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I make records you can dance to, and then I play them.
Host of #InDasWeTrust on 5FM.

CONTACT - talktodaskapital@gmail.com
BOOKINGS - seb@tenfoldagency.com

Releases on:
ASTRX / IN/ROTATION / This Ain't Bristol / World Famous Headquarters / Box Of Cats / Audiophile XXL / Embassy One / Punks Music / Night Shift Sound +++

◾️𝙳𝙹 𝙿𝚛𝚘𝚍𝚞𝚌𝚎𝚛
◾️𝙰𝚏𝚛𝚘 𝙷𝚘𝚞𝚜𝚎 -𝙰𝚏𝚛𝚘𝚃𝚎𝚌𝚑 -𝚃𝚎𝚌𝚑 - 𝙼𝚎𝚕𝚘𝚍𝚒𝚌 -𝙷𝚘𝚞𝚜𝚎- 𝙰𝚖𝚊p𝚒𝚊𝚗𝚘
◼️B𝚘𝚘k𝚒𝚗g: 𝚍j𝚖𝚘𝚕𝚊𝚞𝚍𝚒@𝚐𝚖𝚊𝚒𝚕.𝚌𝚘𝚖

'underground legend'

'Spearheading the London Afro House scene' - Arise Magazine 2008


Artist

 Weapons(of mass Belief), Radioclit, Joburg Project, The Very Best

'deftly mixing'- Sunday Times 2006

'Eclectic' - Time Out London 2007

'Spearheading the London Afro dance scene' - Arise Magazine 2008

'Spin Maestro' - Destiny Magazine 2012
 

From opening for Miriam Makeba, The Editors, Skindred, Jamming With Damon Albarn,Rachid Taha to playing alongside Jamie XX, Carl Craig. Moloko, Mathew Herbert, Flying Lotus, Mo laudi has come a long way from Polokwane, South Africa

 Past Festivals:
Fuji Rock(Japan) 
Glastonbury(United Kingdom) 
SXSW (United States of America) 
Laneways(Australia)
Martizik Electropical (Matinique)
Pitchfork (United states)
Stop Making Sense (Croatia)
Dissonanze 9 (italy)
Melt (Germany)
Les Plages Electroniques (france)
Nuits Sonores (france)
Electricity (France)
Lake of Stars (Malawi)
Sakifo (Reunion Island)
Big Chill (United Kingdom)
Roskilde (Denmark)
Perth Festival (Australia)
Rockness (Scotland)
Sasquatch (United States)
Gurtern (Switerland)
Rise (United Kingdom)
Milhoes de festa(Portugal)
Rise(united Kingdom)
Paleo(Switzerland)
Dour  (Belgium)
Big Green Gathering(United Kingdon)
Cultures of the World(Abu Dhabi)
Norient(Switzerland)
Panorama(France)

Multi-disciplinary artist, composer and producer, Mo Laudi’s work questions race, mobility, erasure, post-colonial ideologies. It connects with spirituality, African knowledge systems, Afro-Futurism to form new ways to understand the multiplicities of cultures. Recent experimentations have led him to develop a new visual language in paintings, collages, videos and ceramics. 
He proposes new perspectives in the field of sound installations. Informed by his South African roots, he is renowned for his key contributions to Afro-Electronic music from a London base during the first decade of the millennium and, since then, from Paris. Mo Laudi experiments with sound as material. He creates sonic landscapes, mixing vocals, textures and rhythms with his core knowledge and experience of art, fashion, dance, design and music as sociopolitical critique of society.

Two music making, tea drinking, boys from the Shire…

Ólafur Arnalds is a BAFTA-winning multi-instrumentalist and producer from Mosfellsbær, Iceland. Ólafur Arnalds mixes strings and piano with loops and beats crossing over from ambient/electronic to pop.

King Cannibal - 
"modern master of the satanic sub frequency" DJ Mag


King Cannibal wasn’t always as beastly as you’d think. Dylan Richards a.k.a. “Ninja’s first (and only?) hard man” has a snaked history, rubbing shoulders with personal heroes and all of it preemptively flagged for greatness by numerous taste-makers publications, based on his trilogy of under-the-counter mix CDs recorded under this former name - ‘ZILLA’
 
Comprised of hundreds of tracks, these hand-sprayed CDs sold out in days and earned high praise on a global scale, so much so that Warp Records took note and invited ‘ZILLA’ along with DJ partner Buddy Peace to compile a retrospective of the label. Released late September 2004 as part of the 'WARP VISION The Videos' DVD, the mix entitled 'Watch And Repeat Play' was a startlingly original tour-de-force, over 70 minutes the two DJs reworking and rewiring the label's back catalogue, twisting the already twisted into sonic maelstrom.
 
