OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

DPKY is a St.Petersburg indie pop band, that has absorbed the heritage of electronic music, disco, funk and even britpop. 
This project debuted at the KaZantip XX (Crimea) and presented its first album on the radio MAXIMUM.

DPKY was marked by the spectacular stage performance at the NAMM MUSIC MESSE exhibition (Moscow) and the STEREOLETO festival (St. Petersburg). 
Today’s DPKY completes solid and tout sound of synthesizers, live bass and brass instruments, with a combination of male and female vocals in two languages - English and Russian.

CONTACT: drunkenband@gmail.com serious inquiries please.



Saturn Never Sleeps came about when music producer King Britt and singer/artist Rucyl collaborated in 2009 for two improvisational performances specifically dedicated to the music and sound of fellow Philadelphian Sun-Ra. Carrying on in the tradition of Sun Ra’s vision of process as art, they decided to continue their project, which led to a year of amazing opportunities, performing at Moogfest (USA), Stadtmusik Festival (Basel, Switzerland), Art Basel (Miami), Micro-cosmos (Tokyo) and residencies in Philadelphia/NYC.
“Like Massive Attack… with balls!” – Gal Ofer from Tel Aviv
The duo have been inspired by the works of classic electronic innovators like Herbie Hancock, Raymond Scott, Delia Derbyshire, the present day forward-thinking electronic scene as well as experimental composers, dub and rocksteady.These inspirations have transpired in a solid stage show combining laptop/electronics with heart melting vocals and improvised electronic instrumentation, heavy bass vibrations and sonic ambience.The live two person show consists of King Britt on samples, beats, and textures with Rucyl layering vocals and added electronics. Often both performers vary their live rigs with home-brew music applications and experimental noise makers. Their sound resonates with fans of artists like Massive Attack, Little Dragon, Sun Ra and Philip Glass. Recently opening for TV on the Radio and Sun Ra Arkestra, music collectors and young audiences alike are taking notice of their unique approach to songs.

Their debut album, Yesterday’s Machine, combined an experimental create-in-the-moment vibe with inspirational lyrics and vocal sonics that range from Sade tones to Flora Purim’s ethereal layers. The result is well-crafted, intelligent, genre-pushing, electronic soul rooted in the duo’s collective years of experience and musical expanse. 



-af is following