Roxy autoconfig was formed by Nora-Louise Müller (clarinet) and Todd Harrop (percussion, electronics) in 2011. The band specializes in the Bohlen–Pierce 'macro-tonal' scale with custom-made instruments. Independently, the musicians have a solid background playing experimental, classical and jazz concerts across Europe and Canada, e.g. at festivals in Hamburg and in musique actuelle clubs in Montreal.

Experimental electronic music, mostly in the drone category. This is where I put live sets, one-offs, experiments, and excerpts from longer releases.

CD: "~60 Hz" on Irritable Hedgehog - http://recordings.irritablehedgehog.com/album/dave-seidel-60-hz

All releases, including netlabel items: 
http://mysterybear.net/music

https://mysterybear.bandcamp.com/

Sorry, SC won't let me follow any more people, so don't feel slighted if I don't follow you back.

how about the harmonic series but starting on zero?

more great ideas like that right this way Step right up

Cameron Bobro is a musician living and working in Maribor, Slovenia, working at the renowned Kibla
multimedia art institution. 

In order to contact by email, type "bobro", followed by that lovely "at" sign, then "kibla", followed by that cute little dot, then the abbreviation "org". Smoke signals and psychic love-vibes are effective as well.

The painting I'm standing in front of in the profile photo is currently hanging in the bar of our institution and is by the fabulous painter Marko Jakše. As to whether that's a banano I'm smoking in the pic is a matter of debate.

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

CRYING 4 KAFKA (crying4kafka.com). We ain’t no work-a-day Johnny rock & roll band. “Who the fuck are those guys?” is the most common reaction to  our performances. It’s meant as a compliment. If you can’t catch us live, you might enjoy watching our award-winning documentary on Vimeo. It’s titled “I Was Gonna Have Her Blow You Guys”. We hail from Los Angeles and Santa Barbara, CA. The band is Paul Abramson (vocalist, lyricist), Marc Bobro (bass, tuba, euphonium), James Cruce (session drummer), and Bobby Pollard (electric guitar, slide guitar, 12-string acoustic guitar, harmonica, drums, and fiddle). Our producer is Paul du Gre. Our publisher is She Stabbed Moses, and our record company is Hellflowers in LA.

Cameron Bobro is following