Richards began exploring solo production, perfecting an industrial take on dancehall, dubstep & drum n bass with a number of well-received, increasingly darker remixes. The Eureka moment, ‘Aragami Style’, came to be in 2006, and with it a new alias was born. “Whilst 'ZILLA' sleeps at the bottom of the Pacific KING CANNIBAL IS KING OF THE DANCEHALL”.
 
Falling in to the hands of the legendary Amon Tobin, ‘Aragami Style’ took pride of place as the secret weapon King Cannibal’s sets, destroying dancefloors for years whilst Radio 1 DJ Mary Anne Hobbs championed the track giving it heavy rotation and inviting King Cannibal to prepare for her Experimental show an hour-long soundclash with proto-dubstep producer Scorn. Radio 1 weren't the only station listening, hardcore fan and supporter Eddy Temple Morris even created a section of his show 'The Remix Darkside' in King Cannibal's honour.
 
Having now released his debut album ‘Let The Night Roar’ on Ninja Tune, it seems these long lists of endorsements are no fluke. Piecing together shards of a wide array of influences, utterly uncompromising industrial sounds and razor-edged rhythms shifted shape from dancehall & drum n bass to deep techno & dubstep in what Richards calls his school of ‘brutal deluxe’ production, falling somewhere between the sonic shadows of Amon Tobin and aggressive swagger of The Bug, both fellow Ninjas. 
 
2010 bought 2 North American tours alongside appearances at The Royal Albert Hall, The Apple Store London for Ableton, sound design & gaming work for Microsoft and Ubisoft (Splinter Cell Chaos Theory 3D and Crackdown 2) mixing duties for DJ Food, appearances on the Ninja XX compilation and accompanying tour. The year finished with a DJ Magazine 'compilation of the year' award nomination and his first mix cd 'The Way Of The Ninja' collecting a breath taking 256 tracks into 74 minutes.

Following personal request King Cannibal worked along Bjork on the initial stage of her Biolphilia album, followed by recording and releasing a remix of her song Thunderbolt. A debut release for Ad Noiseam entitled 'All The Colours Of The Night' was also released which once again earned huge support from Mary Anne Hobb's who opened every show of her U.S Road Warrior Tour, Boiler Room and Sonar Festival sets with it's remix of 'Dirt'. 
King Cannibal ends 2012 with a remix and one off performance of iconic Polish composer Witold Lutoslawki for Sacrum Profanum Festival.

CONTACT: selektor.ex@gmail.com


DJ and producer Åsmund Boye Kverneland aka Copyflex started Copia Doble Systema in Copenhagen, Denmark 2009, heavily taken by the digital cumbia that fused electronic music and local beats of South America. By slowing down techno and adding cumbia loops, we I really felt at home. The first crew was consisting of Copyflex and danish producer Jens Fokking.

We quickly started to produce and do shows in larger and smaller constellations, sometimes as a trio, and maxing it with an orchestra of 11 people! Now we're doing shows all over the world with different collaborators. Our range of venues goes from squats, block parties and glitzy clubs in Cairo to the Royal Library in Copenhagen. Everybody needs the vikingo cumbia! So far Copia Doble Systema has managed to play countless indoor and outdoor events in Denmark, some of the best ones being the Distortion Festival (Copenhagen), Roskilde Festival Camping Area and R.A.W. shows.  We have also been overseas! Magic moments at the Notting Hill Carnival (London), in Hanoi, Caracas, Stavanger, Malmö, Wales and the Faroese Islands.

Copia Doble Systema is now getting support from major players like Diplo (Mad Decent, Major Lazer), Gilles Peterson (BBC), El Hijo De La Cumbia (Bersa Discos), Dj Sinden (Grizzly, Domino, KissFM), Toy Selektah (Mad Decent), Villa Diamante (ZZK) and Schlachthofbronx (Man Recordings, Disco B) amongst others.

We are also very proud to (have) work(ed) with great artists such as Fauna, El Hijo De La Cumbia, Douster, Dj Mouse, Boody B, El Remolon, Dj Hvad, System, Mo Fire, Doma Tornados, dj/Rupture, MAFFI, Uproot Andy, Schlachthofbronx and many more.

I wish to remain an eternal enigma to myself and to others.

Bookings : atarireset at gmail dot com

More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


CamWilliamson is following