✦  @shaunduvet & @ronrowley
✦  Getting Away With Murder Vol. 5 out NOW at https://linktr.ee/thediscopirates
✦  Bookings: bookings@jetblack.co.za
✦ These two black beards of the entertainment industry dug deep into their treasure chest of disco, soul, funk, and house records to edit and build a mix series like no other.

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

MANAGEMENT
phil@threesixzero.com
mm@threesixzero.com

BOOKING
WW (excl. North & South America): 
dave.blackgrove@teamwass.com
North & South America: 
bshprits@teamwass.com

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

𝟫𝟢'ꜱ ᴋɪᴅ ᴍᴀᴋɪɴɢ ʜᴏᴜꜱᴇ ᴍᴜꜱɪᴄ.

𝗕𝗼𝗼𝗸𝗶𝗻𝗴/𝗣𝗿𝗼𝗺𝗼'𝘀/𝗥𝗲𝗺𝗶𝘅 𝗿𝗲𝗾𝘂𝗲𝘀𝘁𝘀
jaredmusic.booking@gmail.com

𝗥𝗲𝗹𝗲𝗮𝘀𝗲𝗱 𝗼𝗻
Hedzup, Pain Bénit, Chippy Chasers, Whoyostro, ID By Rivoli, House of Hustle, Spira Music, Recordeep, Piston Recordings, ...

Bookings:
justsayfouk (at) gmail dot com

We just say Fouk.

For Daniel Leseman & Junktion (Hans Peeman), successful producers on their own merits and friends since childhood, a collaboration was inevitable. Their house sound infused with disco and a lot of funk has been proven to be very infectious.

After the infamous Detroit Swindle signed them to their Heist imprint and released the booming Kill Frenzy EP their name was established firmly to a broad and quickly growing audience. The result was requests for DJ sets across Europe, the America’s & Australia with personal highlights including Glastonbury, LoveBox, Concrete Paris, Output New York, Club Space Miami, Claire and De Marktkantine in Amsterdam.

Their first vinyl release as Fouk, on their own Outplay Records was met with great enthusiasm, the brilliant reactions to ‘Stuff Your Dad Liked’ and ‘Cat Lady’ propelled Fouk and Outplay firmly into the scene as the ‘one to watch’. Since then they’ve released EP’s on Room With A View, The House of Disco and Razor-n-Tape and made a string of strong remixes for the likes of Kraak & Smaak, Smoove & Turrell, Groove Armada, The Brand New Heavies, Luke Million, Joey Negro and Mayer Hawthorne.

After releasing ‘Release The Kraken EP’ featuring Thumpasaurus on The House of Disco, ‘Truffles EP’ on Heist Recordings in 2019 and two EP’s on their own Outplay offshoot ’24 Carrot’ they return again on Heist in 2021 with ‘Blue Steel EP’. Continuing to build on the sound they have evolved throughout the years with a new impulse of creativity.

Damian Lazarus - DJ, Producer and creator of Crosstown Rebels, Day Zero, Get Lost and many other wonderful things

Camos is following