Sometimes works in audio, sometimes in visuals.

Marcus Bohné aka Derek Strike | Holographicman. I'm also a synth designer and a producer for Skrock Music / Auryn 64 Music
More stuff here: https://soundcloud.com/derekstrike

Tangerine Dream (Official-Soundcloud-Account) 

Tangerine Dream:
Thorsten Quaeschning (Synthesizer, Musical Director)
Hoshiko Yamane (Violin)
Paul Frick (Synthesizer)
Ulrich Schnauss (Synthesizer)
Tangerine Dream are a German electronic music group founded in 1967 by Edgar Froese. 

Tangerine Dream released more than one hundred albums. Their early "Pink Years" albums had a pivotal role in the development of Krautrock. Their "Virgin Years" albums helped define what became known as the Berlin School of electronic music. These and later albums were influential in the development of electronic dance music, and also the genre known as new-age music, though the band themselves disliked the term. From the late 1990s into the 2000s, Tangerine Dream also explored some styles of electronica.

Although the group released numerous studio and live recordings, a substantial number of their fans were introduced to Tangerine Dream by their film soundtracks, which total over sixty and include Sorcerer, Thief, Risky Business, The Keep, Firestarter, Legend, Near Dark, Shy People, and Miracle Mile. They most recently composed the original score for the video game Grand Theft Auto V.

The band's influence can be felt in ambient artists such as The Future Sound of London and Global Communication, as well as rock, pop, and dance artists such as Radiohead, Porcupine Tree, M83, DJ Shadow, Cut Copy, and Kasabian. The band also clearly influenced 1990s and 2000s Trance music, where lush soundscapes and synth pads are used along with repetitive synth sequences, much like in their 1975 releases Rubycon and Ricochet, as well as some of their music from the early 1980s. The group have also been sampled countless times, more recently by Recoil on the album SubHuman, by Sasha on Involver, and on several Houzan Suzuki albums.'

The New York Times proclaimed seven-time Grammy nominee Tangerine Dream 'the best synth band of the world.

I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions"  of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical)  Mozart,  Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell...  

to that end, from Blade Runner: 

Dr. Eldon Tyrell:  "More Human than Human"
which I extend to Wintermut3:
"More Real than Real"  (on creation of "virtual" music)

Overall I am inspired even driven by this quote:

“Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…"  :Giorgio Moroder

In addition to living by the above quote:
Welcome to my nearly 20 year journey:  my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites...

Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. 
The music is highly story and concept driven and is made to immerse the listener in mood and feeling. 
The overall goal is to take the listener to a place they have never been before.
Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;)
Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...

I am independent, sound library and music production artist, who loves experimental sound and knows lot of secrets about Propellerhead Reason music software. 

Existential Drones and Melodic Ambient. 
@trevorgavilan

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