Excelente desarrollo de la composición musical

Love these strings and the way they accent the drama

Great track Carl..well are we there yet ??? :-) Johnny

Wonderful - love the sense of space 😎🙏🙏

back when I was recording the John Denver song "Take Me Home, Country Roads" with the fine gentlemen in The Eclectic Collective, my 8 yr old daughter loved the song so much she began singing it ALL THE TIME. This is a quick little recording of her singing the chorus. Pretty amazingly expressive singing for a youngster if I do say so myself! 

Here's the full recording with the Eclectic Collective:
https://soundcloud.com/user-432503709/take-me-home-country-roads-eclectic-collective?si=124fd64d50bb42bca0caa9b197a975c2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Country Roads (daughter sings chorus)

noxpox - Offline Do Do

TASCAM DR-05

san diego seranade - tom waits (cover)

TENET.

A Myth Of The Far Future

Abidemi is a feminine name, meaning born in the absence of her father.

This is one of the tracks included in the Mediterrâneo piece (https://soundcloud.com/jfcpetruscastrus/mediterraneo-full-v38-x05). 

Here I took out the track and made some small additions.

Market sound from Freesound 406313

Abidemi nasceu na ausência do seu pai, que partira para um porto de mar. Marujo num navio rumo ao Sul, rumo ao Sol, no horizonte. Abidemi cresceu à espera do seu pai que partira para nunca mais voltar. Ele nunca lhe escreveu, nem a viu a olhar o poente. A olhar...

Abidemi

Animal Print Bikini Try - On Haul - animal

noxpox - Phat Electrobop Theme

Composed, arranged, performed, and produced by:
Carlos Vivanco

Autumn Tears

Are We There Yet

Halloween　Experimental for Variable tuning violin
Spooky！

Enjoy!

Halloween Experimental violin:A house of stringth

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement X (General Relativity)

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Are We There Yet

Carlos Vivanco

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