Soundcloud vibes

Kate Stein makes her debut on Playground Records with the excellent ‘Mystic Saddle Ranch’ EP. The Australian raised, New York based producer Kate Stein brings a package full of hypnotic rhythms and beautiful landscapes for her debut on Playground Records. Composed of two original mixes and two high caliber remixes from Autarkic and Balam, the package is set to release May 13th. Our pick of the bunch comes in the form of Kate's original ‘Hi-Lo Motel’ - a track that perfectly showcases her ability to create tension and vibrant storylines. 

Buy: https://playgroundrecordsmusic.bandcamp.com/album/mystic-saddle-ranch-inc-autarkic-balam-remixes

https://soundcloud.com/playgroundrecords
https://soundcloud.com/katesteinnyc

Premiere: Kate Stein - Hi-Lo Motel [Playground Records]

The roads were closed at every turn, there was no way out of this god forsaken place. Huge barricades blocked off each street, even the alley ways had been shut off with makeshift blockades. They'd gone round in circles for hours and hours trying to make their escape; for now they'd managed to give whoever was trailing them the slip, but they couldn't guarantee they wouldn't be found again.

After five successful stints, Mexico's Duro return for instalment number six of their flagship VA series 'Muy Duro'. As always they welcome a collection of artists who have a synergy with the label and its mission; both old faces and new. This time round they feature contributions from ID_UA & Berny, Hard Fist co-founder Cornelius Doctor, Alvaro Cabana, Colossio and Le Dame Noir's Arthur Johnson, who bring their signature sonic touches with sounds ranging from dark disco to broken beats and synth-driven electronics.

PREMIERE: Arthur Johnson - 31SPCIAL [Duro]

NAM'S- RUN MARIA

Hello Everybody,
"Euphoria" has been released on the deep house label Ukrainian Dear Deer
Records.
This track is taken from Dear Deer Friends’s forthcoming compilation, which drops
officialy on February 3.
I hope you will enjoy it.
Cabaret Nocturne

▲ facebook.com/thecabaretnocturne
▲ twitter.com/cabaretnocturne
▲ instagram.com/cabaretnocturne
▲ youtube.com/thecabaretnocturne
▲ @soundcloud.com/cabaretnocturne
▲ www.residentadvisor.net/dj/cabaretnocturne

Euphoria [preview]

IPPON - Space Major

out on nein
https://neinrecords.bandcamp.com/album/this

Cosman - This (Akrav Remix)

♬ Click for more ☞ https://www.beatport.com/de/release/chemin-divoire/5178997

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @papfay1's track on @slowpunch here: 
➟ Beatport: https://www.beatport.com/de/release/chemin-divoire/5178997

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Papfay - Chemin d'Ivoire [Slow Punchhh]

Iggy E-Plasma Floor [Mutant Rebels]

Recondite - Poised

The Knife 'Pass This On' (Dahlbäck And Dahlbäck Mix)

My Enemy

My Enemy (Rex the Dog Remix)

Info:  
This track is part of "Rippin Kittin" by Golden Boy with Miss Kittin.

See details below or check discogs: http://www.discogs.com/Golden-Boy-With-Miss-Kittin-Rippin-Kittin/release/31136

Buy the track at:  
Zero Inch: http://www.zero-inch.com/artist/Golden_Boy/track/Rippin_Kittin_%28Ellen_Allien_Mix%29/293387


2001: Golden Boy with Miss Kittin - Rippin Kittin: A3. "Rippin Kittin (Ellen Allien Mix)"

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

A strong horse gallops over the rolling hills of the Bittersweet Strasse. As the mysterious stallion chases across the sheer endless plains of oriental allure, it finally reaches the elephantine peak; where the Gulyabani Blues converges with a mysterious cordyceps species, whom are particularly abundant and diverse in humid temperate and tropical forests. With BLOOM oriental blues brother AS SMOOTH AS
delivers a powerful debut on BELLY DANCE SERVICES. Concepted for worldwide belly dance fun, the Belgrade/Istanbul based producer Sertac Ogul takes us on a steady joyride through dark wavy synth loops, rolling percussions and intense drumbeats. Disco Halal's Kincaid joins the Belly Dance Squad with a sharp remix of the EP's title hero BLOOM, giving his version an extra pinch of darkness and creating an unresistable lowkey dance track.

https://soundcloud.com/assmoothasas
https://soundcloud.com/kincaidofficial
https://soundcloud.com/bellydanceservices

Pre - order

PRÈMIÉRE: As Smooth As - "Bloom" (Kincaid "Cordyceps" Remix)[Belly Dance Services ]

Follow @roseringed on Soundcloud:
On Spotify: http://bit.ly/differystoryep
On Apple Music: https://apple.co/2k4KaIt 

"Rose's fourth EP, "A Different Story", is - as the name suggests - diferent than the previous ones. With the opening track "Waited for you" the listener gets flashbacks to the 80ies, due to an euphoric synth line and a classic baseline. The second track featuring Heath Ledger’s opinion on journalist criticising Broke Back Mountain, immediately pulls you in. Its story with a trancey syntline and the techno beat "tension" is a true floor filler. The last track - again - totally differs from the other ones, with a groovy baseline. The aggressive base melody on top makes it a great energy booster to be danced upon all night long.

Rose Ringed- I Waited For You

@World_Wild_Web & @TrithaElectric - Prophet
Remix by @The-Juan-Maclean

Label - @HIFI-LOFI-Records

Release Date - 10/07/20

♫ Info + Buy ♫ - https://www.sinchi-collective.com/world-wild-web-tritha-sinha-prophet-juan-maclean/

Prophet In The Peacock Garden EP (incl. The Juan Maclean and Franz Matthews Remixes)

♫ Info + Buy ♫

PREMIERE - World Wild Web & Tritha Sinha - Prophet (The Juan MacLean Remix) (HIFI LOFI)

Management:
mgmt@cabaret-nocturne.com

Booking:
hello@personagrataagency.com (worldwide)
pierre@backinthedayz.be (Belgium)

Euphoria [preview]

Cabaret Nocturne

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