I write songs with people and on my own.  I love the way a song can light a match and illuminate a story or a feeling or a character. I'm especially drawn to Americana and Country.

I spend every February writing at fawm.org (February Album Writing Month). It's a great place to hang out if you've ever wanted to sing, play, write, compose, listen, or discuss music. You can find me there as nancycunning.

 I've gotten to write with friends in Arizona, California, Colorado, Florida, Maine, Massachusetts, Michigan, Missouri, New Jersey, New York, North Carolina, Oregon, Pennsylvania, Tennessee, Texas, Virginia, Washington Wisconsin, as well as Canada, France, England, Finland, Germany, and Peru.

Hannah Jackson is a singer/songwriter in Lubbock, Texas. She can be found playing music In Texas and New Mexico promoting her new album, New Morning.
Her version of “Jingle Bells” was featured in the Hallmark movie “Christmas Cookies”. 
You can hear Hannah sing with Cleto Cordero on Flatland Cavalry’s records “Come May” and “Humble Folks” on the tunes ‘Summertime Love’, ‘Stompin’ Grounds’ and ‘Traveler’s Song’. Also with Randall King on, ‘Another Bullet’. 
In 2011, she was a top 40 contestant on Simon Cowell’s ‘The X Factor USA’.  During the competition, Simon expressed to Hannah, “You are an example of greatness.  You are what female vocalists aspire to be.”

Hannah has recorded many projects including the “Naive EP”, “Hot Chocolate for Two” with Amy Faris, “One” with Rebecca Espinoza, “Texas Gold” with Kenny Maines, "Hot House Flower" with supergroup Scabaret and several other singles that can all be found on iTunes, Spotify, etc.

Hannah has been included on 6 of Civic Lubbock’s Lubbock Music Now albums. 
She rounds out her artistic time by writing songs, working on new music all the time, and playing with her band.  Her most recent highlight was performing a song she co-wrote with Jeff Cohen and Sierena Itto, "Call You Mine", at the Bluebird Cafe in Nashville, Tenn. 
Email: hannahjacksonmusic@gmail.com for booking info!

Saved by grace, worship the King. Love my God, family and all his creations. Love to play and sing.  Main instrument is the keyboard.

"Mixing records on vinyl provides a human element to my craft that a machine can't entirely replicate. The nuances and technicalities of the mixes aren't always perfectly the same each time with vinyl but I love that. My passion for the art of mixing definitely stems from these experiences, as well as the excited energy dance music brings to myself and to the crowd." 

During a visit to Helsinki, Finland in early 2001, Josh had his first introduction to electronic dance music. The club's DJ was spinning house and techno music and he recalls the atmosphere being like no other. He pinpoints this moment as the introduction to his love of dance music: The music, the vibe, the people and the pounding bass of the sound system had him instantly hooked. 

After returning to the states, he immediately bought his first pair of turntables and mixer. With humble beginnings he started to DJ at several house parties during his college years. There he spun a variety of dance music from trance to drum n bass and breakbeats. 
Fast forward to present day and Josh's favorite vinyl to spin include multiple genres of house and techno. 
 
Josh aims to utilize his passion to support and promote the growth of house music in the Midwest. And ultimately, as a means to connect people near and far, all for the love of music.

Music is the way the world turns...just having fun🤙🏽

"the music is not in the notes, but in the silence in between"

The emerging Abstract Expressionist composers had an impetus to move away from biomorphic Surrealism, and toward an increasingly reductive style that emphasized a more personal expression. 

They ventured into the world of color as expressive, emotional object in its own right. Still created musical canvases marked by bold colors that were torn up and ruptured by other juxtaposing textures and forms, angular, uneven and vivid. 

They experimented with abstract symbols before moving towards entirely abstract fields of color. They sought an approach that might strip away all extraneous motifs and communicate everything through one powerfully resonant symbol.

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