»La Traversée« (»The Crossing«) is Matthias Puech’s second album for Hallow Ground and follows up on 2023’s »Mt. Hadamard National Park.« Profoundly inspired by re-reading »The Odyssey,« the French composer, instrument designer, and scholar used a Eurorack modular synthesizer to create four pieces that are by far the most intuitive and emotionally charged in his ever-expanding catalogue. Puech’s masterful command of sound comes to the forefront with even more urgency on this record. A wandering meditation on the human condition, »La Traversée« is an album that is constantly in motion—complex electronic music at its most gripping and evocative.

The foundation for »La Traversée« was laid when Puech prepared a live set for a tour organised in collaboration with Hallow Ground in support of »Mt. Hadamard National Park.« Before writing the first three pieces—»Ennosigaios,« »Polyphármakos,« »Nekuia«—the 18½-minute-long »Ithâké« was composed in near-total isolation in the South of France at the end of 2023. Puech performed the material live several times before taking a step black from it for a while. He revisited the pieces when preparing them for a release. »I was struck by how the technical process and the intention behind the music had completely vanished from my memory,« he says.

What remained intact, however, was Puech’s association of the material with one of the most influential texts of Western literature. Reading a graphic novel adaptation of »The Odyssey« with his two four-year-olds, he noticed the effect that it had on them and himself. »Its themes of longing, fear of and attraction to the unknown, unresolved quests, and the struggle for control felt topical,« he says. »I was completely taken. Every story ever told seemed contained in this ancient tale; every story I have ever tried to tell as a composer seemed inscribed in this framework.« This also extended to formal motifs such as the repetition of incidents, narrative developments, or dramatic effects that also mark »La Traversée.«

Puech says that he perceived Homer’s writing as musical, »like an old Delta blues or a Renaissance counterpoint,« which inspired his writing process. »With a couple of knobs on my Eurorack system, I could control the unfolding of a story,« he notes. »This made me pass through different emotional states and led to moments in which everything made sudden sense—when you as an artist get a glimpse at something essential, can touch upon something universal.« This shines through »La Traversée,« a wildly imaginative album that is deeply personal while also telling a story far more wide-reaching than that of its creator.

Composed, recorded and mixed by Matthias Puech
Mastered by Giuseppe Ielasi
Cover: excerpt from J. M. W. Turner, Snow Storm: Steam-Boat off a Harbour’s Mouth (1842)
Drawing by Matthias Puech

La Traversée

Ennosigaios

Widely regarded as one of the most uncompromising works in experimental noise, Kevin Drumm’s Sheer Hellish Miasma is once again available on vinyl. First released on CD in 2002 on the original Mego label, the album remains a landmark in extreme electronic sound and is an essential and ferocious document of Drumm at his most inventive.

The history of Drumm’s Sheer Hellish Miasma is one of resilience to the twists of underground trends that have come and gone since its initial release. Using guitar, tape manipulation, microphones, pedals, analog synthesizers, and subtle computer processing, Sheer Hellish Miasma is an overwhelming experience: a sonic onslaught of storming feedback, fractured textures and  an unrelenting energy. At once brutal and meticulously composed, the album offers a singular vision at the outermost edges of sound art.

For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening – a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm’s journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. 

Drumm’s Sheer Hellish Miasma is an abstract noise classic with this 2LP reissue being an artefact of eternal power.

Sheer Hellish Miasma

Cloudy

Kevin Drumm 'Cloudy' (EMEGO053)

~ IIKKI 029 ~

music : øjeRum
artwork : øjeRum
album : Ensomheden Vi Deler
duration : 40.36 mn 
date : September 29th 2025

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Music & artwork by øjeRum

Mastered by Taylor Deupree 
Design by Sprflxgrfzm

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edition : 
• vinyl: limited to 200 copies / neon green LP / hand numbered  / neon green pantone (front + back) / white inner 
• cd: limited to 150 CD / neon green pantone / 4-panel matte card package / hand numbered 
• book: limited to 500 copies / hand numbered & hand stamped / neon green pantone on the cover (front + back) / Swiss binding /  coloured edges with neon green pantone / sticker on front cover

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pre-order : September 01st, 2025 / official release : September 29th, 2025

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Links : 
https://iikki.bandcamp.com/music
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://oejerum.bandcamp.com/

øjeRum - Bag Tidens Lukkede Hænder

~ LAAPS 047 ~ [SEQ.06 - LP47]

artist : Seabuckthorn
album : A Path Within A Path
duration : 42.03 mn
date : October 03rd, 2025

edition :
-  vinyl : limited to 200 copies / red (oxblood) LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : September 11th, 2025 / official release : October 03rd, 2025
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All music composed by Andy Cartwright, except the guest parts on tracks 2, 5, 6 ( Dean McPhee, Claire Deak, Loscil)
Recorded in Saint-Pierre-d'Argençon, France between July 2024 and January 2025.

