Part turntable, part drum machine, ALL heart.
Support comes from listeners like you! <3

Rapper, Healer, Dream Life Concierge
Head Witch at Herby.House

MGMT - jeff@reynoldsmgmt.com

The new album, 'The Loop', out now. Buy/stream: https://jordanrakei.lnk.to/TheLoop

Management:
jordanrakei@redlightmanagement.com
Live Agents:
ROW - claudio.lillo@caa.com
North, South, and Central America - sgoodgold@teamwass.com

DJ/Producer/Mixing Engineer 
C2C - Beat Torrent - Soul Square - Parrad - The Geek & Vrv - Jumo - Leska - Stromae - The Procussions - Montmartre - Coin Banks - and more...
www.onandon-records.com

George Fotiadis is a multifaceted creative music producer under the alias Basement Freaks. Born in Greece, Fotiadis has established himself as a versatile artist with a rich portfolio spanning audio storytelling and funk-infused electronic music.

Under the Basement Freaks pseudonym, George Fotiadis has carved out a notable presence in the music world, particularly within the funk, soul, and breakbeat genres. He is recognized as a producer whose work pays homage to the golden age of funk, merging the 1970s and 1980s vibes with a modern twist. 

He also contributes to the music production community by releasing live-recorded sample packs through Black Octopus Sound, enhancing his influence among producers and DJs.

Fotiadis’s approach to music is marked by creativity and a refusal to adhere strictly to convention.

Spotify JAMS: http://smarturl.it/tfh-spotifyjams

THE FUNK HUNTERS
@WestwoodRecordings | Canada

BOOKINGS:
USA: mary.allen@unitedtalent.com
CAN: grant@midnightagency.com

MANAGEMENT:
mgmt@thefunkhunters.com

Tour Dates: https://smarturl.it/tfh-shows
Spotify JAMS: http://smarturl.it/tfh-spotifyjams

We are Shaka Loves You and welcome to SLY Radio and the home of The Joints n' Jams Radio Show!

This is the radio show that dives deep into the SLY crates and brings you some of the hottest funk, soul, disco and house music around. Each episode we feature our track of the month, a smooth mellow moment plus exclusive plays from our brand-new edits.

Please subscribe, follow or leave us a comment if you're enjoying the music, we love to hear from you guys!

“If you don't like these guys, just throw away your ears” - Craig Charles (BBC 6 Music)
“These guys kill it” - DJ Jazzy Jeff
“Dance-floor friendly party rockers” - Mixmag

For more info and to join the SLY family head over to shakalovesyou.com

For all bookings please contact; info@shakalovesyou.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Solovox is not really a DJ, but he stopped correcting people years ago.  Call him what you want, he has been an essential crowd favorite of the West Coast music scene for 20 years...headlining countless shows and festivals with a ridiculous blend of live keyboard wizardry and irresistible, positive music.

Remixing DJ tracks live onstage...playing original compositions, and sometimes completely improvising, he lays down walls of pure sound blending psychedelic synths and filthy funk licks that blend modern dance music with a nod to his classic rock and jazz roots. If you've never seen it, it's time. 

Solovox has played or headlined hundreds of shows and festivals including multiple stints at What The Festival, Oregon Country Fair (first ever electronic act booked), Burning Man, Pacific Fire Gathering, Los Angeles Burning Man Decompression, Nexus (LA), Fuente Eterno in Mexico, Elysium (San Diego), and Shift festival. In Portland he has become a staple at HOWL, Whiteout, and multiple New Year's Eve events like Inspire: Truth.

In 2010 he almost caused the collapse of the Hawthorne Bridge in downtown Portland as 2,000+ people danced to his music. Oregon Public Broadcasting featured this moment in Oregon Art Beat in 2012; learn more on the bio page www.solovox.com

In 2018 he composed the soundtrack for the Bad Habit's videogame 'Marble It Up' for Nintendo Switch and other platforms.  He is currently the Creative Director for Arcimoto in Eugene, OR, producing music, video, and all creative assets.

Caedmon Sullivan is following