immersive depth and delicate textures – I like!!

This Mixtape is a compilation of tracks produced by the participates of the 'Take it from the bird - creating music inspired by the Superb Lyrebird' workshop I lead for Unthinking / Unlearning - an online laboratory and residency, a part of the Year of Germany in Russia 2020/21 and collaboration between Klammklang label, Sound Studies and Sonic Arts (M.A.) at the Universität der Künste Berlin and Sound Art and Sound Studies (M.A.) at HSE Art and Design School, Moscow.

‘The Superb Lyrebird’ is an Australian Native bird, which is capable of mimicking natural and synthetic sounds from its natural environment — Participants created their own music sampling biorhythms and timbres from an animal sound open-access archive.

Track list:
Alexandra Kopelyan - In a Bittern Voice
Isa sO.any - Myai
Alexey Berezhnoy - Flat ES Ecosystem
Anton Anishchanka - Bear Habitat
Ira Afanaseva - Dogs in the yard
Lera Elagina - Kozhuhovo Birds
Masha Alexandrova - Fin 
Ystalost Dimecres - Untitled.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

My remix for Raimondo Gaviano's (aka Svart1) new release "Circondati dai Petali da soli moriamo" (Surrounded by petals we perish in solitude)

Mask Of The Slave ‎– MS-070
Digipack CD, limited to 250 copies
Distributed worldwide by Sun & Moon Records
Realized June 2021 

Buy
https://www.sunandmoonrecords.com/
https://maskoftheslave.ro/mirgilus/
https://coldspring.co.uk/

Track 8

VAK48 | Jeremiah Carter & Kelby Clark - It Sure Ain't Worth A Damn (Feat. Sarah Viviana Valdez)

From the new album by Chinese-Australian guzheng artist Mindy Meng Wang (and collaborators), 'Phoenix Rising'. Available for purchase here: https://mindymengwang.bandcamp.com/album/phoenix-rising

Mindy Meng Wang & Fia Fiell - Undercurrent 暗涌

One track preview from Monopoly Child Star Searchers' new LP Prince of Parrot Shooters/Aqueducts of Channel Island

For more info go to www.discrepant.net

Prince of Parrot Shooters / The Aqueducts of Channel Island

Monopoly Child Star Searchers - Prince of Parrot Shooters 3

from KR093:  MimiCof - Distant Symphony
LP / tape / DL out on june 10th 2022

Distant Symphony

MIMICOF - Distant Symphony I (excerpt)

By now counting more than four decades of constant activity, Pierre Bastien erected such a towering and influential body of work that any blurb attempt regarding his music could easily fall into redundancy. Not that his revolving soundworld, deeply personal and unique, has ever stalled into gimmick or self mimicry, being Bastien the tireless explorer whose vision can never be complete, only continuously redefined in a process of discovery equally playful and challenging. So, completely in touch with Discrepant’s ethos.

Returning to the label after 2017 The Mecanocentric Worlds of Pierre Bastien, the french musician, composer and instrument builder, brings an array of instruments from different cartographies and legacies with the appropriately titled Sonic Folkways. Resorting to different types of horns, prepared trumpet, an army of percussion, from gongs and tambourine to castanets and maracas, violin and too many others to mention here, Bastien weaves together a highly textured and hypnotic mosaic that projects an exotica beamed from scraps of the future. ‘Aha!’ in the same interstellar wavelength as Sun Ra’s cosmic tones, ‘Moor’s Room’s almost orchestral tapestry of small percussion and insects or the non-western strings and tunings salvaged from ancient alien ceremonies on ‘Pan’s Nap’.

In an era where so much ink has been shed about world building in experimental music, Bastien can actually claim that to himself. The otherworld is right here, indeed.

Artwork collage by Evan Crankshaw
Mastered by Anne Taegert @ D&M

More info at https://www.discrepant.net/product/pierre-bastien-sonic-folkways/

Sonic Folkways

Pierre Bastien - Aha! (from Sonic Folkways)

CD available from: IMPREC.com

“an intoxicating sauce of stark and tripped out ritual music... which conspires to keep listeners in a semi-permanent trance state” Julian Cope / Head Heritage

“a heady brew of deep listening music that is almost medieval in mood and wholly reverential in technique” Edwin Pouncey / Wire Magazine

“Razen push the drone potential of medieval instruments like hurdy gurdy as well as shawm and recorders... into realms of total sensory overload” David Keenan / Volcanic Tongue



Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa.

Razen - Poscards From Hereafter - CD - Release: 3.24.23

Quiet Mantra IV by Mathias D. Clain
Live played music; modular synthesizer (drone) and acoustic instruments through microphones, signal processing and mixing done in the moment with some minor edits in the DAW.

Quiet Mantra IV

from the 1st album "small souds" 1999.
recording of black mong of north vietnam singing, 
recorded and composed by miki yui.



Mong

Released on Longforms Editions March 2019
The title Stereo'frogi'ic is a play on the word stereophonic – to play with the illusion of multi-directional audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other 'vocal' animals wavering about in a stereo field. This piece was recorded and edited in the summer of 2019.

I have used slightly modified animals sounds to create aural illusions, morphing the perception of animal and machine generated sounds or raw recordings and digitally effected sounds. I wanted to create a tempo that would mimic something similar to the meditative sense you can experience from the flow or sound of the wind and other elements, when you are sitting in an open field while recording.

Stereo'frog'ic (Longforms Editions 2019)

Camilla Pisani is an audiovisual artist based in Rome. She looks for the interaction between space, sounds and abstract graphic signs. Her music is an hybrid, moving into a set of influences: ambient, drone, soundscape, soft noise, industrial and minimal electronic. She composes field recordings, suspended atmospheres, hypnotic textures marked by concrete rhythms.

✉️ For bookings and inquiries, please send an email to pisani.camila@gmail.com

Track 8

Camilla Pisani

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