Independent musician/songwriter/composer from Chicago, IL.

Contact: dhcurrier@gmail.com for booking, projects, or general conversation.

Michael Hall has performed and taught across Europe, Asia and the United States. Described by the New Music Connoisseur as “utterly masterful,” and Chamber Music Today as having “superb technique,” he recently made his Chicago Orchestra Hall solo debut and concluded a recital tour to Vienna, Austria and Udine and Tolmezzo, Italy. Hall has been a featured performer at the Thailand International Composition Festival in Bangkok, the Positano Chamber Music Festival in Italy, the Vianden International Chamber Music Festival in Luxembourg and the Composer’s Concordance Series in New York City. 

Twice he has presented world premieres at International Viola Congresses at Minneapolis and Reykjavik, Iceland, performed at the 2014 Primrose International Festival in Los Angeles, and presented to critical acclaim the North American premiere of Chen Yi’s, Xian Shi, the first viola concerto written by a Chinese composer, with the Chicago Composers Orchestra, and earlier with the Chiang Mai Philharmonic in Thailand. 

Upcoming performances include the inaugural Ear Taxi Festival in Chicago, 2016 New Music Gathering, Bandung String Festival in Indonesia, Northwest Symphony, 2016 UMKC Summer Composition Workshop, 2016 Thailand Int. Composition Festival in Bangkok. 

Additional works written for Hall by renowned composers include Jim Mobberley, Mara Gibson, Narong Prangcharoen, Eric Moe, Mary Kouyoumdjian, Adam Greene, Matthew Burtner, Marta Ptaszynska, Yu Pengfei, Christian Ellenwood, Seth Boustead, Michelle McQuade Dewhirst, Eric Malmquist and David Kirtley. 

Composers currently writing for Michael Hall include Katherine Bergman, Amy Williams, Rob Deemer and Ilya Levinson. 

Michael loves hiking in the Grand Tetons and Wind River Ranges, chocolate ice cream, great literature, collaborating with friends and working with students in outreach settings in underfunded schools on Chicago's South Side. 

Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks & mallets, Zildjian cymbals, and Black Swamp accessories, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date – "Spiral Passages" and "The Yuletide Marimba" – as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis."

With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band."

As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance.

Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes.

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