A great composition, mix and arrangement are great! Great voice ... sounds so honest ! 👍

Love this classic rock/pop/indie combination!

A better quality upload of Black Eyed Goddes Enjoy

Black Eyed Goddes (B.E.G.)

Pensées

After many drafts, hopefully I have a final version of this song! It’s about narcissists, who can seem shiny and attractive at first. But the dissonance eventually reveals itself.

Lyrics:

I love you, yes I do!
And you love me, I can see!
I’m the one, yes the one.
Shining bright, I’m the sun.

Little darlin’ fall for me,
The false charms ring true.
Magnetic ways I save for you,
A little scene, I make the score.

You love me, I’m a catch!
No one else in the race!
But can’t they understand
I’m the best in the land.

Little darlin’ fall for me,
The false charms ring true.
Magnetic ways I save for you,
A little scene, I make the score.

Ooh, why do they fall
For the lies
That make us despise
The size of his ego
Ooh, what can be done, for
The lives that have been
Taken
Why do they fall for the lies
Time to make the move.
Arise.

Narcissus

Vangelis and John Dowland mashup of sorts. Inspired by John Dowland’s ‘Awake Sweet Love’.
Skopós is ancient Greek for 'watcher' as in 'autoscopy' or seeing oneself from a separate view point (doppleganger/out of body experience). I once had a brief out of body experience in a near-sleep state. It was quite something. I swam out of my body and looked down upon myself from the ceiling. Afterwards I went downstairs and told my family then we had lunch as if nothing had happened.
M Audio midi keyboard, Cubasis and effects.

Skopós

art is the universe guiding your soul towards it's purpose

Communicate Thru Me

A song inspired by the bestselling novel ‘The Salt Path’ by Raynor Winn.  I wrote this while on holiday in Cornwall, sitting and resting in Hawker's Hut following a walk along the cliffs at Higher Sharpnose Point near Morwenstow Church.

Salt Path

Solitarian

Bandcamp

Cream Soda

I’ve sailed the seven seas, 
I’ve searched the skies above,
I’ve shed my blood and tears,
Cause nothing comes without a price

From rotten roots it springs
In veiled despair it dwells
From withered flesh it nurtures 
Seeds of corruption and wicked lies

O Idiot Blind God,
What future do you see
Don’t hide behind the mask
Of benevolence, it never fooled me

What has no beginning nor end
Cannot truly be understood
A creation as flawed and obscene 
Must be extinguished, burnt down to its roots.

Burn it down to the roots.

Lost in the seven seas,
I prayed to the skies above,
For a light to guide my spirit 
I sacrificed all, for that was the price

Where nothing’s meant to remain
Desolation welcomes me home
As flesh heals, I become like thee
Ignorant, silent, and alone.

Seven Seas

Aimlessly Wandering

Song: Lights Out
Written by – M. Rebennack, S. David
Appears on single: Dr Feelgood - Sneakin’ Suspicion / Lights Out (1977)
Appears on album: Dr Feelgood - Sneakin’ Suspicion (1977) 

Introducing “Lights Out”: a tune so fast that even Dr Feelgood were terrified to play it live! I was in two minds about whether to go with a guitar solo, or harp solo. In the end I did both, and even after all that the song still only comes in at a meagre 2 minutes 16 seconds. That's fast!! The song itself is from 1958, originally performed by Jerry Byrne. I love it! If only I could play it! Ha ha. And yes, I had to break my no plectrum rule here, but only for the solo. Will try harder next time...

I first heard “Lights Out” on the b-side to the “Sneakin’ Suspicion” single. It quickly became a part of the set my band - The Blisters - played in the 80s. If memory serves me right, we played it faster than the Feelgood version, but then we played everything fast. Today’s rendition is closer to the version that Wilko Johnson laid down at Rockfield Studios for the “Sneakin’ Suspicion” album, which went on to spend 6 weeks at number 10 in the UK charts in 1977. Wilko Johnson left the band right about this time but not before he got to play “Lights Out” live with the Feelgoods. There is a recording out there somewhere which is worth tracking down if you’re interested in how he tackles the solo on stage. Enjoy!

If you are interested in hearing more songs from this project, please check out my playlist “Inspired by Dr Feelgood” where I present my take of some of the music created by Dr Feelgood. I even lay down some of my own compositions to mix it up a bit. My focus is predominantly on those very early formative years of the band and trying to capture some of the passion and raw energy of the music that they were creating at that time. Have I got the chops to capture the magic of a Dr Feelgood live performance? Have a listen and you be the judge!

If you’re interested in hearing more of the music that originally inspired and influenced Dr Feelgood, listen to the following Artists: The Rolling Stones (the band that first turned Wilko and Lee onto the Blues); Bo Diddley (whose signature rhythm guitar inspired Wilko’s distinctive “choppy” style); Muddy Waters and John Lee Hooker (whose music inspired Wilko’s songwriting); Howlin’ Wolf (the artist who inspired Lee with his stage presence and growling vocal style); Chuck Berry (the artist whose “duckwalk” inspired Wilko’s very own “springwalk”); Little Walter, James Cotton and Sonny Boy Williamson I (whose cross-harp playing styles inspired Lee’s spine-tingling delivery); Johnny Kidd & The Pirates (whose fast and furious live 3-piece energy and all-in-one rhythm and lead guitar presence inspired Wilko).

Dr Feelgood were labelled as being leaders in what is often referred to as “Pub Rock”, a phenomenon than revolved around a tight-knit set of bands playing a regular circuit of venues in and around London in the 1970s. It’s a term that’s always felt a bit derogatory to me, but today you’ll hear it used to refer to the style of music that started to emerge from this scene. If you’re interested in hearing more British “Pub Rock” from notable contemporaries of Dr Feelgood, check out some fantastic music from the following artists: Graham Parker & The Rumour; Nicke Lowe; Nine Below Zero; The 101ers; Lew Lewis; Chris Spedding; The Inmates; Steamhammer; Kilburn & The High Roads; Ducks Deluxe; Eddie & The Hot Rods; The Count Bishops; The Kursaal Flyers.

Lights Out

There's no running from the blue these days, probably get shot at the border the way things are going.  Here we are, hitching a ride with the Maestro Keton again, having a bash at singing the blues.  Be well. https://soundcloud.com/keitblues

I have heard rumours and I think they might be true,
all about a friend of mine who was stealing time from you.
etc
I bought myself a ticket for a trip around the world,
was I looking for that inner light, was I looking for a girl..etc

I've slept on beaches and I've danced beneath the stars,
dreaming a thousand dreams in a thousand different bars etc

Running  from the Blue. ( Keiton-steve killingbeck) Collab.

Atmospheric, indie-pop/rock exploring life on this wild and wondrous place that is planet earth.

This Circle is a music project by multi-instrumentalist Carl Sutton from Derbyshire UK, producing a unique expressive layered sound with a blend of chilled out guitar pop/rock, sometimes retro, sometimes contemporary; always original!

Dream, create, mix, repeat!

Salt Path

This Circle

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