I'm not much for sampling, so I tried to use various noise colors to accomplish the prompt. I decided to use every color of noise from Sapel for at least 1 rhythmic element, and tried to do something at least a little unusual for each one.
Pink noise into Ripples with a bit of resonance, and random duration envelopes modulating FM and amplitude made the bass drum.
Blue noise into Aperture, with a narrow width, frequency at max, and some resonance and feedback made the right panned noise voice.  The frequency was modulated with an inverted envelope.
White noise into Optomix then into the left side of Chronoblob with time at minimum made the karplus like sound panned left.
The swell was red noise into Prism, in high pass mode with resonance, time, and comb at 12 o'clock, into Chronoblob's right channel, with a moderate time setting, then into Erbe-Verb.
And lastly for noise based elements, the glitchy tom/snare thing was Pink noise into Sprott, set to almost self resonate, went into the Addac 601 input 2 for some shaping. More pink noise was mixed in through input 1 of the 601 to get some of the fuzz back.
The bassline was not based on noise. It was the Dannysound EN219 into QPAS. With some FM and SR modulation. 
Euclidean Circles and Marbles provided triggers, and Arpitecht provided pitch.

---

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/ 3

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 2:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/ 4

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Static Ocean Pulling at Your Feet - disquiet0401

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

Ambient/drone/experimental, live coding, EDM, Nixon.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

I am a 34 year old father of 2 beautiful girls, Husband to a beautiful wife.  I am an engineer by day.  I play in a rock and roll band, but I made this channel to showcase electronic music that I make.

Static Ocean Pulling at Your Feet - disquiet0401

Calytrix