Mastered by James Plotkin
Cover photo by Andy Cartwright
Design by Sprflxgrfzm
 
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Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://seabuckthorn.bandcamp.com/music
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℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 7

Seabuckthorn - Black Boar

An unmastered version of track for the lovely Pep Gaffe 2024 compilation.
To listen and support: https://pepgaffe.bandcamp.com/album/room-fiction-vol-1

skip_2024

LE DON DES LARMES

LÉO LA NUIT - NAUSÉE

𝗔𝗯𝘂𝗹 𝗠𝗼𝗴𝗮𝗿𝗱 & 𝗞𝗠𝗥𝗨 - 𝗗𝗿𝗮𝘄𝗶𝗻𝗴 𝗪𝗮𝘁𝗲𝗿 - 𝗗𝗿𝗮𝘄𝗶𝗻𝗴 𝗪𝗮𝘁𝗲𝗿 𝗼𝗻 𝗠𝗮𝘁𝗰𝗵𝗶𝗻𝗴 𝗧𝗲𝗮𝗹 𝗦𝘂𝗿𝗳𝗮𝗰𝗲𝘀 

𝗟𝘂𝗸𝗮𝘀 𝗠𝗼𝗿𝗶𝘁𝘇 𝗪𝗲𝗴𝘀𝗰𝗵𝗲𝗶𝗱𝗲𝗿 - 𝗳𝗼-𝗵𝗻 - 𝗕𝟮

𝗠𝗔𝗡𝗝𝗔 𝗥𝗜𝗦𝗧𝗜𝗖́ - 𝗜𝗻𝘁𝗼 𝗬𝗼𝘂𝗿 𝗘𝘆𝗲𝘀 - 𝗣𝗿𝗼𝗽𝗵𝗲𝗰𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗪𝗼𝗿𝗹𝗱 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗔𝗻𝗴𝘂𝗶𝘀𝗵 

𝗦𝗧𝗘𝗩𝗘 𝗥𝗢𝗗𝗘𝗡 - 𝘀𝗶𝘅 𝘀𝗼𝘂𝗻𝗱 𝗶𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻𝘀 - 𝗺𝘂𝘀𝗶𝗰 𝗳𝗼𝗿 𝗰𝗹𝗼𝘂𝗱𝘀 (𝟮𝟬𝟬𝟮) (𝗲𝘅𝗰𝗲𝗿𝗽𝘁)

𝗦𝘁𝗲𝗽𝗵𝗲𝗻 𝗩𝗶𝘁𝗶𝗲𝗹𝗹𝗼 & 𝗧𝗮𝘆𝗹𝗼𝗿 𝗗𝗲𝘂𝗽𝗿𝗲𝗲 - 𝗖𝗮𝗽𝘁𝗶𝘃𝗮 - 𝗙𝗿𝗼𝗺 𝗧𝗵𝗲 𝗠𝗮𝗶𝗻 𝗦𝘁𝘂𝗱𝗶𝗼

𝗧𝗼𝗻𝗶 𝗗𝗶𝗺𝗶𝘁𝗿𝗼𝘃 + 𝗗𝗶𝗼𝗻𝗶𝘀𝗮𝗳 - 𝗣𝗮𝘀𝘁𝗼𝗿𝗮𝗹 - 𝟬𝟭 𝗣𝗮𝘀𝘁𝗼𝗿𝗮𝗹

𝗞. 𝗟𝗲𝗶𝗺𝗲𝗿 - 𝗦𝗲𝗺𝗯𝗹𝗮𝗻𝗰𝗲 - 𝗘𝗻𝗰𝗹𝗮𝘃𝗲

42 42

[ 𝗲 𝗮 𝗿 ] • 𝗹𝘆 — 𝗼 𝗳 𝗳 𝗮 𝗹 𝗹 (𝗺𝗶𝘅)

A woven fabric of ambient, experimental, idm, and glitch.


Life as Collage w/ yusk: 26th October '25

info + tracklist: https://radio.syg.ma/episodes/walking-for-two-w-gravity-pleasure
https://www.ninaprotocol.com/releases/various-artists-water-bodies

walking for two

walking for two w/ Gravity Pleasure

doris dana - LMNL005 - 'wild at heart'

Ghostly whispers and crisp soundscapes drift through low-slung dustiness on doris dana's 'wild at heart' EP - the latest in our Liminal series, a hazy transmission from the borderlands of memory and dream.

Preorder - oscillasound.bandcamp.com/album/lmnl005-wild-at-heart

doris dana -  devotion

Puppet is a rock band started in 1991 in Urumqi by Xinjiang musician Feruh (法茹克), it has gone on to become one of the longest living rock bands in China. The backbone of Xinjiang’s underground scene, Puppet has gone through numerous line-up changes while Feruh remains the only constant member and the mastermind behind the project. In 1997, Mamer joined Puppet and has since maintained a close relationship with the band. The band went on hiatus from 2002 to 2005, reformed in 2006, and finally released their full-length debut Urumqi in 2008, a sophomore titled 32 Days followed in 2014. Feruh is currently working on his new band 6501, named after the first four digits of identity card numbers in Xinjiang, 6501 released their debut Endgame in 2018 under Modern Sky’s Bad Head sub-label. 

This cassette is Puppet’s first greatest hits album, compiled by Feruh himself, with songs selected from different periods of the band’s history, the song “3 O’clock Xinjiang Time” is previously unreleased. Each cassette is hand-numbered and the release is limited to 300 copies.

Old Heaven Books : Puppet '羊 Sheep'

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

Old Heaven Books : Puppet '羊 Sheep'

cafeOTO