Underground music has been my passion and obsession for over 15 years, ever since I went to my first free party. Even so, it wasn’t until late 2024 that I felt the need to start mixing. The urge to share the tracks that move me is just too strong—I need others to hear them too.

"A noi piaceva fare queste cose, ma non avevamo ambizioni. [...] Per noi la musica era la prima ragione di vita." ('Rave in Italy', Pablito El Drito - AgenziaX)

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Process music / Sound collage

'Per Aspera Ad Astra' - (2018)
Cassette / E.P Out available via
VIENNA PRESS
soundcloud.com/vienna-press

'Un Chant D'amour' - (2019)

Followers of Cindy Lee