscow-based DJ Valentina Nemchenkova. "Go, Honey, Go" is remixed by Alien Delon - the wizard of Moscow Retrowave.

Photo by Aleksey Kiselev.

http://avec.club

Akizum

Maxim Nazarov & Valentina Nemchenkova "Universe Is Mental"

The cold water rushed against the side of the boat as the storm began to worsen. The night had grown dark several hours ago and now all they were left with was the harrowing whistle of the loud, hollow wind which shook the wooden frame. They had known the journey would be difficult but few had expected the waters to rage with such malice. Now, as the waves rose higher and higher all around them they began to think of home, not that of which they had left but of a made up place far away. Somewhere in which life was peaceful, still and they didn't have to flee. 

Carisma released "Qué es Wave?" back in July earlier this year. Now Dengue Dancing Records have returned with a remix package featuring reimagined versions from Mr. TC and Tom Tom Clubber. Listen to the Mr. TC version of "Qué es Wave?"

Que es Wave? Remixes

PREMIERE: Carisma - Que es Wave? (Mr. TC Remix) [Dengue Dancing Records]

KUMP is delighted to release the first EP by HLM38, the naughty half of duo Ricco and member of the Notte Brigante crew from Lyon. The three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in Turkish delight. Front de cadeaux’s take on “Illicite Cong” is reminiscent of an erotic rave flavoured with Oriental spices. Last but not least, Kris Baha slices up “Exit” like a tablier de sapeur (local Lyonnais dish) served on a julienne of  syncopated samples and noisy beats.

12’’ Out May 2018

Producer : HLM38
Guitar and additional bass on "Exit" : Faicel Iboudg 
Distribution: https://chezemile-records.com/
Mastering: Paul "Pilah" Kozmik at Paul's Boutique  studio
Artwork : ETUS - www.facebook.com/etusart
Graphism : Florian Gomes

A1 - HLM38 - Illicite Cong (snippet)

While Krautrock was a deeply unfair term coined by a war obsessed British press in the 70s, it was a term which came to be a shorthand for bands like Faust, Tangerine Dream, Cluster and Can.
These were bands desperate to escape the past and embrace the future. Well the future is here now!
Space Ritual (Named after the Hawkwind album of the same title!)captures the vibe of Cologne, Berlin and Dusseldorf throughout the 1970s while still sounding as fresh and forward thinking as ever.
Colonization by Swedish based Tross, definitely offers more than a nod to the aforementioned bands. Tight live drums a tighter bass groove which gives way to a pulsating melodic arpeggio later in the track which rattles the chest and shakes the soul.
The type of track that would not sound out of place on one of those 70s classic albums like Tago Mago or Ege Bamyasi, 'Colonization' contains a lurking groove which doesn't let up. And after all, why would you want it to?

Various Artists - Various Lukers | SR002 12” | Space Ritual

A1.	Kalidasa - KR1	
A2.	Zmatsutsi - Wet Grout (Joe’s Dub)	
B1.	Tony Pineman - Kaneda	
B2.	Tross - Colonization

https://soundcloud.com/trossonboard
https://www.facebook.com/trosstheband/?ref=br_rs

https://soundcloud.com/space-ritual-music
https://www.facebook.com/Space-Ritual-183214981882241/

youtube: https://www.youtube.com/watch?v=p-tB3Gd6emo

PREMIERE | Tross - Colonization [Space Ritual] 2018

With its swerving bass slithering over a slow tempo, Leopard Gum is the perfect slow burner, a slice of comatose disco that will find its way to the darkest corners of nightlife – and haunt its DJ sets. The synths that come crashing across the track’s Smagghe & Cross remix add their saturated signature that provide a different kind of hook through its breathless nineminute run.

https://soundcloud.com/lumierenoirerecords

Out on May 31st!

Pre-order!

PRÉMIÈRE: Local Suicide ft. Nicki Fehr - Leopard Gum (Smagghe & Cross Remix) [Lumière Noire]

MISS REPRESENTED has such a voice, raw and fearless, an educated woman of experience, who has lived her life on the dark side of Scotland's acid house scene, where she has found plenty of food for thought.

Co-produced by Thomas Von Party of Multi Culti and Turbo Recordings A&R, who enlisted the talents of Kris Baha and Matt Karmil to mix, and brought in the elusive UK-underground legend Johnny Aux to rough up the already rugged Crack That Habit into an extended house banger.

If there's one thing dance music is guilty of, it's escapism. A refusal to confront reality. None of that here. Calling out a culture of lies, empowering female sexuality, facing the perils of addiction, and speaking of the resilience of the human mind, this is heady stuff for the rawest of parties.

https://partycentral.bandcamp.com

PRÈMIÉRE: Miss Represented - "Crack That Habit" [Party Central]

Choosing... Acronyms... Randomly ...
‘Layered, fascinating and irresistible’ - DJ Mag

‘Astonishingly accomplished … Many influences are on display, but C.A.R. connects them in a way uniquely hers.’ - Electronic Sound

C.A.R. (Choosing Acronyms Randomly) is a musical project conceived by Chloé Raunet, a multi-faceted creative living in London. Her self-confessed crush on too many genres results in a unique blend of glacial electronica, post-punk and warming, introspective pop. 

Following three albums on iconic, queer Parisian label Kill The DJ and UK’s Ransom Note, the live act now consists of herself and Joni Green. This latest combination champions female empowerment, injecting fresh energy and hype into the show. Together, they are building a reputation for pulsing, magnetic, sweaty and unforgettable performances. 

December marked another excursion into uncharted territory with the release ‘avant pop masterpiece’, Anzu. More new songs are tricking their way into the set, and C.A.R.'s next LP is on the near horizon.

A fan of the weirder edges of electronic music, Chloé also DJs and hosts the monthly 'On The Slip Road' show on NTS Radio.

02 - Xman - Red Axes / C.A.R.

C.A.R.music